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Zoos --- Zoos. --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks
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"An intensely personal, behind-the-scenes look at modern zoos, written in a lively, accessible style. Through a variety of true stories, some funny, some sad, occurring in different cities and on different continents, Bonner describes the changing role of zoos and argues that conservation is the shared responsibility of all mankind"--Provided by publisher.
Zoos --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks
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Zoos --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks --- History.
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Combining anecdotes with scientific data, this book is a journalistic inquiry into what is currently known about zoos and aquariums as sociocultural intersections of mission, public perception, and on-site meaning making. The authors draw on conservation psychology and other social science research to explore how zoos might develop and deliver more effective learning experiences to promote and nurture conservation values and collective action. While people use zoos with specific priorities and motivations in mind, these are social settings. Indeed, it is because they represent an important, vast, and trusted social enterprise that zoos have such powerful opportunities to change how diverse public audiences view, value, identify, and engage with animals and the broader biophysical environment.
Zoos --- Social aspects. --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks
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Zoos --- Zoos. --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks --- Zoology --- Jardins zoologiques
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Zoos --- Zoo animals --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Captive wild animals --- Parks
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"Depuis 1911, Rome voit vivre en son coeur, au beau milieu de l'antique, dans la verdure et sur dix-sept hectares, un zoo extraordinaire. Figure principale de ce livre, ce lieu baroque saura attirer, au fil des décennies, un monde de personnalités aussi diverses que Mussolini et sa lionne domestique, le pape, les actrices de Cinecittà ou Salman Rushdie... Mais l'auteur de ce roman ne se contente pas d'entraîner le lecteur dans la mémoire d'un lieu. Il en réinvente aussi le présent, en suivant les traces de Giovanna, directrice de la communication du zoo, et de Chahine, architecte algérien, l'un par l'autre attirés, l'un et l'autre fascinés par un tamanoir, ultime survivant de son espèce, objet des soins jaloux d'un vétérinaire sans scrupules et d'un gardien en fin de carrière. Tous sont happés par une aventure où s'affrontent en silence la corruption, la mémoire politique de l'Italie et la réalité économique d'un parc démesuré, qui survit loin des itinéraires touristiques. Pour Pascal Janovjak : "Le zoo est un sanctuaire de l'innocence." Mais c'est aussi le miroir d'un siècle troublé, le révélateur d'une humanité fabulatrice. Dans cet envoûtant décor romanesque, l'auteur entremêle avec bonheur passé et présent, renommée et décadence, nostalgie et espoir."--Page 4 of cover
Zoos --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks --- Zoos - Italy - Rome - Fiction
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Proceeds from the purchase of this book go directly to the Riverbanks Society, the private, nonprofit organization supporting the mission of Riverbanks Zoo and Garden.
NATURE --- Animals / General --- Zoos --- Zoology --- Health & Biological Sciences --- Zoology - General --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks
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Zoos --- Jardins zoologiques --- History --- Histoire --- Menageries --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks --- Zoological Gardens --- Exoticism --- Zoos - History --- Menageries - History --- Parcs zoologiques --- Europe
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"The name Carl Hagenbeck is as evocative in Europe as P. T. Barnum and Walt Disney are in North America. Hagenbeck was the nineteenth century's foremost animal trader and ethnographic showman, known for his enormously popular displays of people, animals, and artifacts gathered from all corners of the globe. The culmination of Hagenbeck's commercial ventures was the opening of his Tierpark near Hamburg in 1907, a dazzling assemblage of constructed exotic environments inhabited by humans and animals." "Eric Ames shows that Hagenbeck's various enterprises illustrate a significant evolution in popular culture. Earlier display forms relied on the collection and presentation of "authentic" artifacts and living beings - the panorama, the zoological garden, the ethnographic collection. These gave rise to the self-consciously synthetic forms of entertainment that we now associate with theme parks and films." "Carl Hagenbeck's Empire of Entertainments locates Hagenbeck's myriad enterprises in the context of colonialism and nascent globalization; ethnography and anthropology; zoological gardens and international expositions; museum culture and visual spectacle; and consumerism and immersive entertainments. Ames offers a vivid reconstruction of the impulses and contradictions that lay behind the visual and display culture of the nineteenth and early twentieth centuries. The book will intrigue anyone interested in the history of popular entertainments from zoos, museums, panoramas, world's fairs, cinema, and theme parks to Wild West Shows."--BOOK JACKET.
Zoos --- Menageries --- Themed environments --- Jardins zoologiques --- Ménageries --- Environnements à thèmes --- Hagenbeck, Carl, --- Environments, Themed --- Leisure industry --- Gardens, Zoological --- Zoological gardens --- Zoological parks --- Parks
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