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Green, Renée

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For more than two decades, the artist Renée Green has created an impressive body of work in which language is an essential element. Green is also a prolific writer and a major voice in the international art world. Other Planes of There gathers for the first time a substantial collection of the work she wrote between 1981 and 2010. The selected essays initially appeared in publications in different countries and languages, making their availability in this volume a boon to those wanting to follow Green's artistic and intellectual trajectory.

Charting this cosmopolitan artist’s thinking through the decades, Other Planes of There brings essays, film scripts, reviews, and polemics together with reflections on Green's own artistic practice and seminal artworks. It immerses the reader in three decades of contemporary art showcasing the art and thought, the incisive critiques and prescient observations of one of our foremost artists and intellectuals. Sound, cinema, literature, time-based media, and the relationship between art forms and other forms of knowledge are just a few of the matters that Green takes up and thinks through. Sixty-four pages of color plates were selected by the artist for this lavishly illustrated volume.

Art --- Green, Renée

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Legacies of modernism reappraised and reconstructed in an epic project by Renée Green

American artist Renée Green (born 1959) spent two years engaged with the Carpenter Center for the Visual Arts at Harvard University, during which she presented a series of interlinked public programs and exhibitions, culminated with her major exhibition Within Living Memory (2018). Green’s Carpenter project, Pacing, is a meditation spurred by inhabiting an architectural icon―Le Corbusier’s Carpenter Center―while exploring the historical and institutional legacies of modernism’s other forms, including cinema, visual art, poetry, music and literature.

This handsome publication illuminates Green’s unfolding process, with a sequence of exhibitions that took place from 2015 and culminating in Pacing: Facing in Toronto; Tracing in Como, Italy; Placing in Berlin; Spacing in Lisbon; and Begin Again, Begin Again in Los Angeles. The result is a meditation on creative processes across histories and media, partially inspired by two architectural icons: Rudolf M. Schindler and Le Corbusier. Despite grand ambitions, Le Corbusier was only able to realize two buildings in the Americas, the Carpenter Center in Cambridge, Massachusetts, and Casa Curuchet, in La Plata, Argentina. In Pacing, dreams, projections and geographically distant buildings are put into dialogue through time, weaving a layered constellation of unexpected relations.

Lavishly illustrated, Renée Green: Pacing features new texts by Gloria Sutton and Fred Moten, and brings together a series of previously unpublished conversations between the artist and Yvonne Rainer, Nora M. Alter and Mason Leaver-Yap. Additional contributions are provided by Nicholas Korody, William S. Smith and Carpenter Center director Dan Byers.

Art --- Green, Renée --- Installations (Art) --- Installations (Art). --- Green, Renée. --- Exhibitions. --- Carpenter Center for the Visual Arts --- Carpenter Center for the Visual Arts. --- Massachusetts

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ed. by Alex Coles --- kunst --- etnografie --- kunst en etnografie --- Baumgarten Lothar --- kunsttheorie --- esthetica --- Clifford James --- Calle Sophie --- Project Unité --- Green Renée --- Aupetitallot Yves --- Dion Mark --- Burr Tom --- Müller Christian Philipp --- antropologie --- kunst en antropologie --- Uruguay --- Disneyland --- 7.01 --- 7.038

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Art --- installations [visual works] --- Arden, Roy --- Biefer, Marcel --- Brown, Tony --- Deleporte, Anne --- Joisten, Bernard --- Koch, Udo --- Ponchelet, Marie --- Sehler, Stefan --- Zgraggen, Beat --- Green, Renée --- Fend, Peter --- Gonzalez-Foerster, Dominique --- anno 1900-1999