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Albers, Josef --- Beuys, Joseph --- Cage, John --- Carus, Carl Gustav --- Duchamp, Marcel --- Kounellis, Jannis --- Magritte, René --- Malewitsch, Kasimir --- La Monte Young --- Zazeela, Marian --- Newman, Barnett --- Paik, Nam June --- Rainer, Arnulf --- Redon, Odilon --- Rothko, Mark --- Ruthenbeck, Reiner --- Seurat, Georges
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Kaprow, Allan --- Cage, John --- Oldenburg, Claes --- La Monte Young --- Maciunas, George --- Whitman, Robert --- Mac Low, Jackson --- Higgins, Dick --- Rainer, Yvonne --- Halprin, Ann --- Morris, Robert --- Dewey, Ken --- Martin, Anthony --- Sender, Ramon --- ONCE Group --- Yeaton, Kelly --- Schneemann, Carolee --- Lebel, Jean-Jacques
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Minimalism stands as the key representative of 1960s radicalism in art music histories-but always as a failed project. In The Names of Minimalism, Patrick Nickleson holds in tension collaborative composers in the period of their collaboration, as well as the musicological policing of authorship in the wake of their eventual disputes. Through examinations of the droning of the Theatre of Eternal Music, Reich's Pendulum Music, Glass's work for multiple organs, the austere performances of punk and no wave bands, and Rhys Chatham and Glenn Branca's works for massed electric guitars, Nickleson argues for authorship as always impure, buzzing, and indistinct. Expanding the place of Jacques Rancière's philosophy within musicology, Nickleson draws attention to disciplinary practices of guarding compositional authority against artists who set out to undermine it. The book reimagines the canonic artists and works of minimalism as "(early) minimalism," to show that art music histories refuse to take seriously challenges to conventional authorship as a means of defending the very category "art music." Ultimately, Nickleson asks where we end up if we imagine the early minimalist project-artists forming bands to perform their own music, rejecting the score in favor of recording, making extensive use of magnetic type as compositional and archival medium, hosting performances in lofts and art galleries rather than concert halls-not as a utopian moment within a 1960s counterculture doomed to fail, but as the beginning of a process with a long and influential afterlife.
Minimal music --- History and criticism. --- Meditative music --- Minimalism (Music) --- Minimalist music --- Music, Minimal --- Repetitive music --- Systematic music --- Music --- Minimalism, early minimalism, Tony Conrad, Marian Zazeela, La Monte Young, Steve Reich, Philip Glass, Terry Riley, Glenn Branca, Rhys Chatham, authorship, music history, historiography, radicalism, leftist historiography, Jacques Rancière, drone, May '68, metonymy, Theatre of Eternal Music, punk, no wave, new wave, New York --- Authorship. --- Historiography. --- 1900-1999
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architectuur --- Architecture --- minimal art --- Minimal --- architectural theory --- architectuurtheorie --- architecture [discipline] --- Architecture, Modern --- Minimal art --- Art minimal --- Exhibitions. --- Expositions --- Minimalisme --- Théorie de l'architecture --- Minimal art. --- Arts, Modern --- Architects --- Art minimal. --- Arts --- Architectes --- 72.036 --- 72.01 --- Less is more --- 7 --- 1901-2000 --- minimalisme --- design --- fotografie --- Luis Barragán --- Arne Jacobsen --- Dominique Perrault --- Eduardo Souto de Moura --- Hannes Meyer --- Herzog & De Meuron --- Donald Judd --- Louis I. Kahn --- Aldo Rossi --- Tadao Ando --- Matteo Nuti --- Mies van der