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791.471 RENOIR --- CDL --- Renoir, Jean, --- Renoar, Zhan, --- Renuar, Zhan, --- Renoir, Jean
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Film --- Renoir, Jean --- France --- Renoir, Jean, --- #SBIB:309H1323 --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Renoar, Zhan, --- Renuar, Zhan,
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Renoir, Jean, --- Motion picture producers and directors --- 791.471 RENOIR --- CDL --- Renoar, Zhan, --- Renuar, Zhan, --- Renoir, Jean --- Renoir, Jean, - 1894-1979 --- CINEMA --- RENOIR, JEAN (1894-1979) --- FRANCE --- BIOGRAPHIES
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Boats on the Marne offers an original interpretation of Jean Renoir's celebrated films of the 1930s, treating them as a coherent narrative of philosophical response to the social and political crises of the times. Grounded in a reinterpretation of the foundational film-philosopher Andre Bazin, and drawing on work from a range of disciplines (film studies, art history, comparative literature, political and cultural history), the book's coordinated consideration of Renoir's films, writings, and interviews demonstrates his obsession with the concept of romanticism. Renoir saw romanticism to be a defining feature of modernity, a hydra-headed malady which intimately shapes our personal lives, culture, and politics, blinding us and locking us into agonistic relationships and conflict. While mapping the popular manifestations of romanticism that Renoir engaged with at the time, this study restores the philosophic weight of his critique by tracing the phenomenon back to its roots in the work and influence of Jean-Jacques Rousseau, who first articulated conceptions of human desire, identity, community, and history that remain pervasive today. Prakash Younger argues that Renoir's films of the 1930s articulate a multi-stranded narrative through which the director thinks about various aspects of romanticism and explores the liberating possibilities of an alternative paradigm illuminated by the thought of Plato, Montaigne, and the early Enlightenment. When placed in the context of the long and complex dialogue Renoir had with his audience over the course of the decade, masterpieces such as La Grande Illusion and La Regle du Jeu reveal his profound engagement with issues of political philosophy that are still very much with us today.
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Films --- Films cinématographiques --- par Jean-Louis Leutrat --- Renoir Jean --- La Chienne --- film --- twintigste eeuw --- 791.471 RENOIR --- 791.44 --- Renoir, Jean, --- Renoar, Zhan, --- Renuar, Zhan, --- Criticism and interpretation. --- Chienne. --- CDL --- Renoir, Jean
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7.071 RENOIR --- CDL --- Renoir, Auguste, --- Renoir, Jean, --- Renoir family --- Renoar, Zhan, --- Renuar, Zhan, --- Renoir, Pierre Auguste, --- Renuar, Ogi︠u︡st, --- Renoar, Pjer-Ogist, --- רנואר, אוגוסט, --- Exhibitions --- Renoir, Jean --- Renoir, Pierre Auguste --- Renuar, Ogi︠u︡st --- Renoar, Pjer-Ogist
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Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Renoir, Jean, --- Criticism and interpretation --- Critique et interprétation --- CDL --- 791.471 RENOIR --- Renoar, Zhan, --- Renuar, Zhan, --- Criticism and interpretation. --- Renoir, Jean
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Motion picture producers and directors --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Criticism and interpretation. --- Renoir, Jean, --- Renoir, Jean --- Renoar, Zhan, --- Renuar, Zhan,
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Jean Renoir is one of the most important figures in French cinema. This is an eminently accessible and original analysis of all his sound films, including those he made in Hollywood. Bringing new light on some of the director's most celebrated films, this lucid account traces his output from the silent period to the age of television, tying his work into a fast-shifting, socio-historical context. Giving an incisive and illuminating account of critical debates concerning Renoir, and focusing on hitherto neglected areas such as gender, nation and ethnicity the book asks us to rethink our understanding of Renoir's political commitment.
Renoir, Jean --- Criticism and interpretation --- Motion picture producers and directors --- 791.471 RENOIR --- CDL --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Renoir, Jean, --- Renoar, Zhan, --- Renuar, Zhan, --- Criticism and interpretation.
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Motion pictures --- Cinéma --- Renoir, Jean, --- Friends and associates --- film --- filmregisseurs --- Renoir Jean --- 791.471 RENOIR --- Jean Renoir --- Cinéma --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Renoar, Zhan, --- Renuar, Zhan, --- Friends and associates. --- CDL --- Renoir, Jean
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