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Niépce, Nicéphore, --- Museums. --- Archives. --- Photography --- History --- Niépce, Nicéphore, --- Photography - History - Museums.
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Photography --- Daguerreotype --- Photographers --- History --- Niepce, Nicephore --- Photography - France - History - 19th century --- Daguerreotype - France - History --- Photographers - France --- Niepce (joseph nicephore), 1765-1833
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Volume one focuses on the nineteenth century and some of its contemporary progeny. It begins with the camera obscura, which morphed into chemical photography and lives on in digital form, and ends with Walter Benjamin. Key figures discussed along the way include Nicéphore Niépce, Louis Daguerre, William Fox-Talbot, Jeff Wall, and Joan Fontcuberta.
Photography --- History --- fotografie --- fotografiegeschiedenis --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- fotografietheorie --- kunsttheorie --- film --- filmtheorie --- Akerman Chantal --- Fox Talbot William Henry --- Niepce Nicephore --- Daguerre Louis Jacques Mandé --- Morell Abelardo --- Benjamin Walter --- portretfotografie --- Wall Jeff --- Proust Marcel --- 77.035 --- History. --- Photography - History
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005-4
Photography, Artistic --- Frank, Robert --- artistieke fotografie --- photography [process] --- fotografie --- Photography --- Niépce, Joseph Nicéphore --- 77 FRANK, ROBERT --- Textes de Robert Frank --- Robert Frank °1924 (Zürich, Zwitserl.) --- Fotografen ; Robert Frank --- 77.092.07 --- twintigste eeuw --- Frank Robert --- 77.071 FRANK --- 77 FRANK, ROBERT Fotografie--FRANK, ROBERT --- Fotografie--FRANK, ROBERT --- Fotografen A - Z --- Frank, Robert, --- Niépce, Joseph Nicéphore 1765-1833 (°Chalon-sur-Saône, Frankrijk) --- Fotografen ; 19de eeuw ; Nicéphore Niépce --- Niepce Nicephore --- negentiende eeuw --- 77.071 NIEPCE --- Foto's --- Fotografie --- Foto --- Niepce (joseph nicephore), 1765-1833
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In an 1828 letter to his partner Nicephore Niepce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. In this refiguring of the traditional story of photography's origins, Batchen examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.
Critique photographique. --- Fotografie. --- Fotografía --- Ontstaansgeschiedenis. --- Photographic criticism. --- Photographie --- Photography --- Histoire. --- History. --- Criticism, photographic --- Critique photographique --- Fotografische kritiek --- Photography -- criticism --- Geoffrey Batchen --- Niépce Nicéphore --- Daguerre Louis --- fotografische theorie --- fotografie en kunst --- fotografie en schilderkunst --- Photographic criticism --- CDL --- 77.01 --- History --- Photography criticism --- Criticism --- 77 "18" --- fotografie --- negentiende eeuw --- camera obscura --- daguerreotypie --- 77.035 --- 77 "18" Fotografie--19e eeuw. Periode 1800-1899 --- Fotografie--19e eeuw. Periode 1800-1899 --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Photography - History
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Le 7 janvier 1839, le physicien François Arago, lors d'une séance de l'Académie des sciences de Paris, présente un nouveau procédé permettant de reproduire de manière mécanique et chimique, sans intervention manuelle, les images qui se forment dans la chambre obscure: le daguerréotype, marquant ainsi la naissance officielle de la photographie. Image uniqe, sur plaque de cuivre recouverte d'argent, aux reflets changeants, polie, et souvent réfléchissante comme un miroir, l'invention de Daguerre devait définitivement modifier le regard posé sur le monde et ses représentations, artistiques comme scientifiques. C'est bien cet "art nouveau au milieu d'une vieille civilisation", selon le propres termes du savant Gay-Lussac en 1839, que l'exposition et cet ouvrage entendent faire découvrir en s'attachant à la production française, dans toute sa diversité.
