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Building on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left a well-defined legacy of concerns that modernists appropriated for their fiction. The author focuses particularly on Gide, D. H. Lawrence, Malraux, and Mann, analyzing their strategies of acceptance, revision, and subversion.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Comparative literature --- Nietzsche, Friedrich W. --- anno 1900-1999 --- Literature, Modern --- Modernism (Literature) --- Philosophy in literature. --- History and criticism. --- Nietzsche, Friedrich Wilhelm, --- Influence. --- Modernism (Literature). --- Nietzsche, Friedrich --- Crepuscolarismo --- Literary movements --- History and criticism&delete& --- History and criticism --- Aestheticism. --- Allusion. --- Anguish. --- Antithesis. --- Apathy. --- Aphorism. --- Apollonian and Dionysian. --- Art for art's sake. --- Arthur Schopenhauer. --- Beyond Good and Evil. --- Black rage (law). --- Career. --- Catharsis. --- Consciousness. --- Criticism. --- Critique. --- Cultural Bolshevism. --- D. H. Lawrence. --- Death in Venice. --- Decadence. --- Dionysus. --- Disenchantment. --- Disgust. --- Distrust. --- Doctor Faustus (novel). --- Doctor Faustus (play). --- E. M. Forster. --- Epigram. --- Existence. --- Existentialism. --- Faust. --- Friedrich Nietzsche. --- Geoffrey Hartman. --- Gesta Romanorum. --- God is dead. --- Good and evil. --- Hans Vaihinger. --- Henri Bergson. --- Iconoclasm. --- Imagery. --- Irony. --- Jacques Derrida. --- Jude the Obscure. --- Karl Jaspers. --- Last man. --- Literary modernism. --- Literature. --- Man's Fate. --- Master–slave morality. --- Mephistopheles. --- Modernism. --- Morality. --- Necessitarianism. --- New Thought. --- Nietzschean affirmation. --- Nihilism. --- On the Aesthetic Education of Man. --- On the Genealogy of Morality. --- Out of Revolution. --- Paradox. --- Parody. --- Philosopher. --- Philosophy of Friedrich Nietzsche. --- Philosophy. --- Picaresque novel. --- Pity. --- Polemic. --- Posthumanism. --- Psychoanalysis. --- Psychology. --- Rainer Maria Rilke. --- Religion. --- Ressentiment. --- Result. --- Robert Musil. --- Romanticism. --- Scientism. --- Self-denial. --- Self-fulfillment. --- Superiority (short story). --- Søren Kierkegaard. --- The Birth of Tragedy. --- The Case of Wagner. --- The Counterfeiters (novel). --- The Cult of the Self. --- The Four Great Errors. --- The Goths. --- The Philosopher. --- The Work of Art in the Age of Mechanical Reproduction. --- Theodor W. Adorno. --- Thought. --- Thus Spoke Zarathustra. --- Tragedy. --- Twilight of the Idols. --- Utilitarianism. --- Will to power. --- Women in Love. --- Word and Object. --- Writer. --- Writing.

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"Ambitious Form describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors, Giambologna, Bartolomeo Ammanati, and Vincenzo Danti, as they negotiated the politics of the Medici court and eyed one another's work, setting new aims for their art in process.... Michael Cole shows how the concerns of central Italian artists changed during the last decades of the Cinquecento. Whereas their predecessors had focused on specific objects and on the particularities of materials, late sixteenth-century sculptors turned their attention to models and design. The iconic figure gave way to the pose, individualized characters to abstractions. Above all, the multiplicity of master crafts that had once divided sculptors into those who fashioned gold or bronze or stone yielded to a more unifying aspiration, as nearly every ambitious sculptor, whatever his training, strove to become an architect."--Jacket.

Art and architecture --- Art --- Sculpture, Italian --- History --- Political aspects --- Giambologna, --- Ammannati, Bartolomeo, --- Danti, Vincenzo, --- Criticism and interpretation. --- 1500-1599 --- Italy --- Aby Warburg. --- Adriaen de Vries. --- Alessandro Allori. --- Alessandro Vittoria. --- Andrea Riccio. --- Andrea del Verrocchio. --- Antipope John XXIII. --- Ascanio Condivi. --- Banderole. --- Baptistery. --- Bartolomeo Ammannati. --- Benvenuto Cellini. --- Boboli Gardens. --- Brought to Light. --- Caravaggio. --- Cavalieri. --- Counter-Reformation. --- Daniele da Volterra. --- David (Michelangelo). --- De Re Aedificatoria. --- De rerum natura. --- Desiderio da Settignano. --- Duke of Florence. --- Erwin Panofsky. --- Farnese Hercules. --- Fasti. --- Fibonacci. --- Figurative art. --- Filarete. --- Filippo Brunelleschi. --- Florence Cathedral. --- Francesco Mochi. --- Francesco da Sangallo. --- Friedrich Sustris. --- Galleria Borghese. --- Gerhard Wolf. --- Giambologna. --- Gian Lorenzo Bernini. --- Gian Paolo Lomazzo. --- Giovanni Angelo Montorsoli. --- Giuliano de' Medici. --- Hieronymus Cock. --- Hugo van der Goes. --- Illusionism (art). --- J. Paul Getty Museum. --- Jacopo Sansovino. --- Jan Gossaert. --- Jan van Scorel. --- John Chrysostom. --- Laurentian Library. --- Leone Leoni. --- Luca della Robbia. --- Marzocco. --- Massimo. --- Matteo Civitali. --- Medici Chapel. --- Michel de Montaigne. --- Michelangelo Naccherino. --- Michelangelo. --- Michelozzo. --- Minimalism. --- Modello. --- Monumental sculpture. --- Museo del Prado. --- Non finito. --- Pantheon, Rome. --- Paragone. --- Picturesque. --- Pierino da Vinci. --- Pietra serena. --- Pietro Bernini. --- Pietro Francavilla. --- Pietro Tacca. --- Pontormo. --- Pope Julius II. --- Pope Sixtus V. --- Praxiteles. --- Putto. --- Renaissance art. --- Roman Inquisition. --- Sandro Botticelli. --- Santa Maria sopra Minerva. --- Santa Trinita. --- Sebastiano Serlio. --- Sigismondo. --- Signoria. --- Stefano della Bella. --- Stoldo Lorenzi. --- Strozzi family. --- Taddeo Landini. --- The Work of Art in the Age of Mechanical Reproduction. --- Titian. --- Tomb of Antipope John XXIII. --- Tommaso Laureti. --- Vatican Museums. --- Veduta. --- Venus Genetrix (sculpture). --- Villa Medici. --- Vitruvius. --- Woman Bathing (van Eyck).