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Musique et litterature --- Romantisme

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Michel Butor a écrit plusieurs œuvres qui font se rencontrer littérature et musique. Cet ouvrage s’intéresse aux "concerts-conférences" données par Butor à propos de l’œuvre de Ludwig van Beethoven et à Votre Faust, "fantaisie variable genre opéra" composée avec Henri Pousseur. Au contact de la musique des deux compositeurs l’écriture de Michel Butor se modifie car l’écrivain reprend aux musiciens des structures et des procédés de composition. Naissent alors des œuvres hybrides qui interrogent notre rapport à l’altérité et notre capacité au dialogue. Cet ouvrage s’attache à montrer que Michel Butor crée ce qui est nommé ici des "cosmos culturels". Repérant une même logique génératrice dans différentes œuvres d’art, appartenant à des médias et à des époques variées, il offre par son écriture un espace dans lequel les œuvres peuvent dialoguer ensemble, par le biais de la citation notamment, tout en conservant leur spécificité.

Musique et littérature.

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Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.

Musique et littérature.

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Musique et littérature. --- Proust, Marcel

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Musique et litterature --- 19e siecle