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This richly illustrated study is the first consider the manifold functions and meanings of Hals's distinctive handling of paint. Atkins explores the uniqueness of Hals's approach to painting and the relationship of his manner to seventeenth-century aesthetics. He also investigates the economic motivations and advantages of his methods, the operation of the style as a personal and workshop brand, and the apparent modernity of the artist's style. The book seeks to understand the multiple levels on which Hals's consciously cultivated manner of painting operated for himself, his pupils and assistants, his clients, and succeeding generations of viewers. As a result, the book offers a wholly new understanding of one of the leading artists of the Dutch Golden Age, and one of the most formative painters in the history of art in the Western tradition. It also provides a much needed interrogation of the interrelationships of subjectivity, style, authorship, methods of artistic and commercial production, economic consumption, and art theory in early modernity.

Hals, Frans --- Hals, Frans I --- Painting, Dutch --- Hals, Frans, --- Criticism and interpretation. --- Khalʹs, Frans, --- האלס, פראנס, --- Khalʹs, Frans --- Hals, Frans Fransz. --- stijlstudie

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English title : U529 : Frans Hals : Militia Pieces

schuttersgilde --- guilds --- militia pieces --- Hals, Frans --- Peintres --- 75 HALS, FRANS --- Schilderkunst--HALS, FRANS --- 75 HALS, FRANS Schilderkunst--HALS, FRANS --- Hals, Frans, --- Hals, Frans Fransz. --- Khalʹs, Frans --- האלס, פראנס, --- Hals (frans), peintre hollandais, 1581?-1666 --- Critique et interpretation

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Frans Hals is one of the greatest portrait painters of all time and, together with Rembrandt and Vermeer, is one of the most eminent Dutch seventeenth-century artists. Publishing to coincide with the The Wallace Collection exhibition of the same name, Frans Hals: The Male Portrait explores the artist's highly innovative approach to male portraiture in particular, from the beginning of his career in the 1610s until the end of his life in 1666. Through pose and virtuosic painterly technique, Hals completely revolutionised the male portrait into something entirely new and fresh, capturing and revealing his sitters' characters like no one else before him. The book includes the first in-depth study of Hals's great masterpiece, The Laughing Cavalier, from 1624. The extravagantly-dressed young man, confidently posed with his left arm akimbo in the extreme foreground of the picture and seemingly penetrating into the viewer's space, has been charming audiences for over a century. Richly illustrated, this book situates 'The Laughing Cavalier' within the artist's larger oeuvre and demonstrates how, at a relatively early point in his career, Hals was able to achieve his greatest masterpiece. Exhibition: The Wallace Collection, London, UK (22.09.2021 - 30.01.2022)

Painting --- painting [image-making] --- Hals, Frans --- Men in art --- Portrait painting, Dutch --- Dutch portrait painting --- Male figure in art --- Hals, Frans, --- Hals, Frans Fransz. --- Khalʹs, Frans --- האלס, פראנס, --- Exhibitions --- mannen. --- portretten. --- Hals, Frans I. --- Hollandse school --- mansportretten

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English Title : U528 : Frans Hals

75 HALS, FRANS --- 75 HALS, FRANS Schilderkunst--HALS, FRANS --- Schilderkunst--HALS, FRANS --- Exhibitions --- schuttersgilde --- technical art history --- schilderkunst --- guilds --- costume [mode of fashion] --- portraits --- Hals, Frans --- Peintres --- Hals, Frans, --- portretten --- kostuumgeschiedenis --- schuttersgilden --- techniek --- Hals, Frans (I) --- Houbraken, Jacobus --- 17de eeuw --- Haarlem --- painting [image-making] --- portretschilderkunst --- Hals, Frans I --- Hals, Frans Fransz. --- Khalʹs, Frans --- האלס, פראנס, --- portretten. --- kostuumgeschiedenis. --- schuttersgilden. --- techniek. --- Hals, Frans I. --- Houbraken, Jacob. --- 17de eeuw. --- Haarlem. --- Hals (frans), peintre hollandais, 1581?-1666 --- Critique et interpretation --- Houbraken, Jacob

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The canon of 17th-century painting is more than a century old and is only partially in keeping with the taste of the 21st century. This book shows how taste has developed over four centuries, what changes have occurred in it and what attitudes and circumstances underlie it. In total, the work of about 300 painters is discussed, more than 60 of which form the canon of the most important painters of the seventeenth century. Some examples: Rembrandt and Jan Steen as the most versatile, Bartholomeus van der Helst and Frans Hals as the most important portrait specialists, Johannes Vermeer and Gabriel Metsu as the greatest genre painters, Caesar van Everdingen as a classicist, Adriaen van der Werff as an academic and Hendrick Terbrugghen and Gerard van Honthorst as Caravaggists. The author of this large overview, Paul Schnabel, has been working on art history for sixty years, in particular with Dutch painting from the sixteenth century to the present. De canon van de schilderkunst van de 17de eeuw is al meer dan een eeuw oud en sluit nog maar beperkt aan bij de smaak van de 21ste eeuw. Dit boek laat zien hoe de smaak zich gedurende vier eeuwen heeft ontwikkeld, welke veranderingen daarin zijn opgetreden en welke opvattingen en omstandigheden daaraan ten grondslag lagen. In totaal wordt het werk van ongeveer 300 schilders besproken, ruim 60 daarvan vormen de canon van belangrijkste schilders van de zeventiende eeuw. Enkele voorbeelden: Rembrandt en Jan Steen als de meest veelzijdigen, Bartholomeus van der Helst en Frans Hals als de belangrijkste portretspecialisten, Johannes Vermeer en Gabriël Metsu als de grootste genreschilders, Caesar van Everdingen als classicist, Adriaen van der Werff als academist en Hendrick Terbrugghen en Gerard van Honthorst als caravaggisten. De auteur van dit grote overzicht, Paul Schnabel, houdt zich al zestig jaar bezig met kunstgeschiedenis, met name met de Nederlandse schilderkunst van de zestiende eeuw tot nu.

Painting --- gouden eeuw (Holland) --- anno 1600-1699 --- Netherlands --- Painting, Dutch --- Landscape painting, Dutch --- Genre painting, Dutch --- Still-life painting, Dutch --- Portrait painting, Dutch --- Art --- Dutch portrait painting --- Dutch still-life painting --- Dutch landscape painting --- Historiography --- Rembrandt Harmenszoon van Rijn --- Vermeer, Johannes --- Metsu, Gabriel --- Hals, Frans --- Steen, Jan --- Hals, Frans Fransz. --- Khalʹs, Frans --- האלס, פראנס, --- Van der Meer, Jan, --- Van der Meer van Delft, Jan, --- Vermeer, Jan, --- Vermeer van Delft, Jan, --- Meer, Jan van der, --- Der Meer, Jan van, --- Vermeer de Delft, Jan, --- Vermer Delftskiĭ, Ĭokhannes, --- Vermer, Ĭokhannes, --- Ferumēru, Yohanesu, --- フェルメール, ヨハネス, --- Rembrandt --- Rāmbirānt, --- Rembrandt Garmens van Reĭn --- Rembrandt van Rijn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Hollandse school --- receptiegeschiedenis