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Hommage to Wolfgang Paalen: on the occasion of an exhibition of his paintings at the Museo de Arte Moderno, México, 1967
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Year: 1967 Publisher: México, D.F. Museo de Arte Moderno

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Paalen, Wolfgang


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Wolfgang Paalen
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Year: 1946 Publisher: New York City, N.Y. Nierendorf

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Paalen, Wolfgang

Wolfgang Paalen: humo sobre tela
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ISBN: 9682974089 Year: 1997 Publisher: México, D.F. Consejo Nacional para la Cultura y las Artes

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Painting --- Paalen, Wolfgang


Book
Wolfgang Paalen : Der Österreichische Surrealist in Paris und Mexiko (Ausstellung Wien, Unteren Belvedere, 04.10.2019 - 19.01.2020)
Authors: --- --- --- --- --- et al.
ISBN: 9783903114760 Year: 2019 Publisher: Londen Wien Koenig Books Österreichische Galerie Belvedere (Wenen)

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surrealisme --- Paalen, Wolfgang --- Parijs --- Mexico


Book
Wolfgang Paalen : zwischen surrealismus und abstraktion
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ISBN: 3854151241 Year: 1993 Publisher: Klagenfurt : Ritter,

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Book
Aspekte imaginativer Kunst im 20. Jahrhundert: Profil und Perspektiven einer Sammlung
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Year: 1997 Publisher: Bochum Museum Bochum

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Le Surréalisme et la Peinture : Suivi de genèse et perspective artistiques du surréalisme et de fragments inédits
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Year: 1945 Publisher: New York City Brentano's

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Book
Surrealism in Latin America : Vivísimo Muerto (symposium Los Angeles, The Getty Research Institute, 25-26 June 2010)
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ISBN: 9781606061176 Year: 2012 Publisher: Los Angeles The Getty Research Institute

Magnifying mirrors: women, surrealism, & partnership
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ISBN: 0803223706 Year: 1994 Publisher: Lincoln [etc.] University of Nebraska Press

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Although notorious for their idiosyncrasies, the surrealists revived artistic collaboration as an honorable and productive practice. Most of the famous surrealists were men, yet almost all were involved with women artists who were much more than sources of romantic inspiration. Precious little attention has been given to this most intricate of partnerships. 'Magnifying Mirrors' is the first study of the complex partnerships that stimulated and provoked these men and women. Each couple collaborated in its own unique way according to the varying importance ascribed to aesthetic, social, and political preoccupations. The twelve couples whom Rene;e riese Hubert describes are Sophie Taeuber and Hans Arp; Valentine and Roland Penrose; Leonora Carrington and Max Ernst; Unica Zurn and Hans Bellmer; Kay Sage and Yves Tanguy; Lee Miller and Man Ray; Aliced Rahon and Wolfgang Paalen; Remedios Varo and Benjamin Peret; Hannah Hoch and Raoul Hausmann; and Frida Kahlo and Diego Rivera. Often the woman in a partnership, far younger than her male companion, had just begun her career as an artist and had entered the relationship as a junior partner in need of support and guidance. Not surprisingly, her association usually resulted in, and often ended with, an intense assertion of independence. In her examination of these partnerships, Hubert focuses on comparing the art that the couples produced, apart or together.

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