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fotomontages --- dadaïsme --- Höch, Hannah

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constructivisme --- propaganda --- affiche --- fotomontages --- Rodchenko, Aleksandr Mikhailovich --- Mayakovsky, Vladimir --- Rusland

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fotomontages --- dadaïsme --- fascisme --- revolutie, revolte, opstand --- propaganda --- Wereldoorlog II --- Heartfield, John --- 20ste eeuw --- Duitsland

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fotomontages --- nazisme --- historische gebeurtenissen en situaties (spotprent, satire van een historische gebeurtenis) --- politiek --- Heartfield, John --- 1930 - 1938 --- 20ste eeuw

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The development of photomontage technique during the early 1920s and 1930s in Germany, the Soviet Union, and the United States had a profound influence on contemporary art and mass media. Montage and Modern Life uncovers the roots of this complex relationship. Trought some of the most sophisticated and least cultivated examples of the art from, Montage and Modern Life demonstrates how a common set of social and cultural themes was broadly articulated, culminating in a new way of seeing that is the hallmark of our time.

fotomontages --- massacultuur --- Photomontage --- Années 1930 --- Ed. by Matthew Teitelbaum --- reclamefotografie --- Fotografie ; fotomontages ; 1919-1942 --- Steichen Edward --- Rodchenko Alexander --- Cunningham Imogen --- Graef Werner --- Sheeler Charles --- Heartfield John --- Brandt Marianne --- 77.05 --- 77.037 --- Fotografie ; technieken --- montage --- politiek --- propaganda --- geschiedenis --- Exhibitions --- Exhibitions. --- Abbott Berenice --- documentaire fotografie --- Duitsland --- Evans Walker --- fotografie --- fotomontage --- Höch Hannah --- Lissitzky El --- Schwitters Kurt --- Sovjet-Unie --- Stieglitz Alfred --- Verenigde Staten --- (069) --- 77.02 --- (Musea. Collecties) --- Photomontage - Exhibitions --- montage. --- fotomontages. --- politiek. --- propaganda. --- geschiedenis. --- massacultuur.