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Based on a comparative, transnational approach, the international group of authors focuses on the respective national interpretations of the past in Germany and Italy, as presented in the medium of film between 1945 and around 1955, and also addresses the mutual perception of the films. In the 12 contributions, both the filmic narrative patterns of important individual works are analyzed and the contemporary context of the debate about the horrors and trauma of the National Socialist and Fascist past in both countries is included.

Politics in motion pictures.

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Based on a comparative, transnational approach, the international group of authors focuses on the respective national interpretations of the past in Germany and Italy, as presented in the medium of film between 1945 and around 1955, and also addresses the mutual perception of the films. In the 12 contributions, both the filmic narrative patterns of important individual works are analyzed and the contemporary context of the debate about the horrors and trauma of the National Socialist and Fascist past in both countries is included.

Politics in motion pictures.

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This book examines the reverberations of key components of Ronald Reagan's ideology in selected Hollywood blockbuster movies. The aim of this analysis is to provide a clearer understanding of the intertwinement of cinematic spectacles with neoliberalism and neoconservatism. The analysis comprises a dissection of Reagan's presidential rhetoric and the examination of four seminal Hollywood blockbuster movies. The time range for analysis stretches from the 1980s until the 2010s. Among the key foci are filmic content as well as production and distribution contexts. It is concluded that Reagan's political metaphors and the corporatization of film studios in the 1970s and 1980s continue to shape much of Hollywood blockbuster filmmaking.

Politics in motion pictures. --- United States.

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This book examines the reverberations of key components of Ronald Reagan's ideology in selected Hollywood blockbuster movies. The aim of this analysis is to provide a clearer understanding of the intertwinement of cinematic spectacles with neoliberalism and neoconservatism. The analysis comprises a dissection of Reagan's presidential rhetoric and the examination of four seminal Hollywood blockbuster movies. The time range for analysis stretches from the 1980s until the 2010s. Among the key foci are filmic content as well as production and distribution contexts. It is concluded that Reagan's political metaphors and the corporatization of film studios in the 1970s and 1980s continue to shape much of Hollywood blockbuster filmmaking.

Politics in motion pictures. --- United States.

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This book examines the reverberations of key components of Ronald Reagan's ideology in selected Hollywood blockbuster movies. The aim of this analysis is to provide a clearer understanding of the intertwinement of cinematic spectacles with neoliberalism and neoconservatism. The analysis comprises a dissection of Reagan's presidential rhetoric and the examination of four seminal Hollywood blockbuster movies. The time range for analysis stretches from the 1980s until the 2010s. Among the key foci are filmic content as well as production and distribution contexts. It is concluded that Reagan's political metaphors and the corporatization of film studios in the 1970s and 1980s continue to shape much of Hollywood blockbuster filmmaking.

Politics in motion pictures. --- United States.