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Latin poetry --- History and criticism --- Latin poetry - History and criticism --- Poésie latine --- Histoire et critique
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Latin poetry --- History and criticism. --- History and criticism --- Latin poetry - History and criticism
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Latin poetry --- Poésie latine --- History and criticism. --- Histoire et critique --- Poésie latine --- Latin poetry - History and criticism.
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A fresh look at the multicultural influences on Quintus Ennius and his epic poem, the Annals. Quintus Ennius, often considered the father of Roman poetry, is best remembered for his epic poem, the Annals, a history of Rome from Aeneas until his own lifetime. Ennius represents an important bridge between Homer’s works in Greek and Vergil’s Aeneid. Jay Fisher argues that Ennius does not simply translate Homeric models into Latin, but blends Greek poetic models with Italic diction to produce a poetic hybrid. Fisher's investigation uncovers a poem that blends foreign and familiar cultural elements in order to generate layers of meaning for his Roman audience. Fisher combines modern linguistic methodologies with traditional philology to uncover the influence of the language of Roman ritual, kinship, and military culture on the Annals. Moreover, because these customs are themselves hybrids of earlier Roman, Etruscan, and Greek cultural practices, not to mention the customs of speakers of lesser-known languages such as Oscan and Umbrian, the echoes of cultural interactions generate layers of meaning for Ennius, his ancient audience, and the modern readers of the fragments of the Annals.
Latin poetry --- History and criticism --- Ennius, Quintus. --- Latin poetry - History and criticism --- Ennius, Quintus. - Annales --- History and criticism.
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Disorienting Empire is the first book to examine Republican Latin poetry's recurring interest in characters who become lost. Basil Dufallo explains the prevalence of this theme with reference to the rapid expansion of Rome's empire in the Middle and Late Republic. It was both a threatening and an enticing prospect, Dufallo argues, to imagine the ever-widening spaces of Roman power as a place where one could become disoriented, both in terms of geographical wandering and in a more abstract sense connected with identity and identification, especially as it concerned gender and sexuality.Plautus, Terence, Lucretius, and Catullus, as well as the "triumviral" Horace of Satires, book 1, all reveal an interest in such experiences, particularly in relation to journeys into the Greek world from which these writers drew their source material. Fragmentary authors such as Naevius, Ennius, and Lucilius, as well as prose historians including Polybius and Livy, add depth and context to the discussion. Setting the Republican poets in dialogue with queer theory and postcolonial theory, Dufallo brings to light both anxieties latent in the theme and the exuberance it suggests over new creative possibilities opened up by reorienting oneself toward new horizons, new identifications-by discovering with pleasure that one could be other than one thought. Further, in showing that the Republican poets had been experimenting with such techniques for generations before the Augustan Age, Disorienting Empire offers its close readings as a means of interpreting afresh Aeneas' wandering journey in Vergil's Aeneid.
E-books --- Latin poetry - History and criticism --- Identity (Psychology) in literature --- Travelers in literature --- Rome - In literature --- Latin poetry --- Rome
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Dichtkunst --- Latijnse letterkunde --- Littérature latine --- Poésie --- Latin poetry --- Winter in literature. --- Winter in literature --- History and criticism. --- History and criticism --- Latin poetry - History and criticism.
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Latin poetry --- Poetics --- History and criticism --- Saturnian verse. --- Latin language --- Faliscan language --- Sabellian languages --- Italic languages and dialects --- Metrics and rhythmics. --- Latin poetry - History and criticism
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