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"Live Architecture explores the physical form of popular music performance space from 1960 to the present day. This book quantifies the factors that determine what makes a venue successful focusing on both famous and less well-known examples from the smallest barroom music space to the largest stadium-filling rock set. It draws on the author's extensive research expertise in the field of temporary and portable architecture, in the development of general contemporary architectural design, and personal experience of music performance. Including a range of case studies, the book analyses some of the most significant popular music venues, events and landmarks in the world. The detail of how a venue is created, how it is constructed, and the acoustic and visual environmental factors that impact on its success are examined here. Highly illustrated throughout with design drawings, plans and full colour photographs, this book provides a comprehensive overview of the architecture of live popular music"--Provided by publisher.
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Music and architecture --- Serialism (Music) --- Architecture --- Deconstructivism (Architecture)
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In this lively book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise& an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. Noise Orders identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design's seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, Noise Orders suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz& including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)& Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approach, innovative in its methodology, and unexpected in its conclusions, Noise Orders argues for a deeper understanding of the infinite potential inherent in both music and architecture. David P. Brown is associate professor of architecture at the University of Illinois at Chicago.
Improvisation (Music). --- Jazz --- Music and architecture. --- Analysis, appreciation.
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Raume Fur Musik.
Music and architecture. --- Music --- Acoustics and physics. --- Opera house.
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Keine ausführliche Beschreibung für "Le Corbusier und die Musik" verfügbar.
Music and architecture. --- Le Corbusier, --- Criticism and interpretation.
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Architecture and music --- Music and architecture --- Musique et architecture --- Muziek en architectuur --- Music and architecture. --- Le Corbusier
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muziekgeschiedenis --- Music --- Concertgebouw [Brugge] --- Bruges --- 629 Theater --- Concertgebouw Brugge --- Music and architecture --- Belgium --- History
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