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"Earle Brown (1926-2002) was a crucial part of a group of experimental composers known as the New York School, and his music intersects in fascinating ways with that of his colleagues John Cage, Morton Feldman, and Christian Wolff. This book seeks to expand our view of Brown's work by exploring his practices as a composer and draughtsman through a selection of works composed in the United States and Europe, which included a seminal collaboration with sculptor Alexander Calder. These essays detail Brown's compositional methods in historical context: not only his influential experiments with open form composition and graphic notation, but his interest in performance, mixed media, jazz, the Schillinger system, and his engagement with the European avant-garde. The volume also includes never before published essays by Brown that shed new light on his relationships with colleagues and the ideas that shaped his work, in addition to several color photographs of Brown's paintings."--Publisher's description.

Brown, Earle, --- Brown, Earle --- Criticism and interpretation.

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Musical notation --- Music --- Art and music --- Semiotics and the arts --- History --- Philosophy and aesthetics --- Brown, Earle --- Brown, Earle, --- Brown, Earle, --- Brown, Earle, --- Criticism and interpretation. --- Aesthetics.

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Along with twentieth-century developments in playing techniques, technologies, and concepts of musical sound, the notations employed by composers have also changed. Composers of what Umberto Eco calls 'open works' often employ intentionally ambiguous music notations. These open notations ask the performer to play a radical and active role in co-creating the musical work. Scores that feature open notations have been part of the Western classical music landscape since the mid-twentieth century, and continue to have a vibrant community of practitioners today. In this Element, Tristan McKay considers intersections of ambiguity, authority, and identity in works with open notations. He develops a semiotic approach to open notation analysis and puts it into practice with in-depth analyses of openly notated works by Earle Brown, Will Redman, and Leah Asher.

Musical notation. --- Improvisation (Music) --- Brown, Earle, --- Redman, Will --- Asher, Leah --- Criticism and interpretation. --- Extemporization (Music) --- Music --- Ligatures (Music) --- Music autography --- Music copying --- Music manuscript --- Music notation --- Musical autography --- Notation, Musical --- Staff notation --- Musical meter and rhythm --- Signs and symbols --- Paleography, Musical --- Performance --- Redman, G. William --- Brown, Earl, --- Braun, Ėrl, --- Brown, Earle

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Cellists --- Performance artists --- Moorman, Charlotte. --- politics --- performance art --- happenings --- violoncellists --- sexuality --- experimentation --- Art --- violoncellos --- feminism --- censorship --- music [performing arts] --- Fluxus --- Music --- nudity --- Hendricks, Geoffrey --- Maciunas, Georg --- Piene, Otto --- Maxfield, Richard --- Neuhaus, Max --- Feldman, Morton --- Lennon, John --- Yalkut, Jud --- Varèse, Edgard --- Brecht, George --- Kaprow, Allan --- Brown, Earle --- Beuys, Joseph --- Muehl, Otto --- Paik, Nam June --- MacLow, Jackson --- Higgins, Dick --- Moorman, Charlotte --- Vostell, Wolf --- Stockhausen, Karlheinz --- Young, La Monte --- Ono, Yoko --- Chiari, Giuseppe --- Schneemann, Carolee --- Corner, Philip --- Vautier, Ben --- Tudor, David --- Nitsch, Hermann --- Cage, John --- music [performing arts genre] --- kunst en politiek --- social criticism

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Muziekgeschiedenis --- Biografieën --- Stijlstudies --- Thematische catalogi --- Bártok, Béla (1881-1945) --- Berg, Alban (1885-1935) --- Berio, Luciano (1925-2003) --- Boulez, Pierre (1925-2016) --- Britten, Benjamin (1913-1976) --- Brown, Earle --- Cage, John (1912-1992) --- Carter --- Shostakovich, Dmitry (1906-1975) --- Dallapiccola, Luigi (1904-1975) --- Debussy, Claude (1862-1918) --- Dutilleux, Henri --- Falla, Manuel de --- Feldman, Morton --- Hindemith, Paul --- Ives, Charles --- Janácek, Leos --- Jolivet, André (1905-1974) --- Kagel, Mauricio --- Krenek, Ernst --- Kurtág, György --- Ligeti, György (1923-2006) --- Lutoslawski, Witold --- Mahler --- Messiaen, Olivier (1908-1992) --- Milhaud, Darius --- Nielsen --- Nono, Luigi --- Penderecki, Krzysztof (1933-2020) --- Poulenc, Francis --- Pousseur, Henri (1929-2009) --- Ravel, Maurice (1875-1937) --- Reger, Max (1873-1916) --- Roussel, Albert --- Satie, Erik (1866-1925) --- Schnebel, Dieter --- Schoenberg, Arnold (1874-1951) --- Skrjabin, Aleksandr --- Sibelius, Jean --- Stravinsky, Igor --- Varèse, Edgard (1883-1965) --- Vaughan Williams, Ralph --- Villa-Lobos, Heitor (1887-1959) --- Strauss, Richard --- 20e eeuw --- Rachmaninoff, Serge (1873-1943)