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Anders als Renaissance und Klassizismus gilt das 19. Jahrhundert bisher nicht als Epoche der Wiederkehr der Antike. Dabei hat gerade der Historismus die Imaginationsräume des Altertums engagiert bespielt und sie im Medium der Bühne grundlegend neu entworfen. In exemplarischen Studien macht der interdisziplinäre Band die vielfach vergessenen Altertumsdiskurse des 19. Jahrhunderts in ihren spezifisch dramatischen Formen und theatralen Medien sichtbar. Umgekehrt weist er die Bühne als zentrales Kommunikations- und Reflexionsmedium der Antike aus. Dabei wird das besondere Spannungsverhältnis zwischen Historisierung und normativem Geltungsanspruch, Pluralisierung und Synthesebildung, Verwissenschaftlichung, Ästhetisierung und Politisierung des Altertums vermessen, das diese Epoche kennzeichnet und in der dominanten Figur der »anderen Antike« kulminiert.
German drama --- Antiquities in literature --- History, Ancient, in literature --- History and criticism --- German literature --- 1800-1899 --- Ästhetisierung --- Verwissenschaftlichung --- Theater --- Synthesebildung --- Altertum --- Pluralisierung --- Imaginationsräume --- Historismus --- Drama --- Politisierung
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Poetry --- Ancient history --- Thematology --- Epic poetry, Classical --- History, Ancient, in literature. --- Literature and history --- Mythology, Classical, in literature. --- Narration (Rhetoric) --- Rhetoric, Ancient. --- History and criticism --- Theory, etc. --- History and criticism. --- History
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The field of Late Antique studies has involved self-reflexion and criticism since its emergence in the late nineteenth century, but in recent years there has been a widespread desire to retrace our steps more systematically and to inquire into the millennial history of previous interpretations, historicization and uses of the end of the Greco-Roman world. This volume contributes to that enterprise. It emphasizes an aspect of Late Antiquity reception that ensues from its subordination to the Classical tradition, namely its tendency to slip in and out of western consciousness. Narratives and artifacts associated with this period have gained attention, often in times of crisis and change, and exercised influence only to disappear again. When later readers have turned to the same period and identified with what they perceive, they have tended to ascribe the feeling of relatedness to similar values and circumstances rather than to the formation of an unbroken tradition of appropriation.
History, Ancient --- History, Ancient, in literature --- Historiography. --- Classical literature --- Literature, Modern --- History and criticism --- Theory, etc. --- Influence --- Influence. --- Classical influences --- Classical influences. --- Antiquities --- Material culture --- Archaeology --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological
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Que se serait-il passé si ? Les Grecs et les Romains de l'Antiquité ont répondu, les premiers, à cette interrogation, qui a donné naissance depuis le XIXe siècle au genre littéraire de l'uchronie, aujourd'hui très à la mode. Oui, que se serait-il passé si les Troyens avaient été vainqueurs, si Athènes l'avait emporté sur Sparte, si Alexandre le Grand s'était élancé contre l'Italie et Rome, si Démosthène avait été écouté, si Pompée et Caton avaient gagné la guerre civile, si César n'avait pas été assassiné, si Germanicus avait régné ? Comme on le verra ici, les Anciens se sont posé ces questions, et bien d'autres encore, et ils ont cherché à y répondre avec toutes les ressources que leur offraient le raisonnement philosophique et politique, l'art poétique, l'éloquence, l'écriture de l'histoire. Découvrir la diversité et la richesse de ces histoires alternatives explorées par les Anciens, c'est s'interroger avec eux sur la tension fondamentale qui existera toujours entre la force du destin et la liberté humaine.
