Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Kurland, Justine

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The North American frontier is an enduring symbol of romance, rebellion, escape, and freedom. At the same time, it's a profoundly masculine myth ? cowboys, outlaws, Beat poets. Photographer Justine Kurland reclaimed this space in her now-iconic series of images of teenage girls, taken between 1997 and 2002 on the road in the American wilderness. "I staged the girls as a standing army of teen-aged runaways in resistance to patriarchal ideals," says Kurland. She portrays girls as fearless and free, tender and fierce. They hunt and explore, braid each other's hair, and swim in sun-dappled watering holes?paying no mind to the camera (or the viewer).Their world is at once lawless and utopian, a frontier Eden in the wild spaces just outside of suburban infrastructure and ideas. Twenty years on, the series still resonates, published here in its entirety and including newly discovered, unpublished images.

Photography, Artistic --- Teenage girls --- Kurland, Justine. --- Kurland, Justine

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Following in the great tradition of the photographic American road trip, 'Highway Kind' expresses Justine Kurland's deep interest in the Western frontier, escape, and the possibility of living outside mainstream values. Since 2004, Kurland and her young son have traveled in their customized van, going south in the winter and north in the summer. From pictures of trains moving across epic landscapes to depictions of mechanics and muscle cars, this raw and stunning work features the full scope of her road series, including This Train is Bound for Glory and Sincere Auto Care.

Kurland, Justine --- Verenigde Staten van Amerika --- fotografie --- Verenigde Staen --- eenentwintigste eeuw --- documentaire fotografie --- portretfotografie --- landschapsfotografie --- Kurland Justine --- 77.071 KURLAND --- Photography, Artistic --- 761.2 fotografen afzonderlijk --- fotografen --- photography --- Verenigde Staten --- straatfotografie --- 766.4 --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Kurland, Justine.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Altmejd, David ; Bas, Hernan ; Doig, Peter ; Donachie, Kaye ; Henneken, Uwe ; Kilimnik, Karen ; Kurland, Justine ; Opie, Catherine ; Orr, Christopher ; Owens, Laura ; Periton, Simon ; Thorpe, David ; Ward, Christian

kunst --- 7.039 --- Ward Christian --- Thorpe David --- Periton Simon --- Owens Laura --- Orr Christopher --- Opie Catherine --- Kurland Justine --- Kilimnik Karen --- Henneken Uwe --- Donachie Kaye --- Doig Peter --- Bas Herman --- eenentwintigste eeuw --- romantiek --- Altmejd David --- Exhibitions

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The authors of After the Revolution return with an incisive study of the work of contemporary women artists.In After the Revolution, the authors concluded that "The battles may not all have been won . . . but barricades are gradually coming down, and work proceeds on all fronts in glorious profusion." Now, with The Reckoning, authors Heartney, Posner, Princenthal, and Scott bring into focus the accomplishments of 24 acclaimed international women artists born since 1960 who have benefited from the groundbreaking efforts of their predecessors. The book is organized in four thematic sections: "Bad Girls" profiles artists whose work represents an assault on conventional notions of gender and racial difference. "History Lessons" offers reflections on the self in the context of history and globalization. "Spellbound" focuses on womens embrace of the irrational, subjective, and surreal, while "Domestic Disturbances" takes on women's conflicted relationship to home, family, and security. Written in lively prose and fully illustrated throughout, this book gives an informed account of the wonderful diversity of recent contemporary art by women.

Art --- video recordings --- installations [visual works] --- painting [image-making] --- photography [process] --- sculpting --- Brown, Cecily --- Bartana, Yael --- Antoni, Janine --- Kozyra, Katarzyna --- Wilson, Jane --- Bruguera, Tania --- Cao Fei --- Hayes, Sharon --- Lidén, Klara --- Lou, Liza --- Margolles, Teresa --- Mutu, Wangechi --- Rottenberg, Mika --- Yuskavage, Lisa --- Gilmore, Kate --- Kurland, Justine --- Emin, Tracey --- Rist, Pipilotti --- Walker, Kara --- Amer, Ghada --- Opie, Catherine --- Zittel, Andrea --- Mehretu, Julie --- Djurberg, Nathalie --- anno 2000-2099 --- Kunsten --- Vrouwen --- Kunst --- Vrouw --- Ondernemerschap --- Poëzie --- Walker, Kara °1969 (°Stockton, California, Verenigde Staten) --- Mehretu, Julie °1970 (° Addis Abeba, Ethiopië; woont en werkt in New York) --- Zittel, Andrea °1965 (°Escondido, Ca., Verenigde Staten) --- Rist, Pipilotti (volledige naam Elisabeth Charlotte Rist) (Grabs, 21 juni 1962) --- Mutu, Wangechi °1972 (°Nairobi, Kenia). Woont en werkt in New York --- Emin, Tracey °1963 (°Londen, Groot-Brittannië) --- Brown, Cecily °1969 (°Londen, Groot-Brittannië) --- Beeldende kunst ; vrouwelijke kunstenaars ; 21ste eeuw --- Vrouwelijke kunstenaars ; 20ste en 21ste eeuw --- 7.039 --- Kunstgeschiedenis ; 2000 - 2050 --- video recordings [physical artifacts] --- vrouwelijke kunstenaar