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Even a decade after his death, Clement Greenberg remains controversial. One of the most influential art writers of the twentieth century, Greenberg propelled Abstract Expressionist painting-in particular the monumental work of Jackson Pollock-to a leading position in an international postwar art world. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Caroline Jones's magisterial study widens Greenberg's fundamental tenet of "opticality"-the idea that modernist art is apprehended through "eyesight alone"-to a broader arena, examining how the critic's emphasis on the specular resonated with a society increasingly invested in positivist approaches to the world. Greenberg's modernist discourse, Jones argues, developed in relation to the rationalized procedures that gained wide currency in the United States at midcentury, in fields ranging from the sense-data protocols theorized by scientific philosophy to the development of cultural forms, such as hi-fi, that targeted specific senses, one by one. Greenberg's attempt to isolate and celebrate the visual was one manifestation of a large-scale segmentation-or bureaucratization-of the body's senses. Working through these historical developments, Jones brings Greenberg's theories into contemporary philosophical debates about agency and subjectivity. 'Eyesight Alone' offers artists, art historians, philosophers, and all those interested in the arts a critical history of this generative figure, bringing his work fully into dialogue with the ideas that shape contemporary critical discourse and shedding light not only on Clement Greenberg but also on the contested history of modernism itself.

Art criticism --- Modernism (Art) --- History --- Greenberg, Clement, --- 7.01 "19" --- 7.072.3 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Kunstkritiek --- 7.072.3 Kunstkritiek --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Hardesh, K. --- Greenberg, Clement

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7.01 "19" --- 7.01:003 --- 75.039 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Semiotiek van kunst en esthetiek --- Hedendaagse schilderkunst. Post-moderne schilderkunst --- Conferences - Meetings --- 75.039 Hedendaagse schilderkunst. Post-moderne schilderkunst --- 7.01:003 Semiotiek van kunst en esthetiek --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- painting [image-making] --- Painting --- schilderkunst --- anno 1900-1999 --- Painting, Modern --- Modern painting --- Paintings, Modern --- Painting [Modern ] --- 20th century --- Congresses

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Au cours des années 1970-1980, cinq auteurs principalement ont animé le débat sur l'héritage d'Adorno et sur la nécessité de réorienter l'esthétique : trois théoriciens de la littérature (H.R. Jauss, P.Bürger et K.H.Bohrer) et deux philosophes (R.Bubner et A.Wellmer). Impressionnés par la cohérence philosophique de la Théorie esthétique d'Adorno, ils n'y retrouvent pas, toutefois, leur propre expérience de l'art contemporain. Menant les uns avec les autres un débat serré, ils proposent des modèles d'interprétation radicalement opposés dans une commune défense de la modernité.

Aesthetics, Modern --- Esthétique moderne --- Adorno, Theodor W., --- Aesthetics --- Philosophie de l'art --- Philosophe --- Esthétique --- Ecrit théorique --- Nietzsche, Friedrich Wilhelm, --- Adorno, Theodor Wiesengrund, --- 20e siècle --- 7.01 "19" --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Esthétique moderne --- Adorno, Theodor Wiesengrund, 1903-1969 --- Adorno, Theodor W., - 1903-1969 --- Nietzsche, Friedrich Wilhelm, - 1844-1900

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Arts, Modern --- Aesthetics, Modern --- Avant-garde (Aesthetics) --- History --- 7.01 "19" --- -Avant-garde (Aesthetics) --- -R.J.Sanders --- kunst --- twintigste eeuw --- situationisten --- situationistische Internationale --- avant-garde --- Cobra --- Constant --- New Babylon --- Jorn Asger --- kunsttijdschriften --- Nederland --- mei 68 --- Frankfurter Schule --- Marcuse Herbert --- Baudrillard jean --- Socialisme ou Barbarie --- 7.038 --- Aesthetics --- Modernism (Art) --- Modern arts --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- -Aesthetics, Modern --- -7.01 "19" --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- R.J.Sanders --- Arts, Modern - 20th century. --- Aesthetics, Modern - 20th century. --- Avant-garde (Aesthetics) - History - 20th century.

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Dit boek zoekt naar de conceptuele grondslag van hedendaagse kunst. Het gaat dieper in op de systematiek van hedendaagse kunst en kunstenaarschap, in het bijzonder op de relatie tussen conceptuele en visuele aspecten, de betekenis van het theoretische discours en de rol van tussenpersonen.

7.01 --- 7.038 --- 7.039 --- Kunsttheorie ; invloed conceptuele kunst op hedendaagse kunst --- Concept Art --- Conceptuele kunst --- Postconceptuele kunst --- Post-conceptuele kunst --- PhD ; doctoraat --- kunst --- kunsttheorie --- concept art --- conceptuele kunst --- eenentwintigste eeuw --- twintigste eeuw --- postconceptuele kunst --- kunstwereld --- kunstenaarsstatuut --- kunstkritiek --- kunstcritici --- musea --- tentoonstellingen --- kunst en fotografie --- 7.01 "19" --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Hedendaagse kunststromingen.Post-moderne kunst --- Art, Modern --- Conceptual art. --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999