Photography --- anno 1800-1899 --- France --- daguerrotypes --- fotografie --- Frankrijk --- Ouvrage collectif sous la responsabilité scientifique de Quentin Bajac et Dominique Planchon-de-Font-Réaulx --- negentiende eeuw --- daguerreotypie --- fotografiegeschiedenis --- Niépce Nicéphore --- Daguerre Louis Jacques Mandé --- portretfotografie --- portret --- amateurfotografie --- Choiselat Marie Charles Isidore --- Ratel Stanislas --- Lerebours Noël-Marie Paymal --- Claudet Antoine --- documentaire --- documentaire fotografie --- monumenten --- kerken --- kastelen --- Girault de Prangey Joseph-Philibert --- Foucault Jean Bernard Léon --- Hossard Paul Michel --- von Martens Friedrich --- stadsfotografie --- Parijs --- landschap --- landschapsfotografie --- Durand Philippe Fortuné --- Salathe Frédéric --- Clausel Alexandre --- Winter Charles-David --- Gaudin Marc-Antoine --- Thibault --- kunst en fotografie --- dieren --- planten --- Millet Désiré François --- fotografie en schilderkunst --- Le Gray Gustave --- Bernabé Camille --- Gouin Alexis --- naakt --- naaktfotografie --- Moulin Jacques-Antoine --- Belloc Auguste --- Braquehais Bruno --- Bayard Hippolyte --- Humbert de Molard Adolphe --- Le Boeuf Eugène --- Descloizeaux Alfred --- Gros Jean-Baptiste Louis --- Itier Alphonse Eugène Jules --- Dubosq Louis-Jules --- fotografie en geneeskunde --- microfotografie --- Bisson Louis-Auguste --- Guillain Charles --- Jacquart Henri --- etnografie --- etnologie --- Thiesson E. --- 77.035 --- CDL --- Exhibitions --- Thiesson E --- Daguerreotype --- History --- daguerreotype [process] --- Frankrijk.
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artistieke fotografie --- cultuurgeschiedenis --- Photography --- Photographie --- History --- Histoire --- Fotografie ; geschiedenis ; 19de en 20ste eeuw ; tot 2000 --- Mary Warner Marien --- fotografie --- 77(091) --- 77 <09> --- twintigste eeuw --- negentiende eeuw --- fotografiegeschiedenis --- naslagwerk --- Niépce Nicéphore --- Daguerre Louis Jacques Mandé --- daguerreotypie --- Talbot William Henry Fox --- fotografie en wetenschap --- reportagefotografie --- portret --- portretfotografie --- Brady Mathew --- Gardner Alexander --- antropologie --- etnografie --- fotografie en etnografie --- exotisme --- natuur --- natuurfotografie --- gender studies --- Cameron Julia Margaret --- Carroll Lewis --- pictorialisme --- picturalisme --- Photo-Secession --- Stieglitz Alfred --- Steichen Edward --- Camera Work --- Käsebier Gertrude --- Riis Jacob --- politiek --- fotografie en politiek --- futurisme --- Gilbreth Frank B. --- oorlogsfotografie --- Sovjet-Unie --- dadaïsme --- fotomontage --- fotocollages --- surrealisme --- fotografie en film --- reclamefotografie --- Farm Security Administration --- Lange Dorothea --- Bourke-White Margaret --- Sander August --- Family of Man --- Alvarez Bravo Manuel --- Tomatsu Shomei --- landschap --- landschapsfotografie --- kunst en fotografie --- Salgado Sebastiao --- postmodernisme --- kinderen --- kinderfotografie --- lichamelijkheid --- 77.03 --- Fotografie ; geschiedenis --- Fotografie--Geschiedenis van ... --- 77 <09> Fotografie--Geschiedenis van ... --- Gilbreth Frank B --- Fotografie--Geschiedenis van .. --- Fotografie--Geschiedenis van . --- Fotografie--Geschiedenis van
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