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Als „syphilis of the law“ (Bentham) und „Krücken“ (Jhering) verdammt, wird seit über 2000 Jahren immer wieder die Ausrottung von Rechtsfiktionen gefordert. Genauso leidenschaftlich werden sie aber auch als höchst wertvoll verteidigt und sogar zur Grundlage des Rechts (Kelsen) erklärt. Wie passt das zusammen? Kristin Albrecht zeigt auf Grundlage einer historischen und rechtsvergleichenden Analyse, dass man im Recht nicht „der Rechtsfiktion“ begegnet, sondern drei unterschiedlichen Typen: Den fiktiven Annahmen, den fiktiven Personen und den fiktiven Rechtsinstituten. Sie entwickelt diese Typen mit philosophischer Gründlichkeit und diskutiert anschließend, was „so troubling“ bzw. „beneficial and useful“ (Blackstone) an ihnen ist.
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En la línea de su obra anterior Derecho y Literatura, en el presente estudio María José Falcón y Tella aborda de manera monográfica el Derecho en dos de los escritores más renombrados de todos los tiempos: Cervantes y Shakespeare.Tras realizar una exposición del contexto, vida y presencia de lo jurídico en Cervantes, la autora trata extensamente la obra cumbre Don Quijote de la Mancha, analizando cuestiones como los derechos y libertades de la persona (así el honor, la mujer, la libertad de conciencia, el antijudaísmo, los moros y moriscos, la herejía, la censura o la Inquisición); la guerra y la paz (y la guerra justa); la monarquía, los estados y la república; el gobierno y la administración de justicia (los refranes, el gobierno de la ínsula Barataria, el episodio de los galeotes o los arbitrajes); el Derecho penal (las atenuantes, agravantes y delitos tipificados, la percepción del delincuente y la moderna privatización del Derecho penal); el Derecho civil (el testamento de Alonso Quijano, el matrimonio o el Derecho civil de daños); el Derecho del trabajo (la relación retributiva entre Don Quijote y Sancho); el Derecho mercantil (la actividad de las ventas y la «libranza pollinesca»), tributario y procesal; la locura, el amor, los valores, etcétera.Más breve, el último capítulo se dedica a William Shakespeare: su vida (aspectos jurídicos y correlaciones con la de Cervantes) y obra (sus dramas El rey Lear, El mercader de Venecia y Hamlet, y la locura en ellos, finalizando con una comparación entre Don Quijote y Hamlet).
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In the present work, a legal philosopher (Angela Condello) and a literaray scholar (Tiziano Toracca) develop the idea that a comparison between law and literature must be framed starting from the modes in which law and literature function . In this sense, they read law and literature as arts of compromising characterized by an analogous and yet, at the same time, profoundly different structure. Both, in fact, mediate conflicts between norms and transgressions, and more precisely between a principle of normativity (repression), on the one hand; and a principle of counternormativity (repressed), on the other hand. Through a progression in three steps, aimed at clarifying some peculiarities of law (1) and literature (2), by referring to examples of their interaction (3), the authors finally sketch some relevant hypotheses on why a placement across these two arts of compromising suggests some theoretical itineraries on their threshold.
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Volume 1 includes writings by Cervantes, Dickens, Terence Rattigan, Lewis Carroll, Guy de Maupassant, Jack London, Anton Chekhov, John Galsworthy, Luigi Pirandello, Sholom Aleichem, W.S. Gilbert, Frank O'Connor, Shiga Naoya, Anatole France, Agatha Christie, Arthur C. Train, Karel Capek, Mark Twain, John Mortimer, Herman Wouk, A.A. Milne, William Faulkner, Honore de Balzac, Sir Walter Scott, James Reid Parker, Theobald Mathew, W. Somerset Maugham, O. Henry, Louis Auchincloss, Bret Harte, Ben Hecht, Rabelais, Joseph Sheridan Le Fanu, and Robert Benchley. Volume 2 includes writings by Damon Runyan, William Makepeace Thackeray, H.L. Mencken, Felix Frankfurter, Stephen Crane, Henry James, James McNeill Whistler, John Peter Zenger, Lloyd Paul Stryker, Emile Zola, Morris Raphael Cohen, Sybille Bedford, Edgar Lustgarten, Rebecca West, Joan of Arc, Clarence Darrow, Oscar Wilde, Plato, Daniel Webster, Sir Charles Russell, Gandhi, Robert H. Jackson, George Bernard Shaw, Albert Camus, A.P. Herbert, Francis Bacon, Edmond Cahn, Justice Oliver Wendell Holmes, Justice Louis D. Brandeis, Herman Melville, Henry Miller, Lon L. Fuller, Jonathan Swift, Justice Benjamin Cardozo, Piero Calamandrei, Judge Learned Hand, Judge Jerome Frank, Judge William O. Douglas, Montaigne, James Boswell, and W.H. Auden.
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Volume 1 includes writings by Cervantes, Dickens, Terence Rattigan, Lewis Carroll, Guy de Maupassant, Jack London, Anton Chekhov, John Galsworthy, Luigi Pirandello, Sholom Aleichem, W.S. Gilbert, Frank O'Connor, Shiga Naoya, Anatole France, Agatha Christie, Arthur C. Train, Karel Capek, Mark Twain, John Mortimer, Herman Wouk, A.A. Milne, William Faulkner, Honore de Balzac, Sir Walter Scott, James Reid Parker, Theobald Mathew, W. Somerset Maugham, O. Henry, Louis Auchincloss, Bret Harte, Ben Hecht, Rabelais, Joseph Sheridan Le Fanu, and Robert Benchley. Volume 2 includes writings by Damon Runyan, William Makepeace Thackeray, H.L. Mencken, Felix Frankfurter, Stephen Crane, Henry James, James McNeill Whistler, John Peter Zenger, Lloyd Paul Stryker, Emile Zola, Morris Raphael Cohen, Sybille Bedford, Edgar Lustgarten, Rebecca West, Joan of Arc, Clarence Darrow, Oscar Wilde, Plato, Daniel Webster, Sir Charles Russell, Gandhi, Robert H. Jackson, George Bernard Shaw, Albert Camus, A.P. Herbert, Francis Bacon, Edmond Cahn, Justice Oliver Wendell Holmes, Justice Louis D. Brandeis, Herman Melville, Henry Miller, Lon L. Fuller, Jonathan Swift, Justice Benjamin Cardozo, Piero Calamandrei, Judge Learned Hand, Judge Jerome Frank, Judge William O. Douglas, Montaigne, James Boswell, and W.H. Auden.
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