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Eggeling, Viking, --- Eggeling, Viking, --- Eggeling, Viking.
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Ernst, Max ; Marcel Broodthaers ; Beuys, Joseph ; Warhol, Andy ; Arman ; Rivers, Larry ; Duchamp, Marcel ; Klein, Yves ; etc.
Bunuel Luis --- Dali Salvador --- Chomette Henri --- Clair René --- Eggeling Viking --- Richter Hans --- Ruttmann Walter --- film --- experimentele film --- dadaïsme --- surrealisme --- Duchamp Marcel --- Léger Fernand --- Man Ray --- Ray Man --- Exhibitions --- 7.038 --- CDL --- Money in art --- Money --- Currency --- Monetary question --- Money, Primitive --- Specie --- Standard of value --- Exchange --- Finance --- Value --- Banks and banking --- Coinage --- Currency question --- Gold --- Silver --- Silver question --- Wealth --- Folklore
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"In this new collection of essays on the cinema, all written over the last ten years, Peter Wollen explores an extraordinarily wide range of topics, stretching from an analysis of time in film and video art to a study of Riff-Raff Realism in British film. Provocative essays discuss the work both of established auteur directors such as Howard Hawks and Alfred Hitchcock as well as the filmmaking careers of such experimental moviemakers as William Burroughs and Viking Eggeling, the dadaist pioneer of abstract film. The collection also includes fascinating studies of a number of film classics, such as John Huston's Freud, Jean Renoir's Rules of the Game and Ridley Scott's Blade Runner.". "Paris Hollywood suggests new approaches to thinking about film and many unexpected connections between film studies and the history of such strangely related activities as espionage, psychoanalysis, dance, architecture, anthropology, Stalinism, love of speed and digital technology. Wollen's book is based on the premise that there are no fixed ways of writing about the cinema but, rather, a plethora of paths leading in very different directions, each contributing to a new understanding of the 20th century's major art form."--BOOK JACKET.
Théorie du cinéma --- Peter Wollen --- film --- filmtheorie --- Burroughs William --- Eggeling Viking --- Hawks Howard --- Hitchcock Alfred --- Godard Jean-Luc --- Rouch Jean --- Renoir Jean --- Freud Sigmund --- Blade Runner --- Scott Ridley --- Reed Carol --- Welles Orson --- film en architectuur --- filmgeschiedenis --- auteurtheorie --- filmcanon --- digitale film --- 791.41 --- 791.43 --- Film --- CDL --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Théorie du cinéma. --- Film. --- Filmregisseur. --- Geschichte. --- Motion pictures. --- Schauplatz. --- Bibel --- Multinational.
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Cubism --- Experimental films --- Art and motion pictures --- Standsh D. Lawder ; traduit de l'anglais et préfacé par Christian Lebrat --- film --- kubisme --- film en schilderkunst --- kunst en film --- Picasso Pablo --- Survage Léopold --- Kandinsky Wassily --- Schönberg Arnold --- Richter Hans --- Eggeling Viking --- Ruttmann Walther --- Léger Fernand --- Cendrars Blaise --- Gance Abel --- L'Herbier Marcel --- Dulac Germaine --- Seeber Guido --- experimentele film --- 791.43 --- CINEMA --- CINEMA D'AVANT-GARDE --- CUBISME ET LE CINEMA --- LEGER, FERNAND (1881-1955). BALLET MECANIQUE (1924) --- FRANCE --- ANALYSE CINEMATOGRAPHIQUE
