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Architecture, Baroque --- Bernini, Giovanni Lorenzo, --- Borromini, Francesco, --- Pietro da Cortona,
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Cortona, da, Pietro --- Pietro da Cortona --- Exhibitions --- Influence --- Painting [Baroque ] --- Italy --- Tuscany (Italy) --- Umbria (Italy)
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Cortona, da, Pietro --- Painting, Baroque --- -Baroque painting --- Paintings, Baroque --- Pietro da Cortona --- -Criticism and interpretation --- -Pietro da Cortona --- -Berrettini, Pietro --- Criticism and interpretation --- Baroque painting --- Pietro, --- Berettini, Pietro, --- Berrettini, Pietro, --- Cortona, Pietro da, --- Criticism and interpretation.
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Cortona, da, Pietro --- Pitti Palace [Florence] --- Freskomalerei. --- Pietro, --- Pietro da Cortona, --- Cortona, Pietro ((da)) --- Palazzo Pitti. --- Florenz --- Cortona, Pietro ((da)).
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Furini, Francesco --- Allori, Cristoforo --- Baldinucci, Filippo --- Peruzzi, D. --- Salviati (fam.) --- De' Medici, Lorenzo (il Magnifico) --- Bianco, Baccio del --- Salviati, Jacopo --- Mannozzi, Giovanni --- Pietro da Cortona --- 17de eeuw --- Italië
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Sculpture --- Art styles --- Bernini, Giovanni Lorenzo --- anno 1600-1699 --- Europe --- Sculpture, Italian --- Architecture --- Sculpture italienne --- Historyy17th century --- Bernini, Gian Lorenzo, --- Criticism and interpretation --- Bernini, Gian Lorenzo --- Influence --- Art [Baroque ] --- Congresses --- Sculpture [Baroque ] --- Architecture [Baroque ] --- Borromini, Francesco --- Pietro da Cortona --- Historyy17th century. --- Criticism and interpretation.
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Drawing, Italian --- 741.034 --- achttiende eeuw --- Arcimboldo Giuseppe --- barok --- Bassano Jacopo --- Bellini Gentile --- Bembo Gianfrancesco --- Bernini Giovanni Lorenzo --- Canaletto --- Carracci Annibale --- Correggio --- da Vinci Leonardo --- Gandolfi Gaetano --- Guardi Francesco --- Guercino --- Italië --- kunst --- Lotto Lorenzo --- Magnasco Alessandro --- Maratta Carlo --- middeleeuwen --- Pietro da Cortona --- Piranesi Giovanni Battista --- Pisanello Antonio --- Raphael --- renaissance --- Selected and Described by Janos Scholz --- tekenkunst --- Tiepolo Giambattista --- Tintoretto --- Titiaan --- veertiende eeuw --- Veronese Paolo --- vijftiende eeuw --- zestiende eeuw --- zeventiende eeuw --- Catalogs --- Scholz, János --- Scholz, János, --- Art collections. --- Drawing --- drawing [image-making] --- Italian Renaissance-Baroque styles --- Scholz, János --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- anno 1700-1799 --- Italy --- Italiaanse school --- Painting [Italian ]
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How social upheavals after the collapse of the French Empire shaped the lives and work of artists in early nineteenth-century EuropeAs the French Empire collapsed between 1812 and 1815, artists throughout Europe were left uncertain and adrift. The final abdication of Emperor Napoleon, clearing the way for a restored monarchy, profoundly unsettled prevailing national, religious, and social boundaries. In Restoration, Thomas Crow combines a sweeping view of European art centers-Rome, Paris, London, Madrid, Brussels, and Vienna-with a close-up look at pivotal artists, including Antonio Canova, Jacques-Louis David, Théodore Géricault, Francisco Goya, Jean-Auguste-Dominique Ingres, Thomas Lawrence, and forgotten but meteoric painters François-Joseph Navez and Antoine Jean-Baptiste Thomas. Whether directly or indirectly, all were joined in a newly international network, from which changing artistic priorities and possibilities emerged out of the ruins of the old.Crow examines how artists of this period faced dramatic circumstances, from political condemnation and difficult diplomatic missions to a catastrophic episode of climate change. Navigating ever-changing pressures, they invented creative ways of incorporating critical events and significant historical actors into fresh artistic works. Crow discusses, among many topics, David's art and influence during exile, Géricault's odyssey through outcast Rome, Ingres's drive to reconcile religious art with contemporary mentalities, the titled victors over Napoleon all sitting for portraits by Lawrence, and the campaign to restore art objects expropriated by the French from Italy, prefiguring the restitution controversies of our own time.Restoration explores how cataclysmic social and political transformations in nineteenth-century Europe reshaped artists' lives and careers with far-reaching consequences.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DCPlease note: All images in this ebook are presented in black and white and have been reduced in size.
