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Film-, Dia- und Videoinstallationen prägen die Gegenwartskunst seit den 1990er Jahren. Eines ihrer auffallendsten Merkmale ist die Arbeit mit den verschiedenen zeitlichen Ebenen des bewegten Bildes. In den Werken von Künstlerinnen und Künstlern wie Tacita Dean, Douglas Gordon, Mark Lewis und James Coleman spielen Zeitlichkeit und Geschichtlichkeit eine entscheidende Rolle. Zeit als bildliches Phänomen wird hier mittels ästhetischer Praktiken sichtund erfahrbar gemacht. Durch bildliche Strategien wie die Manipulation der Dauer der Bilder, ihrer Bewegungen, Rhythmen und Dynamiken realisiert sich in den Werken gleichzeitig eine spezifische Geschichtlichkeit. So entstehen hybride Bildwerke zwischen Stillstand und Bewegung, zwischen Gegenwart und Geschichte. Der Band bietet detaillierte Analysen und Interpretationen zahlreicher Schlüsselwerke der vergangenen 25 Jahre.

Film --- Fotografie --- Medien --- zeitgenössische Kunst --- Zeit --- Geschichte --- Kunstinstallation --- Projektion --- photography --- media --- Ästhetik --- time --- history --- projection --- aesthetic --- Film, TV and radio

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This is the first full-length monograph in English about one of France's most important contemporary filmmakers, perhaps best known in the English-speaking world for his award-winning Les Roseaux sauvages/Wild Reeds of 1994. This study locates André Téchiné within historical and cultural contexts that include the Algerian War, May 1968 and contemporary globalisation, and the influence of Roland Barthes, Bertolt Brecht, Ingmar Bergman, William Faulkner, and the cinematic French New Wave. The originality of Téchiné's sixteen feature films lies in his subtle exploration of sexuality and national

Téchiné, André, --- Techiné, André --- Criticism and interpretation. --- Techiné, Andr --- Motion picture producers and directors --- Film, TV and radio. --- Individual film directors, film-makers. --- PERFORMING ARTS / Film / History & Criticism. --- The Arts --- Performing arts --- Films, cinema

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Despite his controversial reputation and international notoriety as a film-maker, no full-length study of Clouzot has ever been published in English. This book offers a significant revaluation of Clouzot's achievement, situating his career in the wider context of French cinema and society, and providing detailed and clear analysis of his major films (Le Corbeau, Quai des Orfèvres, Le Salaire de la peur, Les Diaboliques, Le Mystère Picasso). Clouzot's films combine meticulous technical control with sardonic social commentary and the ability to engage and entertain a broad public. Although his f

Clouzot, H.-G. --- Clouzot, Henri-Georges --- Criticism and interpretation. --- Glouzot, Henry Georges --- Motion picture producers and directors --- Film, TV and radio. --- Individual film directors, film-makers --- PERFORMING ARTS / Film / History & Criticism. --- The Arts --- Performing arts --- Films, cinema --- Film history, theory & criticism. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons

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"This is the first book to focus on James Bond's relationship to the playboy ideal through the sixties and beyond. Examining aspects of the Bond phenomenon and the playboy lifestyle, it considers how ideas of gender and consumption were manipulated to construct and reflect a powerful male fantasy in the post-war era. This analysis of the close association and relations between the emerging cultural icons of James Bond and the playboy is particularly concerned with Sean Connery's definitive Bond as he was promoted and used by the media. By exploring the connections that developed between Bond and Playboy magazine within a historical framework, the book offers new insights into these related phenomena and their enduring legacy in popular culture."--

James Bond films --- Masculinity in motion pictures. --- Masculinity in popular culture. --- Popular culture --- Motion pictures --- Bond films --- Action and adventure films --- Spy films --- Social aspects. --- Playboy (Chicago, Ill.) --- Playboy magazine --- Männlichkeit --- James-Bond-Film --- Playboy --- Herrenmagazin --- USA --- Spionagefilm --- Serienfilm --- Mann --- Motiv --- The arts. --- Film, TV and radio. --- Films, cinema. --- Film: styles and genres. --- PERFORMING ARTS / Film / History & Criticism.

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This book offers highly detailed and insightful critical analysis of a range of individual films of the period. This analysis draws upon an innovative range of critical methodologies which place the film texts within a rich variety of historical contexts. The book sets out to examine British films of the 1970s in order to get a clearer understanding of two things - the fragmentary state of the filmmaking culture of the period, and the fragmentary nature of the nation that these films represent. It argues that there is no singular narrative to be drawn about British filmmaking in the 1970s, other than the fact that these films offer evidence of a Britain (and ideas of Britishness) characterised by vicissitudes.

Motion picture industry --- Motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- History. --- Cinéma --- Histoire --- Industrie --- Nineteen seventies. --- Film, TV and radio. --- Films, cinema. --- PERFORMING ARTS / Film / History & Criticism. --- The Arts --- History --- Performing arts --- Films, cinema --- Film history, theory & criticism. --- 1970s --- 70s (Twentieth century decade) --- Seventies (Twentieth century decade) --- Twentieth century