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Iconography --- Drawing --- Graphic arts --- Photography --- drawing [image-making] --- photography [process] --- scripts [writing] --- graphic arts --- Eggeling, Viking --- Ireland, Patrick --- Broodthaers, Marcel --- Andre, Carl --- Michaux, Henri --- Beyls, Peter --- Garabedian, Mekhitar --- Paik, Nam June --- Anastasi, William --- Barham, Anna --- Borinski, Juliana --- Cattrell, Annie --- Gansterer, Nikolaus --- Janssen, Wim --- Maire, Julien --- McCall, Anthony --- Polak, Esther --- Sharits, Paul --- Zummer, Thomas --- Moholy-Nagy, László --- Breton, André --- Bury, Pol --- Graham, Rodney --- Mullican, Matt --- Banner, Fiona --- Bismuth, Pierre --- Man Ray
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Art --- anno 1930-1939 --- Germany --- Concrete art --- History --- art history --- Art styles --- Cercle et Carré --- Constructivist --- Peri, Laszlo --- Vasari, Ruggero --- Keler, Peter --- Toyen --- Ebneth, Lajos --- Stuckenschmidt, Hans Heinz --- Molnár, Farkas --- Weininger, Andor --- Kassak, Lajos --- Graeff, Werner --- Arp, Hans --- Wils, Jan --- Kobro, Katarzyna --- Richter, Hans --- Mies van der Rohe, Ludwig --- Tzara, Tristan --- Schmidt, Kurt --- Röhl, Peter --- Petro --- Dexel, Walter --- Teige, Karel --- Eesteren, van, Cornelis --- Bortnyik, Sandor --- Domela, César --- Lissitzky, Eliezer --- Höch, Hannah --- Berlewi, Henryk --- Moholy-Nagy, László --- Prampolini, Enrico --- Huszár, Vilmos --- Rietveld, Gerrit --- Hausmann, Raoul --- Maes, Karel --- Kemény, Alfréd --- Burchartz, Max --- Taeuber-Arp, Sophie Henriette Gertrud --- Strzeminski, Wladyslaw --- Eggeling, Viking --- Schmidt, Joost --- Vordemberge-Gildewart, Friedrich --- Hilberseimer, Ludwig --- Buchholz, Erich --- Baumeister, Willi --- Seiwert, Franz Wilhelm --- Stam, Mart --- Schwitters, Kurt --- Bayer, Herbert --- Puni, Ivan Albertovich --- Doesburg, van, Theo --- anno 1900-1999 --- anno 1940-1949 --- anno 1920-1929 --- Europe --- constructivisme --- avant-garde --- abstracte kunst --- Cercle et Carré (1929-1938) --- De Stijl --- Bauhaus --- wereldtentoonstelling 1922 (Düsseldorf) --- kunstenaarsgroepen --- arbeidersbewegingen --- politiek --- Péri, László --- El Lissitzky --- Doesburg, Theo van --- 1922 - 1927 --- 20ste eeuw --- Europa --- Constructivism (Art) --- -Art, Modern --- -Red. Bernd Finkeley, Kai-Uwe Hemken, Maria Müller [et al.] --- kunst --- twintigste eeuw --- architectuur --- schilderkunst --- beeldhouwkunst --- utopie --- K.I. --- Konstruktivistische Internationale --- elementarisme --- tekenkunst --- typografie --- film --- reclame --- Vorwärts --- Eggeling Viking --- Richter Hans --- Graeff Werner --- muziek --- kunst en muziek --- Peri Laszlo --- Lissitzky El --- kunst en architectuur --- van Doesburg Theo --- Kuri --- Weltkuri --- theater --- kunst en theater --- Duitsland --- Hoingarije --- Nederland --- Tsjechoslowakije --- Polen --- Die Abstrakten --- Die Abstrakten Hannover --- Cercle et carré --- Art concret --- Abstraction-création --- 7.037 --- Modern art --- Exhibitions --- Constructivisme ; Constructivistische Internationale ; 1922-1927 --- (069) --- Kunstgeschiedenis ; 1900 - 1950 --- (Musea. Collecties) --- kunstenaarsverenigingen --- Kassák, Lajos --- Art, Modern --- K.I --- Red. Bernd Finkeley, Kai-Uwe Hemken, Maria Müller [et al.] --- Nieuwe Ploeg (Group of artists) --- CDL --- Lissitzky, El --- abstracte, niet-figuratieve kunst --- Cercle et Carré (1929-1930) --- van Doesburg, Theo --- abstraction-création --- Doesburg, van, Nelly --- constructivisme. --- avant-garde. --- abstracte kunst. --- Cercle et Carré (1929-1930). --- De Stijl. --- Bauhaus. --- wereldtentoonstelling 1922 (Düsseldorf). --- kunstenaarsverenigingen. --- politiek. --- Eggeling, Viking. --- Richter, Hans. --- Graeff, Werner. --- Péri, László. --- El Lissitzky. --- van Doesburg, Theo. --- 1922 - 1927. --- 20ste eeuw. --- Europa.
