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Cinéma et histoire --- Film en geschiedenis --- Histoire au cinéma --- Histoire et cinéma --- Motion pictures and history --- Historical films --- Motion pictures and history. --- Films historiques --- Cinéma et histoire --- History and criticism. --- Histoire et critique --- United States --- History and criticism

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Cinéma et histoire --- Film en geschiedenis --- Histoire au cinéma --- Histoire et cinéma --- Motion pictures and history --- Presidenten in de film --- Presidents in motion pictures --- Présidents au cinéma --- Motion pictures --- Historical films --- Présidents --- Cinéma et politique --- Films historiques --- Political aspects --- History and criticism --- Au cinéma --- Histoire et critique --- United States --- Au cinéma. --- Histoire et critique. --- Présidents --- Cinéma et politique --- Au cinéma.

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In the aftermath of the Holocaust, the Rodney King beating, the O.J. Simpson trial, what is to count as history, and how can it be recounted? 'The Persistence of History' is an anthology of essays from major film scholars and historians which focuses on a radical contemporary challenge to historical representation in film. This challenge is brought about by what the collection terms "the modernist event"--novel historical occurrences unthinkable before the 20th century and raised to visibility, if not intelligibility, through the mass mediations of film and television. Contributors to 'The Persistence of History' look at how moving image has not only challenged, but completely altered, traditional modes of historical thought and representation. Exploring a range of film and video texts, from 'The Ten Commandments' to the Rodney King video, from the projected work of documentarian Errol Morris to Oliver Stone's 'JFK' and Steven Spielberg's'Schindler's List', the volume asks what are the appropriate forms of media for making the incoherence and fragmentation of contemporary history intelligible and meaningful? At a moment when History is said to be at an "end," why are more people than ever fascinated by "the historical"--defined as the possibility of being "in" a historical event that is documented, validated, if not invented, through mass media simply by viewing it? By focusing on the relationship between historical events and historiography, the essays in 'The Persistence of History' address this question as well as such issues as 'ennui' and boredom, national identity, violence, and the "ownership" of history. Contributors: Robert Burgoyne, Thomas Elsaesser, Sumiko Higashi, Bill Nichols, Patrice Petro, Dana Polan, Shawn Rosenheim, Robert Rosenstone, Janet Staiger, Frank Tomasulo, Hayden White, Denise Youngblood.

Motion pictures and history. --- Television and history. --- World history --- Film --- Mass communications --- Cinéma et histoire --- Film en geschiedenis --- Histoire au cinéma --- Histoire et cinéma --- Motion pictures and history --- Televisie en geschiedenis --- Television and history --- Télévision et histoire --- #SBIB:309H1320 --- History and television --- History and motion pictures --- Moving-pictures and history --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Cinéma et histoire --- Télévision et histoire --- History --- Cinéma et histoire. --- Télévision et histoire.

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History as a science --- World history --- Cinéma et histoire --- Evenementen (Geschiedenis) --- Event history analysis --- Faits (Histoire) --- Faits historiques --- Film en geschiedenis --- Histoire au cinéma --- Histoire et cinéma --- Histoire événementielle --- Motion pictures and history --- Traumatisme historique --- Événement --- Événement (Histoire) --- Événement historique --- Événementiel --- Événements --- History --- Photography in historiography --- Histoire --- Photographie en historiographie --- Histoire universelle --- Methodology --- Pictorial works --- Sources --- Evaluation --- Méthodologie --- Ouvrages illustrés --- Kunsttheorie ; visuele beelden als historisch materiaal --- Fotografie ; in historiografie --- Iconografie ; iconologie --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Méthodologie --- Ouvrages illustrés --- Pictorial works. --- Evaluation.

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Can filmed history measure up to written history? What happens to history when it is recorded in images, rather than words? Can images convey ideas and information that lie beyond words? Taking on these timely questions, Robert Rosenstone pioneers a new direction in the relationship between history and film. Rosenstone moves beyond traditional approaches, which examine the history of film as art and industry, or view films as texts reflecting their specific cultural contexts. This essay collection makes a radical venture into the investigation of a new concern: how a visual medium, subject to the conventions of drama and fiction, might be used as a serious vehicle for thinking about our relationship with the past.Rosenstone looks at history films in a way that forces us to reconceptualize what we mean by "history." He explores the innovative strategies of films made in Africa, Latin America, Germany, and other parts of the world. He journeys into the history of film in a wide range of cultures, and expertly traces the contours of the postmodern historical film. In essays on specific films, including Reds, JFK, and Sans Soleil, he considers such issues as the relationship between fact and film and the documentary as visionary truth.Theorists have for some time been calling our attention to the epistemological and literary limitations of traditional history. The first sustained defense of film as a way of thinking historically, this book takes us beyond those limitations.

791.43 --- #SBIB:309H1326 --- #SBIB:309H1329 --- #SBIB:93H1 --- #SBIB:AANKOOP --- #SBIB:309H521 --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Films met een informatieve functie (met inbegrip van de documentaire film) --- Geschiedwetenschap. Hulpwetenschappen van de geschiedenis --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- #A9801H --- Cinéma et histoire --- Film en geschiedenis --- Histoire au cinéma --- Histoire et cinéma --- Robert A. Rosenstone --- film en geschiedenis --- Historical films --- Motion pictures and history --- History and motion pictures --- Moving-pictures and history --- History --- History and criticism --- film --- filmgeschiedenis --- Film --- Motion pictures and history. --- History and criticism. --- Cinéma et histoire --- Films historiques --- Histoire et critique --- Historical films - History and criticism