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This book contains essays that explore various aspects of Arthur Miller's play, "The Crucible", including its biographical and historical origins, its themes and techniques, and the ways it has been presented on stage and on film.
Witchcraft in literature. --- Communism in literature. --- Miller, Arthur,
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In The Popular Front Novel in Britain, 1934-1940 , Elinor Taylor provides the first study of the relationship between the British novel and the anti-fascist Popular Front strategy endorsed by the Comintern in 1935. Through readings of novels by British Communists including Jack Lindsay, John Sommerfield, Lewis Jones and James Barke, Taylor shows that the realist novel of the left was a key site in which the politics of anti-fascist alliance were rehearsed. Maintaining a dialogue with theories of populism and with Georg Lukács’s vision of a revived literary realism ensuing from the Popular Front, this book at once illuminates the cultural formation of the Popular Front in Britain and proposes a new framework for reading British fiction of this period.
British literature --- History and criticism. --- Socialism in literature. --- Communism in literature. --- English fiction
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Italian literature --- Communism in literature. --- Communists in literature. --- Communism and literature --- History and criticism. --- History
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Dutch literature --- Socialism in literature. --- Communism in literature. --- History and criticism.
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The Making and Remaking of China's "Red Classics" is the first full-length work to bring together research on the "red classics" across the entire Maoist period through to the reform era. It covers a representative range of genres including novels, short stories, films, TV series, picture books, animation, and traditional-style paintings. Collectively the chapters offer a panoramic view of the production and reception of the original "red classics" and the adaptations and remakes of such works after the Cultural Revolution. The contributors present fascinating stories of how a work came to be regarded as or failed to become a "red classic." There has never been a single answer to the question of what counts as a "red classic"; artists had to negotiate the changing political circumstances and adopt the "correct" artistic technique to bring out the "authentic" image of the people while appealing to the taste of the mass audience at the same time. A critical examination of these works reveals their sociopolitical and ideological import, aesthetic significance, and function as mass cultural phenomena at particular historical moments. This volume marks a step forward in the growing field of the study of Maoist cultural products.
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Children --- Children --- Children --- Children's literature --- Children's literature. --- Communism in literature. --- Communism in literature. --- Books and reading --- Books and reading --- Books and reading. --- History and criticism. --- Denmark. --- Sweden.
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Socialist Cosmopolitanism offers an innovative interpretation of literary works from the Mao era that reads Chinese socialist literature as world literature. As Nicolai Volland demonstrates, after 1949 China engaged with the world beyond its borders in a variety of ways and on many levels-politically, economically, and culturally. Far from rejecting the worldliness of earlier eras, the young People's Republic developed its own cosmopolitanism. Rather than a radical break with the past, Chinese socialist literature should be seen as an integral and important chapter in China's long search to find a place within world literature. Socialist Cosmopolitanism revisits a range of genres, from poetry and land reform novels to science fiction and children's literature, and shows how Chinese writers and readers alike saw their own literary production as part of a much larger literary universe. This literary space, reaching from Beijing to Berlin, from Prague to Pyongyang, from Warsaw to Moscow to Hanoi, allowed authors and texts to travel, reinventing the meaning of world literature. Chinese socialist literature was not driven solely by politics but by an ambitious-but ultimately doomed-attempt to redraw the literary world map.
Chinese literature --- Socialism and literature --- Socialism in literature. --- Communism and literature --- Communism in literature. --- History and criticism.
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Plisnier, Charles --- Malva, Constant --- Serge, Victor --- communisme --- literatuur --- 840 <493> --- Belgian literature (French) --- -Communism in literature --- Proletariat in literature --- Franse literatuur: België --- History and criticism --- -Plisnier, Charles --- -Serge, Victor --- -Bourland, Alphonse --- Criticism and interpretation --- -Criticism and interpretation --- 840 <493> Franse literatuur: België --- Proletariat in literature. --- Communism in literature. --- History and criticism. --- Plisnier, Charles, --- Serge, Victor, --- Criticism and interpretation. --- Communism in literature --- Kibalʹchich, Viktor Lʹvovich, --- Kibaltchitch, Victor-Napoléon Lvovitch, --- Serzh, Viktor, --- Rétif, --- Victor-Serge, --- Bourland, Alphonse
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"At the outset of Marx for Cats, Leigh Claire La Berge declares that "all history is the history of cat struggle." Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a 1200-year arc spanning capitalism's feudal prehistory, its colonialist and imperialist ages, the Bourgeois Revolutions that supported capitalism and the Communist revolutions that opposed it, to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and "sabo-tabbies," La Berge argues that felines are central to how Marxists have imagined the economy itself, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration"--
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Communism in literature. --- Identity (Psychology) in literature. --- Postcolonialism in literature. --- Postcolonialism --- Russian literature --- Slavic literature, Eastern --- Yugoslav literature --- History and criticism. --- Communism in literature --- Identity (Psychology) in literature --- Postcolonialism in literature --- 881 --- Eastern Slavic literature --- East European literature --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- History and criticism --- Slavische literatuur (algemeen) --- Europe, Eastern --- Slavic countries --- East Europe --- Eastern Europe --- Civilization
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