Rohe --- Ignazio Gardella --- Jorge Oteiza --- Eduardo de la Sota --- Myron Goldsmith --- Ieoh Ming Pei --- Heinrich Tesenow --- Kevin Roche --- John Dinkeloo --- José Antonio Coderch --- Ludwig Wittgenstein --- Francesco Venezia --- Samuel Beckett --- Jordi Garcés --- Enric Soria --- Richard Serra --- Shiro Kuramata --- Carlos Ferrater --- Antonio Monestiroli --- Paulo Mendes da Rocha --- Juan Navarro Baldeweg --- Tony Smith --- La Monte Young --- Steve Reich --- Gavin Bryars --- John Cage --- Josep Maria Montaner --- Gloria Picazo --- Mariona Sagarra Trias --- Joaquín Turina Gómez --- Luca Montemaggi --- Wim Wenders --- Ernest Hemingway --- Fernanda Pivano --- Luciano Erba --- Vittorio E. Savi --- architectuur 20e eeuw --- 72.038 --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- Architectuur (theorie) --- Architectuurtheorie --- Architectuurkritiek --- Architectuur (kritiek) --- Kunst --- Exhibitions
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Aesthetics --- Art --- Thema's in de kunst ; 1990-2000 ; reflecties over schoonheid --- Pesce, Gaetano --- Acconci, Vito --- Lacroix, Christian ; over de mooie stad --- Denari, Neil M. --- Goldin, Nan --- Tentoonstellingscatalogi ; Avignon ; Mission 2000 en France --- McQueen, Steve --- Tononi, Niele --- Victor & Rolf --- Xitron --- Boltanski, Christian --- 7.038 --- (069) --- kunst --- twintigste eeuw --- kunsttheorie --- esthetica --- schoonheid --- Avignon --- natuur --- kunst en natuur --- techno --- mode --- Roche François --- François Roche et Sie.D/B:L --- Boisrond François --- Roussel Myriam --- Toroni Niele --- Alberola Jean-Michel --- Koller Yannick --- Dumb Type --- McQueen Steve --- Scurti Franck --- Ducellier Séraphin D. --- Ostarhild Jurgen --- Maupin Stéphane --- Monfort Julien --- Ballu Isabelle --- Barnabé --- Beaufays Crstof --- Chalayan Hussein --- Halley Erik --- Méléard Benoît --- Scott Jeremy --- Shirtology --- Topolino --- Treacy Philip --- Veillet Patrick --- Viktor & Rolf --- knight Nick --- Björk --- McQueen Alexander --- La Monte Young --- Zazeela Marian --- Neshat Shirin --- Ferrari jean-Marc --- Pärt Arvo --- Kitano Takeshi --- Mekas Jonas --- Acconci Vito --- Hirschhorn Thomas --- Lavier Bertrand --- Nahon Brigitte --- Pesce Gaetano --- Boltanski Christian --- Kalman Jean --- N+N Corsino --- Goldin Nan --- Pelletier Micheline --- 7.03 --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Sculpture --- film --- hedendaagse kunst --- fashion design --- film [performing arts] --- Contemporary [style of art] --- ruimtelijke kunst --- Ducellier Séraphin D --- Denari, Neil M --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- film [discipline]
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Cet ouvrage est édité à l'occasion de la grande exposition thématique du Centre Pompidou " Sons & Lumières " consacrée aux relations entre la musique/le son et les arts plastiques au XXe siècle. Le XXe siècle est souvent considéré comme un moment de convergence et de dialogue des arts. Tandis qu'avec l'essor de l'abstraction, autour de 1910, la peinture cherche une correspondance avec cet art abstrait par excellence qu'est la musique, les nouveaux médias nés du développement de l'électricité prennent le relais de ce mythe ancestral. Les arts de la lumière, le cinéma et la vidéo offrent tout au long du siècle un terrain d'investigation particulièrement fertile aux confrontations entre l'image et le son. Parallèlement, les pratiques créatrices se nourrissent d'une réflexion critique sur les possibles équivalences entre la vue et l'ouïe : à partir de processus artistiques incluant des notions telles que le hasard, le bruit non hiérarchisé et le silence, les