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Latin wit and humor --- Humour latin --- Ovid,

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Latin wit and humor --- Humour latin --- Rome --- Rome --- Social life and customs --- Moeurs et coutumes

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"What made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear-a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena? Laughter in Ancient Rome explores one of the most intriguing, but also trickiest, of historical subjects. Drawing on a wide range of Roman writing-from essays on rhetoric to a surviving Roman joke book-Mary Beard tracks down the giggles, smirks, and guffaws of the ancient Romans themselves. From ancient 'monkey business' to the role of a chuckle in a culture of tyranny, she explores Roman humor from the hilarious, to the momentous, to the surprising. But she also reflects on even bigger historical questions. What kind of history of laughter can we possibly tell? Can we ever really 'get' the Romans' jokes?"--

Laughter --- Latin wit and humor --- History --- History and criticism --- Rome --- Social life and customs --- Lachen. --- Literary criticism --- Political science --- Ancient --- General. --- History and criticism. --- Ancient & Classical. --- History & Theory. --- Römisches Reich. --- Social life and customs. --- Rire --- Humour latin --- Histoire --- Histoire et critique --- Moeurs et coutumes --- Laughing --- Emotions --- Nonverbal communication --- Wit and humor --- Latin literature --- Laughter - Rome - History - To 1500 --- Latin wit and humor - History and criticism --- Rome - Social life and customs

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In these reflections on the mercurial qualities of style in Ovid's 'Meta-morphoses', Garth Tissol contends that stylistic features of the ever-shifting narrative surface, such as wordplay, narrative disruption, and the self-conscious reworking of the poetic tradition, are thematically significant. It is the style that makes the process of reading the work a changing, transformative experience, as it both embodies and reflects the poem's presentation of the world as defined by instability and flux. Tissol deftly illustrates that far from being merely ornamental, style is as much a site for interpretation as any other element of Ovid's art.In the first chapter, Tissol argues that verbal wit and wordplay are closely linked to Ovidian metamorphoses. Wit challenges the ordinary conceptual categories of Ovid's readers, disturbing and extending the meanings and references of words. Thereby it contributes on the stylistic level to the readers' apprehension of flux. On a larger scale, parallel disturbances occur in the progress of narratives. In the second and third chapters, the author examines surprise and abrupt alteration of perspective as important features of narrative style. We experience reading as a transformative process not only in the characteristic indirection and unpredictability of Ovid's narrative but also in the memory of his predecessors. In the fourth chapter, Tissol shows how Ovid subsumes Vergil's 'Aeneid' into the 'Metamorphoses' in an especially rich allusive exploitation, one which contrasts Vergil's aetiological themes with those of his own work.

Cosmology, Ancient, in literature. --- Latin language --- Latin wit and humor --- Metamorphosis in literature. --- Mythology, Classical, in literature. --- Narration (Rhetoric) --- Rhetoric, Ancient. --- Style. --- History and criticism. --- History --- Ovid, --- Literary style. --- Mythology, Classical, in literature --- Rhetoric, Ancient --- Cosmology, Ancient, in literature --- Metamorphosis in literature --- Style --- History and criticism --- Ovid --- Literary style --- Humour latin --- Mythologie ancienne dans la littérature --- Cosmologie antique dans la littérature --- Métamorphose dans la littérature --- Latin (Langue) --- Narration --- Rhétorique ancienne --- Histoire et critique --- Stylistique --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin rhetoric --- Latin literature --- Rhetoric --- Ovidius Naso, Publius. --- Nasó, P. Ovidi, --- Naso, Publius Ovidius, --- Nazon, --- Ouidio, --- Ovide, --- Ovidi, --- Ovidi Nasó, P., --- Ovidiĭ, --- Ovidiĭ Nazon, Publiĭ, --- Ovidio, --- Ovidio Nasón, P., --- Ovidio Nasone, Publio, --- Ovidios, --- Ovidiu, --- Ovidius Naso, P., --- Ovidius Naso, Publius, --- Owidiusz, --- P. Ovidius Naso, --- Publiĭ Ovidiĭ Nazon, --- Publio Ovidio Nasone, --- Ūvīd, --- אוביד, --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Latin language - Style --- Latin wit and humor - History and criticism --- Ovid - Literary style