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Book
Tvorchestvo Leonida Leonova, : k kharakteristike tvorcheskoĭ individualʹnosti pisateli͡a
Authors: ---
Year: 1962 Publisher: Moskva : Izdatel'stvo Akademii nauk SSSR,

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Leonov, Leonid,


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Beiträge zur Entwicklungsgeschichte der frühen Romane L. M. Leonovs : Barsuki, Vor, Sot, Skutarevskij, Doroga na okean
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Year: 1971 Volume: 51 Publisher: München : Sagner,

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Leonov, Leonid,


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Leonid Leonov : Ocherki tvorchestva
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Year: 1972 Publisher: Moskva : Khudozhestvennai͡a literatura,

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Leonov, Leonid,


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Realizm Leonova
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Year: 1969 Publisher: Leningrad : Nauka, Leningradskoe otdelenie,

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Leonov, Leonid,


Book
Beiträge zur Entwicklungsgeschichte der frühen Romane L. M. Leonovs : "Barsuki", "Vor", "Sot", "Skutarevskij", "Doroga na okean"
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ISBN: 3876900565 Year: 1971 Publisher: München : Sagner,

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Book
Leonid Leonov : seminarij : posobie dlja studentov
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Year: 1964 Publisher: Moskva : Prosveščenie,

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Book
Leonid Leonov v vospominanii︠a︡h dnevnikah interv'i︠u︡
ISBN: 5711702483 Year: 1999 Publisher: Moskva Golos

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Book
Romany Leonida Leonova
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Year: 1954 Publisher: Moskva : Izdatel'stvo Akademii nauk SSSR,

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Book
Itinerarios
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Year: 1936 Publisher: Buenos Aires : [Talleres gráficos "La Bonaerense," de G.J. Pesce y cía.],

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The art of compromise : the life and work of Leonid Leonov
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ISBN: 1282014471 9786612014475 1442680504 9781442680500 080203537X 9780802035370 9781282014473 6612014474 Year: 2001 Publisher: Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press,

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Abstract

Although the Russian novelist and playwright Leonid Leonov had published extensively before 1917 he considered that his literary career began only in 1922 with the short story Buryga. His talent developed rapidly in the comparatively free cultural climate of the first decade of the Revolution and by 1927 his characteristic style and themes were already formed. It was in this year, however, that the Communist Party began to impose its demands on the artists and intellectuals. Leonov's beliefs and values were incompatible with the Soviet version of Marxism but he tried to affirm them indirectly in his work through structure, imagery and allusion, while outwardly conforming to official demands. This manoeuvring inevitably led him into some questionable compromises which in turn damaged his reputation, both at home and abroad. Leonov himself was painfully conscious of the moral dilemmas involved and his later works return again and again to the question: is it possible to compromise without being compromised?There are fourteen chapters in the volume, each devoted to one or more of Leonov's works, setting the successive stages of his evolution against a background of changing cultural and political policies.

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