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"The Second Sound is an imaginary conversation between musicians and sound artists on the role of gender and sex within their field. It gathers testimonies from a variety of artists from different backgrounds into a single stream of (often contrary) opinions. Together, they address questions like: How do life circumstances find their way into music and sound art? How does music reflect historical and social structures? What does discrimination do, and how can we navigate around it? How to unlock networks? Is the under-representaiton of women and LGBTQ people in the field a symptom or a cause? Is art itself gendered? And can it reflect the gender of its maker? Is a different way of listening needed to more accurately understand those voices from outside the historical canon?"

541 --- Compositie --- 781.1 --- Kunsttheorie ; 20ste eeuw ; feminisme en genderstudies --- Experimentele kunst ; met muziek ; geluiden --- Geluidskunst --- Sex in music. --- Gay musicians. --- Gender identity in music. --- Masculinity in music.

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This book forms a catalogue of the research project 'Transpositions', instigated by Austrian artists Michael Schwab, Gerhard Eckel and David Pirrò. The project investigates the possibility of generating new auditory and visual forms based on the analysis and mathematical transformation of scientific data. In addition, the project studies whether and how these new forms are of scientific significance by asking the collaborating researchers to scientifically analyse the artistic outputs. By combining scientific and artistic values, the project contributes to the conceptual development of a space for research that is shared between art and science. The 'artistic data explorations' that emerged from the research project were presented and discussed within the context of the exhibition and symposium in May 2016 'DATA Rush'.

Eikel, Gerhard --- Pirro, David --- Schwab, Michael --- 7.049 --- Kunst en wetenschap ; interdisciplinair onderzoeksproject --- Kunst en muziek ; 21ste eeuw ; klankkunst ; geluidskunst --- Iconografie ; verschillende onderwerpen --- Kunst en psychologie ; en neuropsychologie

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Présente l'oeuvre de l'artiste américain, depuis la fin des années 1960, constituée de sculpture, vidéo, installation et performance. ©Electre 2015

Art --- art [fine art] --- Nauman, Bruce --- Sculptors --- Sculpteurs --- Biography --- Biographie --- Nauman, Bruce, --- Performance --- Installation --- Photographe --- installations [visual works] --- carousels [rides] --- sound art --- video art --- Kunst --- installaties [kunstwerken] --- kunst --- videokunst [kunstwerken] --- draaimolens --- geluidskunst --- Installation-art --- art [discipline] --- carousels [amusement rides]

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"Noise/Music" looks at the phenomenon of noise in music, from experimental music at the early 20th century to the Japanese noise, music and glitch electronica of today. ... While it provides an excellent historical overview, the book's main conern is in the noise/music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz or the purer noise of Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie and Pauline Oliveros through to bands like Trobbing Gristle and the Boredoms. The author also examines the concept of noise from a philosophical perspective. Underpinned throughout by the ideas of Adorno, Deleuze and others, the author's writing is sharp and erudite. -- Summarized from back cover.

noise --- Satie Erik --- Oliveros Pauline --- industriële muziek --- punk --- Throbbing Gristle --- Merzbow --- sound art --- free jazz --- Noise music --- 78 --- Cage John --- eenentwintigste eeuw --- Fluxus --- geluid --- kunst --- kunstfilosofie --- muziek --- twintigste eeuw --- 781.1 --- Geluid ; geluiden ; klanken --- Kunst en muziek ; 20ste eeuw ; klankkunst ; geluidskunst --- Rock music --- History and criticism --- Geluidskunst --- Sound Art --- Avant-garde muziek ; 20ste eeuw --- departement PHL Music 09 --- muziekgeschiedenis --- rockmuziek --- noise music --- Musique --- Musique contemporaine --- Musique electronique --- Musique expérimentale --- Histoire de la musique --- Son --- Music --- Musique électronique

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Vision dominates philosophical thinking about perception, and theorizing about experience in cognitive science has traditionally focused on a visual model. In a radical departure from established practice, Casey O'Callaghan provides a systematic treatment of sound and sound experience, and shows how thinking about audition and appreciating the relationships between multiple sense modalities can enrich our understanding of perception and the mind.Sounds proposes a novel theory of sounds and auditory perception. Against the widely accepted philosophical view that sounds are among the secondary o

Affective and dynamic functions --- Auditory perception --- Sounds --- 7.01 --- Kunsttheorie ; kunstfilosofie ; over geluidskunst --- Sound Art --- Geluid ; geluiden ; klanken --- Sound studies --- Cultuurfilosofie ; over het luisteren ; het horen --- Audio Art --- Akoestiek --- Sound effects --- Manners and customs --- Sound --- Sound perception --- Hearing --- Perception --- Word deafness --- Philosophy. --- Kunst ; theorie, filosofie, esthetica --- zebra --- Philosophy