Histoire ancienne --- Uchronies --- Antiquities --- Alternate history --- Alternative histories (Fiction) --- Literature and history --- History, Ancient --- History, Ancient, in literature. --- Uchronie (Genre littéraire) --- Littérature et histoire --- Histoire ancienne dans la littérature --- Historiography. --- Historiographie --- Histoire ancienne. --- Uchronies. --- Antiquities - Congresses --- Alternate history - Congresses
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An der Wende vom 18. zum 19. Jahrhundert setzte ein umfassender Prozess der Pluralisierung des Konzepts ,Altertum' ein: Die ehemals privilegierte griechisch-römische Antike geriet in Konkurrenz zu nordischen und orientalischen Altertumskulturen. Die Arbeit verfolgt diese Ausdifferenzierung auf der Dramenbühne des 19. Jahrhunderts und lenkt damit die Aufmerksamkeit auf einen Aspekt des Altertumsdiskurses, der bisher kaum erforscht wurde. Gegenstand der Studie sind zunächst dramentheoretische Schriften von Hegel und Herder, anhand derer insbesondere die Bedeutung der neu entdeckten alten indischen Dramatik für zeitgenössische Dramaturgien deutlich wird. Im Anschluss rücken am Beispiel der Berliner historischen Ausstattungsreform unter Karl von Brühl und Friedrich Schinkel die realen Aufführungsbedingungen in den Blick, die maßgeblich an der Pluralisierung des Altertums Anteil hatten. Die Bedeutung von Dramentheorie und Theaterpraxis für die Altertumsdramatik ist schließlich Gegenstand einer paradigmatischen Studie zur Alexanderdramatik des 19. Jahrhunderts und einer detaillierten Analyse von Friedrich Hebbels Tragödien.
Drama --- Criticism --- History and criticism. --- German drama --- Antiquities in literature --- History, Ancient, in literature --- History and criticism --- German drama - 18th century - History and criticism --- German drama - 19th century - History and criticism --- Antiquity. --- dramatic theory. --- historical practice of equipment.
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CHAUCER (GEOFFREY), d. 1400 --- HISTORY --- POLITICAL AND SOCIAL VIEWS --- HISTORICAL POETRY, ENGLISH --- Historical poetry, English --- History, Ancient, in literature. --- Middle Ages in literature. --- Social problems in literature. --- History and criticism. --- Chaucer, Geoffrey, --- Knowledge --- History. --- Political and social views.
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Qui n'a pas rêvé, à l'occasion de la visite d'un site archéologique prestigieux ou particulièrement bien conservé, de " remonter le temps " et de pouvoir s'entretenir avec nos ancêtres ? Certains auteurs de récits d'aventures ont franchi le pas, mettant en relation des personnages issus de l'Antiquité et des explorateurs ou des voyageurs de l'époque contemporaine. Ce face à face impossible a séduit beaucoup de romanciers et s'est développé, alimenté par les découvertes les plus récentes de la science archéologique. De Théophile Gautier à Henri Vernes, ou de Rider Haggard à Clive Cussler pour les anglo-saxons, toute une littérature a proliféré et continue d'exister, tirant parti des retrouvailles les plus sensationnelles comme Troie, Toutankhamon, Machu-Pachu ou spéculant sur l'hypothétique découverte de l'Atlantide, du tombeau d'Alexandre le Grand ou de l'Eldorado. Quelles sont donc les " recettes littéraires " qui ont donné naissance à des succès planétaires, largement relayés entre autres par le cinéma (Indiana Jones) ou les jeux vidéo (Tomb Raider) ?
Fiction --- Literary semiotics --- Mythology in literature. --- History, Ancient, in literature. --- Civilization, Ancient, in literature. --- Geographical myths in literature. --- Mythologie dans la littérature --- Histoire ancienne dans la littérature --- Civilisation ancienne dans la littérature --- Mythes géographiques dans la littérature --- Civilization, Ancient, in literature --- Literature, Comparative --- Mythology in literature --- Geographical myths in literature --- Themes, motives --- History, Ancient, in literature --- Mythologie dans la littérature --- Histoire ancienne dans la littérature --- Civilisation ancienne dans la littérature --- Mythes géographiques dans la littérature --- Literature, Comparative - Themes, motives
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Readers new to ancient epic are hampered in two ways: they do not know the ancient languages, and they are unfamiliar with the ancient world. This survey addresses the needs of these readers by offering guidance through the major classical writers of epic: it begins with Homer and concludes with an overview of the development of late ancient epic and of the interface between the epic and the novel.