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This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the “classical” avant-garde cinema of the 1920's, to new trends emerging in the 1950's and 1960's and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as “film”, at the same time as reconsidering the applicability of the label “avant-garde”, to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines.
Experimental films --- Experimental films. --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- History and criticism --- 1900 - 1999 --- Avant-garde (Aesthetics) --- 791.43 --- Arnold Martin --- avant-gardefilm --- Brakhage Stan --- Buñuel Luis --- Chodorov Pip --- Conrad Tony --- Delvaux André --- Deren Maya --- Dulac Germaine --- Eggeling Viking --- experimentele film --- film --- filmgeschiedenis --- futurisme --- Kubelka Peter --- magisch realisme --- Man Ray --- Mayakovsky Vladimir --- McCall Anthony --- Moholy-Nagy Laszlo --- Morrison Bill --- paracinema --- Peixoto Mario --- performances --- Rey Nicolas --- Richter Hans --- Rosenbach Ulrike --- Ruttmann Walther --- Sharits Paul --- surrealisme --- twintigste eeuw --- Valie Export --- Vertov Dziga --- video --- videokunst --- Aesthetics --- Modernism (Art) --- History and criticism. --- Film --- anno 1900-1999 --- Avant-garde (Aesthetics).
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Art styles --- Art --- Drawing --- Photography --- Film --- History --- drawing [image-making] --- photography [process] --- art history --- motion pictures [visual works] --- Dada --- Mies van der Rohe, Ludwig --- Eggeling, Viking --- Tschichold, Jan --- Richter, Hans --- Hausmann, Raoul --- Graeff, Werner --- Hausmann, Victor --- Heisig, Walter --- Henning, Fritz --- Hinkefuß, Carl Ernst --- Mankiewitz, Hedwig --- Zierath, Willy --- Huelsenbeck, Richard --- Moholy-Nagy, László --- Segal, Arthur --- Seiwert, Franz Wilhelm --- Picabia, Francis --- Jung, Franz --- Domela, César --- Freundlich, Otto --- Baader, Johannes --- Schwitters, Kurt --- Höch, Hannah --- Fuhrmann, Ernst --- Westheim, Paul --- Berlinische Galerie: Museum of Modern Art --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1900-1999 --- Germany --- France
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Art styles --- Art --- collages [visual works] --- Fauve --- Futurist --- Cubist --- Surrealist --- Arp, Hans --- Eggeling, Viking --- Gromaire, Marcel --- Brignoni, Serge --- Chirico, de, Giorgio --- Delaunay, Robert --- Ernst, Max --- Picasso, Pablo --- Doesburg, van, Theo --- Berghe, van den, Frits --- Bill, Max --- Klee, Paul --- Miró, Joan --- Moholy-Nagy, László --- Tanguy, Yves --- Marcoussis, Louis --- Ensor, James --- Vantongerloo, Georges --- Braque, Georges --- Mondriaan, Piet --- Dalí, Salvador --- Gris, Juan --- Permeke, Constant --- Ubac, Raoul --- Tytgat, Edgard --- Guiette, René --- Corbusier, le --- Pevsner, Antoine --- Chagall, Marc --- Smet, de, Gustaaf --- Moore, Henry --- Jespers, Oscar --- Schwitters, Kurt --- Lohse, Richard Paul --- Jespers, Floris --- Taeuber-Arp, Sophie Henriette Gertrud --- Bodmer, Walter --- Giacometti, Alberto --- Calder, Alexander --- Öffentliche Kunstsammlung Basel --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- anno 1900-1999
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