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Expatriate artists --- Artists, Expatriate --- Exiled artists --- Artists --- Exiles --- Conferences - Meetings
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This book brings together essays by an international group of scholars and artists, focusing on live performance inspired by living in exile, or created by exiled artists. Bringing together a range of perspectives to examine the full impact of political, socio-economic or psychological experiences of exile, Performing Exile: Foreign Bodies presents an inclusive mix of established and emerging voices from varied cultural and geographic affiliations. Chapters blend close critical analysis and autoethnography to document and interrogate performances and the political, religious, economic and cultural contexts that inform them. With a foreword by Yana Meerzon, and featuring essays on artists of Mexican, Korean-American, Lebanese-Quebecois, Spanish, Azerbaijani and Canadian Aboriginal origin, to name a few, Performing Exile is truly diverse.
Expatriate authors. --- Authors --- Authors, Exiled --- Performance art --- Arts --- exile --- performance --- exiled artists --- live performance --- Jaffa
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Painting, Italian --- Peinture italienne --- Congresses --- Congrès --- Congrès --- Art, French --- Artists --- Art, Italian --- Expatriate artists --- Artists, Expatriate --- Exiled artists --- Exiles --- Persons --- Italian influences
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The 1960's was a time of incredible freedom and exploration in the art world, particularly in New York City, which witnessed the explosion of New Music, Happenings, Fluxus, New Dance, pop art, and minimalist art. Also notable during this period, although often overlooked, is the inordinate amount of revolutionary art that was created by women. Into Performance fills a critical gap in both American and Japanese art history as it brings to light the historical significance of five women artists-Yoko Ono, Yayoi Kusama, Takako Saito, Mieko Shiomi, and Shigeko Kub
Women artists --- Expatriate artists --- Performance art --- Arts, Japanese --- Artists, Women --- Women as artists --- Artists --- Artists, Expatriate --- Exiled artists --- Exiles --- Arts, Modern --- Happenings (Art) --- Performing arts --- Japanese arts
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Ab 1933 wurden Tausende von Menschen vom nationalsozialistischen Regime ins Exil getrieben. Für viele deutschsprachige Künstler und Schriftsteller wurde Paris vorübergehend zur Hauptstadt. Die Archive dieser Exilanten wurden zu "displaced objects", verstreut, geraubt, verschleppt, oft zerstört, aber auch häufig bewahrt. Im Zentrum des Buches steht die Auswertung unbekannten Quellenmaterials, das seit Kriegsende im Moskauer Sonderarchiv/RGVA lagert und das neue Einblicke in die Aktivitäten der deutschsprachigen Emigration der dreißiger Jahre in Paris und Europa erlaubt. Im Rahmen der aktuellen Debatte um deplatzierte Kulturgüter und Restitution versucht der Band damit auch einen transnationalen, interdisziplinären Wissenschaftsdialog zu eröffnen. Thousands of people were driven into exile by Germany's National Socialist regime from 1933 onward. For many German-speaking artists and writers Paris became a temporary capital. The archives of these exiles became "displaced objects" - scattered, stolen, confiscated, and often destroyed, but also frequently preserved. This book assesses previously unknown source material stored at the Moscow State Military Archive (RVGA) since the end of the war, and offers new insights into the activities of German-speaking exiles in the 1930's in Paris and Europe. Against the backdrop of current debates surrounding displaced cultural goods and their restitution, this work seeks to facilitate a transnational, interdisciplinary scientific dialogue.