Art and society --- Art, European --- Art, Modern --- Neoclassicism (Art) --- History --- Abdication. --- Ancient art. --- Anti-Catholicism. --- Antoine-Jean Gros. --- Antonio Canova. --- Apelles. --- Barberini family. --- Battle of Eylau. --- Battle of the Pyramids. --- Belvedere Torso. --- Bonaparte Crossing the Alps. --- Bourbon Restoration. --- Bradamante. --- Campaspe. --- Cardinal Mazarin. --- Chivalric romance. --- Chivalry. --- Clytemnestra. --- Francisco Goya. --- Hellenistic period. --- High Renaissance. --- His Family. --- Horse and Rider (Leonardo da Vinci). --- House of Bonaparte. --- House of Bourbon. --- Hubert Robert. --- Inception. --- J. M. W. Turner. --- Jacques-Louis David. --- Jean Racine. --- Jean-Auguste-Dominique Ingres. --- Joachim Murat. --- Johann Friedrich Overbeck. --- John Flaxman. --- Joseph Bonaparte. --- Louis Philippe I. --- Louis XVIII of France. --- Majesty. --- Monti (rione of Rome). --- Mourning. --- Museo del Prado. --- Museo di Roma. --- Napoleon. --- Narrative. --- On the Eve. --- Papal States. --- Peninsular War. --- Peter von Cornelius. --- Philipp Veit. --- Piazza del Popolo. --- Picturesque. --- Pietro da Cortona. --- Pontiff. --- Pope Pius VII. --- Private collection. --- Ridicule. --- Ruggiero (character). --- Rump state. --- Saint Veronica. --- Ship of State. --- Sistine Chapel. --- Spanish Steps. --- The Artist at Work. --- The Intervention of the Sabine Women. --- The Raft of the Medusa. --- The Rape of the Sabine Women. --- The Third of May 1808. --- The Wounded Cuirassier. --- Warfare. --- Waterloo Campaign. --- Canova, Antonio, --- David, Jacques Louis,
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"Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"--
Painting --- Art and philosophy --- Painting, Italian --- Painting, Baroque --- Truth. --- Philosophy. --- History --- Vico, Giambattista, --- Aesthetics. --- Analogy. --- Andrea Vaccaro. --- Andrea del Sarto. --- Anecdote. --- Annibale Carracci. --- Anthropomorphism. --- Atheism. --- Atomism. --- Augury. --- Bad Painting. --- Baroque painting. --- Caravaggio. --- Caravaggisti. --- Carlo Maratta. --- Cartesianism. --- Catherine of Siena. --- Certainty. --- Certosa di San Martino. --- Chiaroscuro. --- Cimabue. --- Classical mythology. --- Classicism. --- Consciousness. --- Cubism. --- Daniello Bartoli. --- Democritus. --- Depiction. --- Divine Truth. --- Divine judgment. --- Divine providence. --- Domenichino. --- Drapery. --- Epicurus. --- Exorcism. --- Fall of Simon Magus (Pompeo Batoni). --- Falsity. --- Flagellation of Christ. --- Francesco Solimena. --- Giambattista Vico. --- Giotto. --- God the Father. --- Guido Reni. --- Henri Bergson. --- Iconoclasm. --- Iconography. --- Illustration. --- Jules Michelet. --- Las Meninas. --- Libri Carolini. --- Lodovico Dolce. --- Luca Giordano. --- Lucretius. --- Ludovico Carracci. --- Mannerism. --- Metaphor. --- Metonymy. --- Michelangelo. --- Museo del Prado. --- Neoplatonism. --- Painting. --- Paragone. --- Parmigianino. --- Penitential. --- Pentimento. --- Petrarch. --- Philosopher. --- Philosophical skepticism. --- Pietro Aretino. --- Pietro da Cortona. --- Poetry. --- Putto. --- Religion. --- Rhetoric. --- Roman Baroque. --- Sacristy. --- Saint Dominic. --- Saint Francis Receiving the Stigmata (van Eyck). --- Salvator Rosa. --- San Domenico Maggiore. --- San Gregorio Armeno. --- Scientific skepticism. --- Simon Magus. --- Skepticism. --- Spanish art. --- Still life. --- Tenebrism. --- The Carracci. --- The Expulsion of Heliodorus from the Temple. --- The Gay Science. --- The New Science. --- The Philosopher. --- Theology. --- Thomas Aquinas. --- Tintoretto. --- Titian. --- Tommaso Campanella. --- Zeuxis.
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