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Het verhaal speelt in de hedendaagse kunst geen rol van betekenis. Het is niet eens op sterven na dood, het is gewoonweg niet aan de orde. Ook in de filosofie heeft het verhaal afgedaan: Jean-François Lyotard verklaarde het einde van de meta-narratieven; de grote verhalen als het communisme, kapitalisme, maar ook het Christendom die volgens hem ter legitimatie dienden van macht, politiek en wetenschap. In het post-modernisme is er geen plaats meer voor. Desondanks is het verhaal springlevend. Het nieuws, reclame, de artikelen in de krant: het wordt gepresenteerd als een verhaal. Ook in de kunst: men smult van verhalen. Alleen als het om het verhaal in het beeld gaat, zwijgt men. Ik zal dieper ingaan op de moeilijke verhouding tussen schilderkunst en het narratief aan de hand van een uiteenzetting over de relatie van het woord en het beeld, de kernbegrippen van het narratief en de implicaties van de recente kunstgeschiedenis en de filosofie die haar omringen, om uiteindelijk een andere manier van kijken naar het narratief te presenteren. De leesbaarheid van het beeld zal ik vervolgens nader beschouwen aan de hand van het werk van een drietal kunstenaars wiens oeuvre geworteld is in het narratief: Neo Rauch, Michaël Borremans en Adrian Ghenie.
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Adrian Ghenie has risen to be one of the most important contemporary painters. His unique style is characterized by a remarkable wealth of pictorial fragments with a flowing and hallucinatory spatial arrangement that results in a collage-like gathering of distinct pictorial motifs, a hedonistic sensuality, and an innovative, radical and eclectic interpretation of the most diverse subjects. When you enter his exhibition at Tim Van Laere Gallery, you instantly feel the sheer energy and movement radiating from his paintings. His subjects seem chosen to fit his painterly ambition to pursue dynamic compositions charged with energy and theatrical qualities. His visual language is entirely his own, built on earlier conversations led in art history by artists with a similar interest in dynamic compositions and energetic gestures in painting, such as the baroque painters and the abstract expressionists. For instance, he demonstrates expert mastery of baroque chiaroscuro, but also of the gestural use of paint, such as drips, scrapes and splatters, which are key signatures of abstract expressionism.
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Born in 1977, Adrian Ghenie lives and works in Berlin and is one of the most highly rated artists on the art market at the moment. For the past ten years, his painting has unfolded through an extraordinary chromatic outburst which, between figuration and abstraction, invents new forms ? inspired by Francis Bacon or Gerhard Richter ? by moving them onto the terrain of history and destiny of the human species prey to genetic mutations.This passionate investigation written by Yannick Haenel sets out to describe the process of a work through the analysis of the figures that radiate his paintings. Is it still possible to paint in an era that is drowning in the saturation of the flow of images? Is it still possible to paint faces after a century of propaganda in which the faces of tyrants have established their domination? What is artistic radicalism? These are questions that arise from the work of Adrian Ghenie, and which this book addresses in a series of chapters that tell a story: that of the birth of a work, today.Bron: https://www.copyrightbookshop.be/shop/adrian-ghenie-paintings-2014-to-2019/
Ghenie, Adrian --- Schilderkunst --- Schildertechnieken --- Ghenie, Adrian, --- 20e eeuw --- 21e eeuw --- Schildertechniek --- Tekenkunst
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Ghenie, Adrian --- kunst --- schilderkunst --- eenentwintigste eeuw --- Roemenië --- Ghenie Adrian --- 75.071 GHENIE
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Table of Content Aural Traditions: The Art of Jason Moran by Naomi Beckwith Cao Fei The Chinese City Between Dream World and Catastrophe by Tom McDonough Cao Fei’s Avatars and Antiheroes by Hou Hanru Cao Fei, Performance Without Transcendence by Jiayun Zhuang Lynette Yiadom-Boakye The Quiet Bohemia of Lynette Yiadom-Boakye’s Paintings by Rizvana Bradley Levitating Blackness: Lynette Yiadom-Boakye’s Right to Opacity by Adrienne Edwards The Kiss by Hilton Als Omer Fast My Flesh and Blood by Roy Scranton Conflicts That Alter Our Lives by Kaelen Wilson-Goldie Iraqi Whispers by Sven Lütticken Adrian Ghenie Rememberment of This Past by Mihnea Mircan, Paintings Gags by Suzanne Hudson Adrian Ghenie, Painter of the Twentieth Century by Brigid Doherty Rokni Haerizadeh, Insert
Fei, Cao --- Yiadom-Boakye, Lynette --- Ghenie, Adrian --- Fast, Omer
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Iconography --- Painting --- painting [image-making] --- Presley, Elvis --- Ghenie, Adrian
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