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Guy Sircello's analysis of the varieties of expression and his use of them to justify a particular view of the human mind clarify a number of controversial topics in contemporary philosophy, among them the notion of "artistic acts," language as expression, the expression of ideas, expressions as "natural signs," and the nature of the causal relationship between an expression and what is expressed.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Art --- Philosophy. --- Psychology. --- Philosophie --- Psychologie --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Analysis, interpretation, appreciation --- Absurdity. --- Adjective. --- Aesthetics. --- Allegory. --- Analogy. --- Anecdote. --- Anger. --- Anthropomorphism. --- Art. --- BDSM. --- Book. --- Boredom. --- Category mistake. --- Causality. --- Circumlocution. --- Classicism. --- Cognate. --- Connotation. --- Consciousness. --- Constant conjunction. --- Copying. --- Criticism. --- Defamation. --- Disgust. --- Distrust. --- El Greco. --- Emotionalism. --- Equanimity. --- Explanation. --- Externalization. --- Falsity. --- Feeling. --- Fine art. --- Greatness. --- Hallucination. --- Hostility. --- Illocutionary act. --- Imagination. --- Indication (medicine). --- Inferiority complex. --- Informality. --- Inseparability. --- Irony. --- Jargon. --- Laziness. --- Literature. --- Lytton Strachey. --- Magnanimity. --- Metaphor. --- Modern philosophy. --- Modesty. --- Moral character. --- Music criticism. --- Narcissism. --- Non-fiction. --- Nonsense. --- Nonverbal communication. --- Obscurantism. --- Originality. --- Paradox. --- Personal identity. --- Phenomenon. --- Philosopher. --- Philosophy of language. --- Phrase (music). --- Pity. --- Poetry. --- Politeness. --- Praxiteles. --- Prose. --- Respect. --- Result. --- Romanticism. --- Sadness. --- Sanity. --- Sarcasm. --- Science. --- Scientist. --- Selfishness. --- Sentimentality. --- Sophistication. --- Spirituality. --- Suggestion. --- Sympathy. --- Symptom. --- The Concept of Mind. --- The Other Hand. --- The Philosopher. --- Theory of Forms. --- Theory of art. --- Theory of mind. --- Theory. --- Thought. --- Understanding. --- Uniqueness. --- Vagueness. --- Verb. --- Work of art. --- Writing.
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This is a systematic study of the conceptual framework used by critics and scholars in their discussions of influence in art and literature. Göran Hermerén explores the key questions raised in scholarly debate on the topic: What is meant by "influence"? What methods can be used to settle disagreements about influence? What reasons could be used to support or reject statements about artistic and literary influence? The book is based on descriptive analyses in which the author has tried to make explicit what is said or implied in a number of "ations from scholarly writings on art and literature. Throughout, the emphasis is on clarifying the assumptions on which the use of the concept of influence is based, thus describing the limitations and merits of this kind of comparative research for critics and scholars.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Judgment (Aesthetics) --- Influence littéraire, artistique, etc. --- Jugement (Esthétique) --- Influence (Literary, artistic, etc) --- -Themes, motives. --- Judgment (Aesthetics). --- Influence littéraire, artistique, etc. --- Jugement (Esthétique) --- Art --- Influence (Literary, artistic, etc.) --- Literature --- -Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Belles-lettres --- Western literature (Western countries) --- World literature --- Themes, motives. --- Philosophy --- Subjects --- Comparative literature --- Littérature --- Themes, motives --- Thèmes, motifs --- Philosophie --- Aesthetics --- Artistic impact --- Influence (Psychology) --- Intermediality --- Intertextuality --- Originality in literature --- Literature and philosophy --- Philosophy and literature --- Theory --- Influence (Literary, artistic, etc.). --- Philosophy. --- Art - Themes, motives --- Literature - Philosophy --- Adjective. --- Aesthetic Theory. --- Aesthetics. --- Allegory. --- Allusion. --- Anachronism. --- Ancient art. --- Anecdote. --- Antithesis. --- Art criticism. --- Art history. --- Artistic merit. --- Baroque painting. --- Caravaggio. --- Carolingian art. --- Causality. --- Cliché. --- Clinamen. --- Close reading. --- Comparative literature. --- Comparative method (linguistics). --- Contemporary art. --- Contemporary philosophy. --- Counterfactual conditional. --- Criticism. --- Cubism. --- D. H. Lawrence. --- Deed. --- Digression. --- Drapery. --- Engraving. --- Epic poetry. --- Explanation. --- Ezra Pound. --- Fine art. --- Florentine painting. --- Forgery. --- French literature. --- Genre. --- Human Action. --- Humanities. --- Iconography. --- Ideogrammic method. --- Ideology. --- Illocutionary act. --- Illusionism (art). --- Illustration. --- Illustrator. --- Imagery. --- Indian aesthetics. --- Individualism. --- Invention. --- Japanese art. --- Journalism. --- Languages of Art. --- Las Meninas. --- Literary genre. --- Literature. --- Marcel Duchamp. --- Metaphor. --- Monograph. --- Mural. --- Mutatis mutandis. --- Narrative. --- Oil sketch. --- Ontology. --- Originality. --- Overreaction. --- Pablo Picasso. --- Paul Gauguin. --- Perlocutionary act. --- Philosopher. --- Philosophy of history. --- Philosophy of language. --- Plagiarism. --- Poetry. --- Publication. --- Publishing. --- Rapprochement. --- Requirement. --- Result. --- Romanticism. --- Secondary source. --- Speech act. --- Still life. --- Stipulation. --- Stipulative definition. --- Suggestion. --- Symbolism (arts). --- The Conceptual Framework. --- Theory of art. --- Theory. --- Thought. --- Titian. --- Treatise. --- Value judgment. --- Visual arts. --- Work of art. --- Writer. --- Writing.
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