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Das Erblühen der Renaissancekultur in Italien stand um 1400 am Anfang eines neuen, epochalen Zeitalters. Antikenrezeption, Humanismus, grosse Entdeckungen und Erfindungen führten zu einem revolutionären geistigen Umschwung. Der Mensch wurde zum Mass aller Dinge und das mittelalterliche auf Gott bezogene Weltbild abgelöst. Profane Bildthemen wie das autonome Porträt gewannen an Bedeutung und der Künstler erlangte erstmals Geniestatus. (Quelle: Umschlag).
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Art --- anno 1400-1499 --- anno 1500-1599 --- RENAISSANCE -- 75 --- Art de la Renaissance --- Kunst (Renaissance).
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At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of “artist.” This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality.Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.
Art [Renaissance ] --- Art de la Renaissance --- Kunst [Renaissance] --- Renaissance art --- Renaissancekunst --- Art, Renaissance. --- Artists --- Intellectual life --- Europe --- 15th century --- 16th century
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Thema's in de kunst Renaissance (vrouwelijke) schoonheid --- Beeldende kunst schoonheidsidealen schoonheidsnormen --- 7.034 --- Kunstgeschiedenis Renaissance. Barok. Rococo --- Thema's in de kunst ; Renaissance ; (vrouwelijke) schoonheid --- Beeldende kunst ; schoonheidsidealen ; schoonheidsnormen --- Kunstgeschiedenis ; Renaissance. Barok. Rococo --- Aesthetics --- Feminine beauty (Aesthetics) --- Art, Renaissance. --- History.
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Technical drawing --- Giuseppe Galli Bibiena 1696-1756 (° Parma, Italië) --- Architectuurtekeningen ; gravures ; 17de eeuw ; G.G. Bibiena --- Architectuurtekeningen ; Renaissannce ; perspectief ; symmetrie --- 741:72 --- 741.07 --- 76.034 --- Tekenkunst ; architectuurtekeningen --- Tekenkunst ; tekenkunstenaars A - Z --- Grafische kunst ; Renaissance. Barok. Rococo
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Environmental planning --- Italian literature --- Francesco Colonna 1432/33-1527(?) Italiaans romanschrijver, veelbereisd Dominikanerbroeder --- Architectuur en kunst ; Renaissance ; Italië ; Fr. Colonna over --- Grafiek ; houtsneden ; Renaissance --- Boekillustraties ; 15de eeuw --- 7.034 --- Kunstgeschiedenis ; Renaissance. Barok. Rococo
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Art --- anno 1400-1499 --- anno 1500-1599 --- Art, Renaissance --- Art de la Renaissance --- Architecture --- Renaissance --- Histoire de l'architecture --- Histoire de l'art --- Renaissance art --- Art, Renaissance. --- Kunst (Renaissance).
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#gsdbA --- 701 --- kunst : maniërisme (ler) --- kunst : renaissance (ler) --- |03671/B --- 705.4 --- Beeldende kunst --- Maniëristische kunst --- Renaissance --- Schilderkunst --- maniërisme --- kunstgeschiedenis, Renaissance --- Art, Renaissance --- Mannerism (Art) --- Maniërisme --- geschiedenis --- Art, Renaissance. --- Mannerism (Art). --- geschiedenis.
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