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Cet ouvrage a été publié à l'occasion de l'exposition "Outside Fashion - Fashion photography from the Studio to Exotic Lands (1900-1969)" présentée au Huis Marseille Museum for Photography, Amsterdam, du 7 décembre 2019 au 8 mars 2020. Des jardins sur fonds peints des studios aux décors naturels les plus somptueux, la photographie de mode n'a eu de cesse de s'ouvrir sur le monde. 1900-1969 : histoire d'une conquête visuelle et géographique.
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"Fashion photography captures our desires and fantasies about how we present ourselves to the world, while reflecting the changing values of our culture and society. Fashion Photography: The Story in 180 Pictures explores the profound influence that fashion photography has had on us over the past eight decades, presenting its evolution as a language, and a genre, while showcasing some of its most glamorous moments. Featuring work by every important fashion photographer of the past, alongside those shaping contemporary taste today--including Richard Avedon, Horst P. Horst, William Klein, Helmut Newton, Guy Bourdin, Steven Meisel, Corinne Day, and Juergen Teller, to name a few--fashion chronicler Eugénie Shinkle reveals illuminating moments in the story of fashion and photography, while sketching the bigger picture. She charts how fashion photography flourished with the rise of illustrated magazines, how influential art directors collaborated with photographers to shape epochs of style, and how generations of fashion photographers have built upon each other's ideas to expand this genre. An object of exquisite beauty in its own right, this book serves as an accessible primer to the story of fashion photography, for everyone engaged by this compelling subject"--Publisher's description.
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The book draws on material from recognised and distinguished writers who have contributed to the more formal and academically historical discussion of fashion, and its representation through the fashion image such as Becky Conekin, Caroline Evans, Margaret Maynard and Agnès Rocamora. In addition, the relatively unique backgrounds of other contributions such as Sascha Behrendt, Susan Kismark, Eva Respini and Bärbel Sill make this collection of essays a particularly unique book.
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