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Goldberg, Jim --- Böwig, Wolf --- Luttringer, Paula --- Rafiqui, Asim --- Stanbridge, Andrew
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The 'Open See' project began as a Magnum commission for the 2004 Greek Olympiad, and it has since grown into a large and multi-layered body of work. This project tells of the journeys of refugee and immigrant populations, who travel from war-torn and economically devastated countries.
Immigrants --- Photography, Artistic --- Refugees --- Goldberg, Jim, --- Europe --- Emigration and immigration
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Goldberg, Jim, --- San Francisco (Calif.) --- Social life and customs --- fotografie --- portretfotografie --- documentaire fotografie --- Verenigde Staten --- Goldberg Jim --- twintigste eeuw --- 77.071 GOLDBERG
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This paper is a starting point for untangling the ways how family photographs and found bits of text can be used to build narratives out of the private sphere. They are considered as objects that carry the values of memory and belonging, and as material that can be used to bring out to the public (collective) experiences of history that are often easily overlooked as being so marginal that they are irrelevant.We start with four photos found in my family archive, and from the memory of the oral stories of my grandmother. We then embark on a brief journey that has the objective of shedding light on how a photograph and a linguistic container connect in need of creating meaning and explaining beyond the image; And on the relations that unfold between the source (being it the subject or the owner of the family photo), the artist, and the public audience. The works of contemporary photographers Martha Rosler, Jim Goldberg, Lorna Simpson, and Gillian Wearing will support these reflections.
Simpson, Lorna --- Rosler, Martha --- Wearing, Gillian --- Goldberg, Jim --- Berger, John --- Sontag, Susan
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Ukraine Conflict, 2014 --- -Ukraine Conflict, 2014 --- -Children --- Art and the conflict --- Photography --- Goldberg, Jim, --- Ukraine
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Hamilton, Ann --- Viola, Bill --- Cheng, Carl --- Joe Goode Performance Group --- Marioni, Tom --- Torres, Francesc --- van Rydingsvard, Ursula --- Hart, Jim --- Davidson, Reg --- Goldberg, Jim
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761 --- 766.6 --- Abbas --- Arnold, Eve --- Barbey, Bruno --- Bendiksen, Jonas --- Berry, Ian --- Bischof, Werner --- Burri, René --- Capa, Cornell --- Capa, Robert --- Cartier-Bresson, Henri --- Chang, Chien-Chi --- D'Agata, Antoine --- Davidson, Bruce --- De Keyzer, Carl --- Depardon, Raymond --- Dworzak, Thomas --- Economopoulos, Nikos --- Erwitt, Elliot --- Franck, Martine --- Franklin, Stuart --- Freed, Leonard --- Fusco, Paul --- Gaumy, Jean --- Gilden, Bruce --- Glinn, Burt --- Goldberg, Jim --- Griffiths, Philip Jones --- Gruyaert, Harry --- Halsman, Philippe --- Hartmann, Erich --- Harvey, David Alan --- Hoepker, Thomas --- Hurn, David --- Kalvar, Richard --- Koudelka, Josef --- Kubota, Hiroji --- Larrain, Sergio --- Le Querrec, Guy --- Lessing, Erich --- Magnum --- Majoli, Alex --- Manos, Constantine --- Marlow, Peter --- McCurry, Steve --- Meiselas, Susan --- Miller, Wayne --- Morath, Inge --- Parke, Trent --- Parr, Martin --- Pellegrin, Paolo --- Peress, Gilles --- Pinkhassov, Gueorgui --- Power, Mark --- Reed, Eli --- Riboud, Marc --- Rodger, George --- Sarfati, Lise --- Scianna, Ferdinando --- Seymour, David --- Silverstone, Marilyn --- Smith, Willy Eugene --- Soth, Alec --- Steele-Perkins, Chris --- Stock, Dennis --- Towell, Larry --- Uimonen, Ilkka --- Vink, John --- Webb, Alec --- Wylie, Donovan --- Zachmann, Patrick --- fotografie --- oorlogen --- reportagefotografie --- fotografie, geschiedenis --- persfotografie en fotoreportage
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From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving exhibition focuses on the passing of time, tracing a diverse and poignant journey through over 150 years of conflict around the world, since the invention of photography. In an innovative move, the works are ordered according to how long after the event they were created from moments, days and weeks to decades later. Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect. The immediate trauma of war can be seen in the eyes of Don McCullin's Shell-shocked US Marine 1968, while the destruction of buildings and landscapes are documented by Simon Norfolk's Afghanistan: Chronotopia 2001. Different conflicts will also reappear from multiple points in time throughout the exhibition. The Second World War for example is addressed in Jerzy Lewczynski's 1960 photographs of the Wolf's Lair / Adolf Hitler's War Headquarters, Shomei Tomatsu's images of objects found in Nagasaki, Kikuji Kawada's epic project The Map made in Hiroshima in the 1960s, Michael Schmidt's Berlin streetscapes from 1980 and Nick Waplington's 1993 close-ups of cell walls from a Prisoner of War camp in Wales. The exhibition is staged to coincide with the 2014 centenary and concludes with new and recent projects by British, German, Polish and Syrian photographers which reflect on the First World War a century after it began.--Tate website.