Art --- anno 1930-1939 --- anno 1940-1949 --- Paris --- Moscow --- Arts, German --- Expatriate artists --- Artists --- Persons --- Artists, Expatriate --- Exiled artists --- Exiles --- German arts --- Archival resources --- Archives --- Rossiískií gosudarstvennyí voennyí arkhi
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Art --- Dutch literature --- anno 1960-1969 --- anno 1950-1959 --- Paris --- 839.3 "19" --- Artists --- -Expatriate artists --- -Arts, Dutch --- -#GSDBL --- Dutch arts --- Artists, Expatriate --- Exiled artists --- Exiles --- Persons --- Nederlandse literatuur--20e eeuw. Periode 1900-1999 --- Biography --- Arts, Dutch --- Expatriate artists --- Biography. --- 839.3 "19" Nederlandse literatuur--20e eeuw. Periode 1900-1999 --- #GSDBL --- Littérature néerlandaise --- LITTERATURE COMPAREE --- 20e siècle --- Histoire et critique --- FRANCAISE ET NEERLANDAISE
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German literature --- Thematology --- anno 1900-1999 --- Authors, Exiled --- Authors, German --- Exiles' writings, German --- Expatriate artists --- History and criticism. --- Germany --- Emigration and immigration --- History --- Authors [German ] --- 20th century --- Foreign countries --- History and criticism --- Exiles' writings [German ] --- Authors [Exiled ] --- Artists [Expatriate ] --- 1933-1945 --- Exiles --- Refugees --- Expatriate authors --- Exiled authors --- Artists --- Artists, Expatriate --- Exiled artists --- German authors
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830 <100> --- Artists --- -Artists --- -Arts, Austrian --- -Arts, German --- -Austrians --- -Expatriate artists --- Germans --- -Ethnology --- Artists, Expatriate --- Exiled artists --- Exiles --- Ethnology --- German arts --- Austrian arts --- Persons --- Exilliteratur --- Influence --- Foreign countries --- -Exilliteratur --- 830 <100> Exilliteratur --- -Artists, Expatriate --- Arts, Austrian --- Arts, German --- Austrians --- Expatriate artists
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Painting --- Russian literature --- Film --- Theatrical science --- anno 1920-1929 --- Berlin --- Arts, Russian --- Arts russes --- -Avant-garde (Aesthetics) --- -Expatriate artists --- -Artists, Expatriate --- Exiled artists --- Russian arts --- Sintez (Group of artists) --- -Arts, Russian --- -Painting --- Artists --- Exiles --- Aesthetics --- Modernism (Art) --- History --- -Aesthetics --- Artists, Expatriate --- -History --- -History -
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In 1947 Leonard and Reva Brooks left for Mexico where Leonard planned to study painting for a year. In Mexico they discovered a vibrant, sometimes even dangerous, society and a dynamic artistic community, unlike the mundane world they had left behind in Canada with its stale and unwelcoming artistic scene. Invigorated by their new environment Leonard and Reva ended up staying for over half a century, playing a key role in establishing San Miguel de Allende as a world-famous art colony. In this new biography, John Virtue chronicles the lives of these two important artists and offers an intimate look at these complex and creative people. Virtue describes how they were caught up in the McCarthy era of Communist witch hunts and blacklisted in the United States. He details their close friendships with luminary figures such as Marshall McLuhan, Earle Birney, and the Mexican art icon David Alfaro Siqueiros, as well as a host of others. As Leonard became a fixture in the Mexican art scene Reva's photography quickly garnered international recognition, applauded by photographers Ansel Adams and Edward Weston. In 1975 the San Francisco Museum of Art selected her as one of the top fifty female photographers of all time. With tales of deportations, shootouts, murder attempts, failures, and triumphs, Leonard and Reva Brooks is a biography of two creative people caught up in interesting times.
Expatriate artists --- Artists --- Canadians --- Brooks, Leonard, --- Brooks, Reva, --- Artistes --- Canadiens --- Ethnology --- Artists, Expatriate --- Exiled artists --- Exiles --- Résidences et lieux familiers --- Brooks, Reva --- Homes and haunts --- San Miguel de Allende (Mexico) --- San Miguel de Allende --- San Miguel Allende (Mexico) --- Allende (Guanajuato, Mexico) --- San Miguel el Grande (Guanajuato, Mexico) --- Intellectual life --- Vie intellectuelle.
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