nouvelles approches de la musique liées à la performance mettent en doute l'idéal des " correspondances ". À la question posée par l'esthétique romantique puis par la génération symboliste : " Peut-on traduire les images en son et réciproquement ? ", l'art du XXe siècle offre des réponses multiples et contrastées, suivant tantôt le fil de l'utopie, tantôt celui d'une pure jouissance des sens. Le catalogue rend compte de la richesse et de la diversité de ces expériences singulières avec un abondant corpus d'œuvres, de documents et un ensemble de textes présentant une lecture scientifique et critique de ces affinités entre le sonore et le visuel, qui ont construit la sensibilité audiovisuelle de notre temps. (Quatrième de couverture)
color [perceived attribute] --- Vibrations --- thema's in de kunst --- hedendaagse kunst --- art [fine art] --- music [discipline] --- Optics. Quantum optics --- light [energy] --- sound art --- light art --- sound [acoustics] --- Art --- anno 1900-1999 --- Histoire de la peinture --- Musique --- Peinture --- Son --- Sound in art --- Sound installations (Art) --- Art and music --- Arts, Modern --- Couleur --- Espace sensoriel --- Futurisme --- Jazz --- Lumière --- Musicien --- Musique contemporaine --- Peintre --- Peinture abstraite --- Vidéo --- History --- Bach, Jean-Sébastien --- Cage, John --- Davis, Stuart --- Duchamp, Marcel --- Eggeling, Viking --- Marclay, Christian --- Pfenninger, Rudolf --- Schönberg, Arnold --- Viola, Bill --- 20e siècle --- Tentoonstellingscatalogi ; Parijs ; Centre Georges Pompidou --- 7.049 --- kunst --- (069) --- twintigste eeuw --- muziek --- geluid --- kunst en muziek --- film --- video --- videokunst --- synesthesie --- Bach Johann Sebastian --- jazz --- Davis Stuart --- Pfenninger R --- Cage John --- Schönberg Arnold --- Eggeling Viking --- Viola Bill --- Duchamp Marcel --- Marclay Christian --- Kupka Frantisek --- Kandinsky Wassily --- Giacometti Alberto --- Matiouchine Mikhaïl --- Scriabin Alexander --- Ginanni-Corradini Arnaldo --- Ginanni-Corradini Bruno --- Russel Morgan --- Macdonald-Wright Stanton --- O'Keeffe Georgia --- Hartley Harsden --- Braque Georges --- Grant Duncan --- Survage Léopold --- Baranov-Rossiné Vladimir --- Janco Marcel --- Picabia Francis --- Taeuber-Arp Sophie --- Richter Hans --- van Doesburg Theo --- Itten Johannes --- Hauer Josef Matthias --- Klee Paul --- Nouveau Henri --- Albers Josef --- Hirschfeld-Mack Ludwig --- Schwerdtfeger Kurt --- Pesanek Zdenek --- Ponc Miroslav --- Laszlo Alexander --- Bilinsky Boris --- Fischinger Oskar --- Disney Walt --- Wilfred Thomas --- Mondriaan Piet --- Mondrian Piet --- Dove Arthur --- Pollock Jackson --- Lye Len --- Smith Harry --- Whitney John --- Moholy-Nagy Laszlo --- Hausmann Raoul --- Keene Peter --- Pfenninger Rudolf --- Whitney James --- Laposky Ben --- Gysin Brion --- La Monte Young --- Young La Monte --- Zazeela Marian --- Sharits Paul --- Paik Nam June --- Beck Stephen --- Vasulka Steina --- Vasulka Woody --- futurisme --- Rauschenberg John --- Fluxus --- Beuys Joseph --- Nauman Bruce --- Graham Rodney --- Huyghe Pierre --- 7.036 --- Iconografie ; verschillende onderwerpen --- (Musea. Collecties) --- Exhibitions --- music [performing arts] --- Environmental sound installations (Art) --- Sound environments (Art) --- Sound sculpture (Art installations) --- Installations (Art) --- 78.04.3 Paris --- Cage, John, 1912-1992 --- History. --- Sound in art - Exhibitions --- Sound installations (Art) - History - Exhibitions --- Art and music - Exhibitions --- Arts, Modern - 20th century - Exhibitions --- art [discipline] --- music [performing arts genre]
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