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Walter Ruttmann en het beginsel
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Year: 1956 Publisher: Purmerend : Muusses,

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Walter Ruttmann: eine Dokumentation
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ISBN: 3927876003 Publisher: Berlin Freunde der deutschen Kinemathek

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Ruttmann, Walter


Book
Walter Ruttmann en het beginsel
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Year: 1956 Publisher: Purmerend J. Muusses

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Ruttmann, Walter


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Walter Ruttmann in het beginsel
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Year: 1956 Volume: 1 Publisher: Purmerend : J. Muusses,

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Walter Ruttmann and the Cinema of Multiplicity : Avant-Garde - Advertising - Modernity
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ISBN: 9789089645852 9789048521890 Year: 2013 Publisher: Amsterdam : Amsterdam University Press,

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Berlin, die Sinfonie der Grossstadt & Melodie der Welt

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Berlin, die Sinfonie der Grossstadt: "Shows us one day in Berlin, the rhythm of that time, starting at the earliest morning and ends in the deepest night"--IMDb. Melodie der Welt: "An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the world. The film is constructed like a symphony"--IMDb. Walther Ruttmann: der Visionär bewegter Rhythmen (1987, 86 min.) is a radio feature.


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Berlin : Sinfonie einer Grossstadt
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ISBN: 3875841859 9783875841855 Year: 2002 Publisher: Berlin Nicolai


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Uitdrukkingen van constructivisme en de kunst van het hinkelen

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Cinéma dadaïste et surréaliste.
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ISBN: 2858500126 9782858500123 Year: 1976 Publisher: Paris Centre Georges Pompidou

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Ernst, Max ; Marcel Broodthaers ; Beuys, Joseph ; Warhol, Andy ; Arman ; Rivers, Larry ; Duchamp, Marcel ; Klein, Yves ; etc.


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Walter Ruttmann and the cinema of multiplicity : Avant-Garde, advertising, modernity
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ISBN: 9048521890 9089645845 9089645853 9789048521890 9789089645852 Year: 2014 Publisher: Amsterdam : Amsterdam University Press,

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A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City. Yet even as he was making experimental films, Ruttmann had a day job. He worked regularly in advertising -and he would go on to make industrial films, medical films, and even Nazi propaganda films. Michael Cowan offers here the first study of Ruttmann in English, not only shedding light on his commercial, industrial, and propaganda work, but also rethinking his significance in light of recent transformations in film studies. Cowan brilliantly teases out the linkages between the avant-garde and industrial society in the early twentieth century, showing how Ruttmann's films incorporated and enacted strategies for managing the multiplicities of mass society. This book has won the Willy Haas Award 2014 for its outstanding contribution to the study of German cinema.

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