Ancient history in literature --- Ancient rhetoric --- Antieke retoriek --- Geschiedenis van de oudheid in de literatuur --- Histoire de l'antiquite dans la litterature --- History [Ancient ] in literature --- Mythologie [Klassieke ] in de literatuur --- Mythologie classique dans la littérature --- Mythology [Classical ] in literature --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Retoriek [Antieke ] --- Retoriek van de Oudheid --- Rhetoric [Ancient ] --- Rhétorique ancienne --- Rhétorique de l'Antiquité --- Verhaal (Retoriek) --- Epic poetry, Classical --- Literature and history --- Mythology, Classical, in literature --- Rhetoric, Ancient --- History, Ancient, in literature --- History and criticism --- Theory, etc --- -Epic poetry, Classical --- -History, Ancient, in literature --- -Literature and history --- -Mythology, Classical, in literature --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Narrative (Rhetoric) --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History and literature --- History and poetry --- Poetry and history --- History --- Classical epic poetry --- Classical poetry --- -Theory, etc --- History and criticism&delete& --- Rhetoric, Ancient. --- Epic poetry [Classical ] --- Theory, etc. --- Greece --- Rome --- History, Ancient, in literature. --- Mythology, Classical, in literature. --- History and criticism. --- Epic poetry, Classical - History and criticism --- Literature and history - Rome --- Epic poetry, Classical - History and criticism - Theory, etc --- Literature and history - Greece
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In the last few years a reconsideration of the past of the ancients and of the concepts correlated to it (e.g. the ʻclassicalʼ) has been important to many scholars. The present volume adds to the range of perspectives on the antique by expanding research to include different, hitherto unexplored spheres, whether that be chronological perspectives or disciplinary ones, as well as by opening up the discussion to include textual types that previous studies have treated little or not at all. Fourteen essays on various fields aim at defining the categories in which the past is constructed, thought, valued, functionalized and redrawn. They concentrate on the category of the ʻantiqueʼ and the role it plays in texts and authors, with specific reference to the ʻtopicalizationʼ, conceptualization and renegotiation of the ʻantiqueʼ and the ʻancientsʼ. The textual types analysed belong to the following fields: ancient philosophy and history of ideas, ethnography, historiography and antiquarianism, literature and philology, grammar and Roman law, Renaissance studies.
Civilization, Classical --- Classical literature --- Civilization, Ancient, in art. --- Appreciation of classical literature --- Classical civilization --- Civilization, Ancient --- Classicism --- Influence. --- Appreciation. --- E-books --- History, Ancient, in literature. --- Literature, Ancient --- History and criticism. --- Rome --- Civilization. --- Renaissance --- Classical influences. --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- History --- Antiquity. --- canonicity. --- memory. --- past.
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Ancient history in literature --- Bretoenen uit Groot-Brittannië in de literatuur --- Bretons de Grande-Bretagne dans la littérature --- British national characteristics in literature --- Britons in literature --- Brits volkskarakter in de literatuur --- Britse volksaard in de literatuur --- Caractéristiques nationales britanniques dans la littérature --- Geschiedenis van de oudheid in de literatuur --- Histoire de l'antiquite dans la litterature --- History [Ancient ] in literature --- National characteristics [British ] in literature --- Volksaard [Britse ] in de literatuur --- Volkskarakter [Brits ] in de literatuur --- Women soldiers in literature --- Britons in literature. --- English literature --- History, Ancient, in literature. --- National characteristics, British, in literature. --- Women and literature --- Women soldiers in literature. --- History and criticism. --- History --- History and criticism --- Early modern, 1500-1700 --- Boadicea, Queen --- Influence --- Great Britain --- Roman period, 55 B.C.-449 A.D. --- Historiography --- Shakespeare, William --- England
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