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Arts religieux --- Religieuze kunst --- Christianity and art --- Icons --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Orthodox Eastern Church and art --- Orthodox Eastern Church --- Doctrines.
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Dans le présent ouvrage, Robin Cormack étudie la nature de la société byzantine à la lumière des oeuvres artistiques qui nous sont parvenues, et nous montre comment celles-ci modelaient les mentalités et les croyances d'un monde médiéval où peu d'autres influences pouvaient s'exercer. L'art qu'il prend en compte est essentiellement de caractère religieux, ce qui reflète le rôle primordial que le christianisme jouait à Constantinople. Dans ce monde fortement structuré et hiérarchisé, l'Église était l'institution morale et intellectuelle dominante et l'art participait du système par lequel elle dirigeait et contrôlait la société. Au sommet de la hiérarchie se trouvait l'empereur, considéré comme le représentant de Dieu sur la terre.Robin Cormack étudie l'Empire byzantin du VIe au XIIe siècle, période de son apogée, à travers un certain nombre d'individus qui représentent toutes les facettes de la société. L'auteur nous entraîne du raffinement citadin de Constantinople, où les empereurs se servaient de l'art pour encourager la loyauté et le soutien au régime, à la cellule d'un reclus d'une petite communauté de l'île de Chypre qui utilisait l'art pour se glorifier aux yeux de ses disciples. A cause de la nature profondément religieuse de la société, les théologiens et les mystiques y jouaient un rôle capital et il était possible à un enfant illégitime et d'humble extraction de parvenir à une position influente à la Cour grâce à ses pouvoirs apparemment surnaturels.La présente étude a pour objectif de souligner l'importance des arts dans une société en grande partie illettrée où de nombreuses influences que nous considérons aujourd'hui comme allant de soi étaient purement et simplement inexistantes. Même si Robin Cormack s'occupe exclusivement de Byzance, les méthodes qu'il utilise pourraient s'appliquer aux sociétés de toutes les époques elles ne se limitent pas à la compréhension de cette période particulière de l'histoire mais ont des implications plus vastes.
Art [Byzantine ] --- Art and the Orthodox Eastern Church --- Art byzantin --- Byzantijnse kunst --- Byzantine art --- Eglise orthodoxe et l'art --- Kunst [Byzantijnse ] --- Orthodox Eastern Church and art --- Orthodoxe Kerk en kunst --- Art and society --- Byzantine Empire --- History
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Christianity and art --- Icons --- #GROL:SEMI-264.01 --- 246.5 --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Icon veneration --- Picture veneration --- Veneration of icons --- Veneration of pictures --- Orthodox Eastern Church and art --- Orthodox Eastern Church --- Cult --- Liturgy. --- Christian pastoral theology --- Liturgy --- Painting
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Christianity and the arts - Soviet Union - Congresses. --- Orthodox Eastern Church and art - Congresses. --- Russka i a pravoslavna i a t serkov - Doctrines - Congresses. --- Orthodox Eastern Church - Soviet Union - Doctrines - Congresses. --- Old Believers - Soviet Union - Doctrines - Congresses. --- Soviet Union - Church history - Congresses.
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Icons, Byzantine --- Icons, Russian --- Icon painting --- Icônes byzantines --- Icônes russes --- Peinture d'icônes --- Technique --- Orthodox Eastern Church and art --- iconen --- -Orthodox Eastern Church and art --- 75.033.2 --- -#gsdb3 --- Miniature painting --- Russian icons --- Byzantine icons --- Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- -Eastern Orthodox Church --- Pravoslavnai︠a︡ vostochnai︠a︡ t︠s︡erkovʹ --- Holy Orthodox Catholic Apostolic Church --- Holy Orthodox Eastern Catholic and Apostolic Church --- Greek Church --- Orthodoxos Katholikē Ekklēsia --- Orthodoxos Katholikē kai Anatolikē Ekklēsia --- Kanīsah al-Sharqīyah --- Tung cheng chiao --- Kanīsat al-Masīḥ al-Sharqīyah al-Urthudhuksīyah --- Biserica Ortodoxă --- .كنيسة الشرقية الارثوذكسية --- #GGSB: Religieuze kunst --- -In art --- 75.033.2 Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- #gsdbA --- 246.5 --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Orthodox Eastern Church --- #gsdb3 --- Christian art and symbolism --- In art. --- Painting --- Christian theology --- #GBIB: jesuitica --- icoon --- Religieuze kunst --- Icon painting - Technique --- Icônes
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This volume examines the occurrence of secular contemporary artefacts (realia) in Middle and Late Byzantine religious painting. It explores the potential of Byzantine art as a source of information on material culture and inquires into the semiotic function of realia in religious pictorial contexts. The first part of the book comprises five case studies dedicated to imperial, official, aristocratic, and military dress, furniture, furnishings, and implements. The creative processes that led to the introduction of realia into religious iconography are discussed in the commentary. The book conveys a wealth of information especially on Byzantine dress and provides valuable new insights into the workings of Byzantine art. It is an original and thorough investigation of a fascinating, yet surprisingly little-studied subject.