fotografie --- documentaire fotografie --- reportagefotografie --- oorlogsfotografie --- landschapsfotografie --- twintigste eeuw --- eenentwintigste eeuw --- negentiende eeuw --- Delahaye Luc --- Broomberg Adam --- Chanarin Oliver --- McCullin Don --- Fukada Toshio --- Norfolk Simon --- Eiichi Matsumoto --- Andrieu Jules --- Antony-Thouret Pierre --- Fenton Roger --- Ristelhueber Sophie --- Peter Richard --- Matar Diana --- Lhuisset Emeric --- Barnard George N. --- Ractliffe Jo --- Goldberg Jim --- Khelif Kamel --- Friedrich Ernst --- Raad Walid --- Vaux Marc --- Domon Ken --- Lewczynski Jerzy --- Simon Taryn --- Tomatsu Shohei --- Lê An-My --- Shunk-Kender --- Shunk Harry --- Kender Janos --- Kawada Kikuji --- Virilio Paul --- Schulz-Dornburg Ursula --- Meiselas Susan --- Ishiguro Kenji --- Schmidt Michael --- Tsuchida Hiromi --- Waplington Nick --- Rosefeldt Julian --- Penalva Joao --- Wilson Jane --- Wilson Louise --- Serpytytè Indrè --- Araki Nobuyoshi --- Shore Stephen --- Madejska Agata --- Sarkissian Hrair --- Dewe Mathews Chloe --- 766.6 --- reportagefotografie (documentaire fotografie) --- Oorlogsfotografie --- 77.044 --- persfotografie en fotoreportage --- Barnard George N
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visual arts --- nudes [representations] --- sexuality --- Art --- Human anatomy --- Sexology --- eroticism --- private collections --- pornography --- Man Ray --- Büchel, Christoph --- Borremans, Michaël --- Bamgboyé, Oladélé Ajiboyé --- Slinger, Penny --- Kelley, Mike --- Metinides, Enrique --- Warhol, Andy --- Kahrs, Johannes --- Baumann, Selina --- Afif, Saadane --- Tuymans, Luc --- Levine, Sherrie --- Moriyama, Daido --- Araki, Nobuyoshi --- Rhoades, Jason --- Picasso, Pablo --- Sherman, Cindy --- Dubossarsky, Vladimir --- Dokoupil, Jirí Georg --- McCarthy, Paul --- Mellor, Dawn --- Lozano, Lee --- Manders, Mark --- Phillips, Richard --- Dunham, Carroll --- Prince, Richard --- Bellmer, Hans --- Vasquez de la Horra, Sandra --- Meene, Hellen, van --- Goldin, Nan --- Linder --- Goldberg, Jim --- Grannan, Katy --- Aitken, Doug --- Vinogradov, Alexander --- Koons, Jeff --- Hirakawa, Noritoshi --- Heinecken, Robert --- Dubossarsky & Vinogradov --- Mendieta, Ana --- Orozco, Gabriel --- Degas, Edgar --- Wool, Christopher --- Pettibon, Raymond --- Clark, Larry --- Woodman, Francesca --- Mikhailov, Boris --- Mapplethorpe, Robert --- Currin, John --- Lucas, Sarah --- Clemente, Francesco --- Álvarez Bravo, Manuel --- Alpern, Merry --- Dohmen, Leo --- Dr. Lakra --- Hirst, Damien --- Dumas, Marlene --- Kippenberger, Martin --- Cantor, Ellen --- Koether, Jutta --- Joffe, Chantal --- English, Simon --- Djurberg, Nathalie --- erotiek --- verzameling Thomas Koerfer --- seksualiteit --- Dood --- Koerfer, Thomas --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- visual arts [discipline] --- Afif, Saâdane --- erotiek. --- verzameling Thomas Koerfer. --- seksualiteit. --- Dood. --- Koerfer, Thomas. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- private collections [object groupings] --- lichaam (van de mens)
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