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In The subversive imagination , professional writers, artists and cultural critics from around the world offer their views on the issue of the artist's responsibility to society. The contributors look beyond censorship and free speech issues and instead emphasize the subject of freedom. More specifically, the contributors question the ethical, mutual responsibilities between artists and the societies in which they live. The original essays address an eclectic range of subjects: censorship, multiculturalism, the transition from communism to capitalism in Eastern Europe, postmodernism, Salman Rushdie, and young black filmmakers' responsibility to the black community.

Sociology of culture --- Art --- Psychology --- Artists and community. --- Artists --- Psychology. --- 7.01 --- 316:7 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Kunstssociologie --- 316:7 Kunstssociologie --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Artists and community --- Community and artists --- Communities --- Community arts projects --- Artists - Psychology.

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316:7 --- 78 --- Music --- -#SBIB:309H54 --- #SBIB:309H140 --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Kunstssociologie --- Muziek --- Social aspects --- Muzikale communicatie --- Populaire muziek: algemene werken --- 78 Muziek --- 316:7 Kunstssociologie --- #SBIB:309H54 --- Music and society --- 78.87.1 --- 78 Music

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At a time when a pile of bricks is displayed in a museum, when music is composed for performance underwater, and the boundaries between popular and fine art are fluid, conventional understandings of art are strained in describing what art is, what it includes or excludes, whether and how it should be evaluated, and what importance should be assigned the arts in society. In this book, Vera Zolberg examines diverse theoretical approaches to the study of the arts. Ranging over humanistic and social scientific views representing a variety of scholarly traditions, American and European, she then develops a sociological approach that evaluates the institutional, economic, and political influences on the creation of art, while also affirming the importance of the question of artistic quality. The author examines the arts in the social contexts in which people become artists, the institutions in which their careers develop, the supports and pressures they face, the publics they need to please, and the political forces with which they must contend. Particular subjects covered include the process by which works are created and 're-created' at different times, with changed meanings, and for new social uses; the role of the audience in the realization of artistic experiences; the social consequences of taste preferences; the reasons for change in artistic styles and for the coexistence of many art forms and styles.

316:7 --- Kunstssociologie --- 316:7 Kunstssociologie --- Art and society --- #SBIB:316.7C210 --- 316.7 --- 316.7 Cultuursociologie --(algemeen) --- Cultuursociologie --(algemeen) --- Art --- Art and sociology --- Society and art --- Sociology and art --- Cultuursociologie: kunst: algemeen --- Social aspects --- Sociology of culture --- Art and society. --- Art et société --- Social Sciences --- Sociology --- kunstsociologie

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Arts and society. --- Communication in art. --- 7.01 --- Kunst en sociologie --- Kunsttheorie hedendaagse kunstproductie auteurschap --- Artistic communication --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Kunst theorie, filosofie, esthetica --- Social aspects --- Kunsttheorie ; hedendaagse kunstproductie ; auteurschap --- Kunst ; theorie, filosofie, esthetica --- Art --- 316:7 --- #SBIB:316.7C210 --- #SBIB:309H505 --- 316:7 Kunstssociologie --- Kunstssociologie --- Cultuursociologie: kunst: algemeen --- Code en boodschap: psychologische, psycho-analytische benadering --- Sociology of culture --- Arts. --- Arts et société --- Arts and society --- Communication in art

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Music --- Electronic music --- Popular music --- Improvisation (Music) --- Musique --- Musique électronique --- Musique populaire --- Improvisation (Musique) --- Social aspects. --- History and criticism. --- Aspect social --- Histoire et critique --- Social aspects --- History and criticism --- 316.723 --- 78.067.26 --- 316:7 --- -Improvisation (Music) --- -Popular music --- -Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Extemporization (Music) --- Electronic tape music --- Electronics (Music) --- Electrophonic music --- Music, Electronic --- Tape music --- Tape recorder music --- Computer music --- Subculturen --(sociologie) --- Populaire muziek --- Kunstssociologie --- Performance --- -Subculturen --(sociologie) --- 316:7 Kunstssociologie --- 78.067.26 Populaire muziek --- 316.723 Subculturen --(sociologie) --- Improvisation (Music). --- -Extemporization (Music) --- Art music --- Musique électronique --- Music and society --- Music - Social aspects --- Music - 20th century - History and criticism --- Electronic music - History and criticism --- Popular music - History and criticism