Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Biography --- Biographies --- Griffith, D. W. --- sous la dir. de Patrick Brion --- film --- filmgeschiedenis --- Griffith David Wark --- Verenigde Staten --- 791.471 GRIFFITH --- 791.43 --- Producteurs et réalisateurs de cinéma --- Griffit, Dėvid Uork, --- Griffith, David Wark, --- Warwick, Grenville, --- CDL

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

film --- filmgeschiedenis --- Verenigde Staten --- Hollywood --- filmregisseurs --- twintigste eeuw --- Griffith David Wark --- 791.471 GRIFFITH --- Motion picture industry --- Motion picture producers and directors --- History. --- Biography. --- Griffith, D. W. --- Hollywood (Los Angeles, Calif.) --- History --- Biography --- Griffit, Dėvid Uork, --- Griffith, David Wark, --- Warwick, Grenville,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Between 1908 and 1913, D. W. Griffith played a key role in the reformulating of film's narrative techniques, thus contributing to the creation of what we now think of as the classical Hollywood cinema. This book is the only extensive treatment of a critical period in the history of film acting: the emergence of the realistic "verisimilar" style in Griffith's biograph films. Roberta Pearson shows how Griffith gradually abandoned the deliberately affected "histrionic" acting style derived from the nineteenth-century stage. No longer did actors mime distress by raising their arms to heaven or clutching their heads--a subtle facial expression, a slight change in posture would convey a character's extreme emotions instead. Pearson makes detailed comparisons of certain Biograph films and brings a freshness to her analysis by closely examining contemporary journalistic writing, acting manuals, and the recollections of actors of the time. Her work is important for anyone interested in early cinema and performance, and it will enliven the study of American cultural history and mass communications.

Silent films --- Motion picture acting. --- Movement (Acting) --- Motion picture acting --- Music, Dance, Drama & Film --- Film --- Film acting --- Moving-picture acting --- Acting --- Movement on the stage --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- History. --- History and criticism --- Griffith, D. W. --- Griffit, Dėvid Uork, --- Griffith, David Wark, --- Warwick, Grenville, --- Criticism and interpretation. --- Biograph Company. --- AB --- American Mutoscope and Biograph Company --- Protective Amusement Company --- Klaw & Erlanger --- History and criticism. --- acting manuals. --- actors. --- american cultural history. --- american director. --- biography films. --- birth of a nation. --- cinema. --- classical hollywood cinema. --- controversy. --- dw griffith. --- early cinema. --- extreme emotion. --- feature length movie. --- film acting. --- film and television. --- film theory. --- henry d walthall. --- hollywood. --- mass communication. --- movie theory. --- movies. --- narrative technique. --- performance style. --- performing arts. --- realistic film. --- theatrical heritage. --- trade press discourse. --- united states of america. --- verisimilar.