Material culture --- Material culture in art. --- Art, Byzantine. --- Christianity and art --- Semiotics --- Orthodox Eastern Church. --- Art, Byzantine --- Material culture in art --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Culture --- Folklore --- Technology --- Orthodox Eastern Church and art --- Byzantine art --- Art, Medieval --- Christian art and symbolism --- Orthodox Eastern Church --- Material culture - Byzantine Empire. --- Christianity and art - Orthodox Eastern Church. --- Semiotics - Byzantine Empire. --- Byzantine Empire
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A new generation of American medieval art historians explores how sacred images were perceived during the Middle Ages in Byzantium and Europe. Focusing on the relationship between a particular type of medieval art - the sacred image - and its audience, the contributors consider the part played in this relationship by the image's context, whether on the page of a book or on the wall of a building. The book allows the reader to see the fluidity of the sacred image, showing how factors including audience, purpose, and setting affected the form it took. The essays cover a full range of images, including panel paintings, altarpieces, manuscripts, and wall paintings, and a rich variety of socioreligious settings, private, monastic, and imperial. Also examined are the differences between images produced for a single viewer and those produced for communities; images produced for private contemplation or devotion and those that functioned within a liturgical setting; and the varying ways in which sacred images affected women and men, religious and secular communities, rulers and the ruled
Christian art and symbolism --- Christianity and art --- Icons --- Icons, Byzantine. --- Catholic Church --- History. --- Orthodox Eastern Church --- Cult --- History of doctrines --- History --- Icons [Byzantine ] --- Middle Ages, 600-1500 --- Medieval, 500-1500 --- Orthodox Eastern Church and art --- Catholic Church and art --- Icons, Byzantine --- Middle Ages, 500-1500 --- Icons - History --- Icons - Cult - History of doctrines - Middle Ages, 600-1500 --- Christian art and symbolism - Medieval, 500-1500 --- Christianity and art - Orthodox Eastern Church - History --- Christianity and art - Catholic Church - History
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Iconography --- Icons --- Icon painting --- Cult --- Orthodox Eastern Church --- Doctrines --- 246.3 --- Christianity and art --- #GGSB: Geestelijke lezing (geel) --- #GGSB: Religieuze kunst --- #gsdb10 --- 75.033.2 --- Beelden in kerken. Beeldenverering. Iconoclasme --- Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- Doctrines. --- Miniature painting --- Painting --- Orthodox Eastern Church and art --- 75.033.2 Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- Icon veneration --- Picture veneration --- Veneration of icons --- Veneration of pictures --- 246.3 Beelden in kerken. Beeldenverering. Iconoclasme --- Geestelijke lezing (geel) --- Religieuze kunst --- Icons - Cult --- Icon painting. --- Orthodox Eastern Church. --- Cult.
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History of Greece --- Iconography --- Christian special devotions --- Art and the Orthodox Eastern Church --- Byzantijnse iconen --- Byzantine icons --- Eglise orthodoxe et l'art --- Iconen [Byzantijnse ] --- Icons [Byzantine ] --- Icônes byzantines --- Orthodox Eastern Church and art --- Orthodoxe Kerk en kunst --- Icons, Byzantine --- Eglise orthodoxe d'Orient et l'art --- 75.033.2 --- Christian saints in art --- Christian art and symbolism --- Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- Christian saints in art. --- Icons, Byzantine. --- 75.033.2 Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- Christianity and art --- Icônes byzantines --- Orthodox Eastern Church.
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