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This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women's achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical a
Songs --- Music by women composers --- History and criticism.
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Electronic music --- Songs with instrumental ensemble --- Music by women composers
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In this collection of essays and interviews, nine gifted composers openly discuss their work.
Women composers --- Music by women composers --- Analysis, appreciation.
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Women composers --- Biography --- Guitar music --- Bibliography --- Catalogs --- Music by women composers --- Guitar music - Bibliography - Catalogs. --- Music by women composers - Bibliography - Catalogs.
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Women composers' music --- Women composers --- Compositrices --- Biography --- Musique --- Biographies --- Music by women composers.
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For Denise Von Glahn, listening is that special quality afforded women who have been fettered for generations by the maxim ""be seen and not heard."" In Skillful Listeners, Von Glahn explores the relationship between listening and musical composition focusing on nine American women composers inspired by the sounds of the natural world:Amy Beach, Marion Bauer, Louise Talma, Pauline Oliveros, Joan Tower, Ellen Taaffe Zwilich, Victoria Bond, Libby Larsen, and Emily Doolittle. Von Glahn situates ""nature composing"" among the larger tradition of nature writing and argues that, like their litera
Nature in music. --- Music by women composers --- Women composers --- Music --- Women composers' music --- History and criticism.
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Women composers --- Music by women composers --- Avant-garde (Music) --- Biography --- Attitudes.
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"Women, Music, Culture: An Introduction, Third Edition is the first undergraduate textbook on the history and contributions of women in a variety of musical genres and professions, ideal for students in Music and Gender Studies courses. A compelling narrative, accompanied by 112 guided listening experiences, brings the world of women in music to life. The author employs a wide array of pedagogical aides, including a running glossary and a comprehensive companion website with links to Spotify playlists and supplementary videos for each chapter. The musical work of women throughout history-including that of composers, performers, conductors, technicians, and music industry personnel-is presented using both art music and popular music examples"--
Women musicians --- Feminism and music --- Gender identity in music --- Women composers --- Music --- Music by women composers
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Musical canon. --- Music by women composers --- Répertoire classique --- Musique de compositrices
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Women composers --- Music by women composers --- History and criticism. --- Barraine, Elsa, --- Barraine, Elsa, --- Criticism and interpretation.
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