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Oldenburg, Claes --- van Bruggen, Coosje

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Oldenburg, Claes, - 1929 --- -Van Bruggen, Coosje

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Présentation des oeuvres publiques de Claes Oldenburg et Coosje van Bruggen, qui stigmatisent le grotesque urbain et architectural des mégapoles comme Chicago ou New York. Mémoire de la violence sociale et historique des États-Unis, elles prennent le parti du corps et de l'imagination, exploitent les vertus curatives du comique contre la sanctification de la raison qui s'est imposée dans l'histoire de l'art abstrait.

Oldenburg, Claes, --- Van Bruggen, Coosje, --- van Bruggen, Coosje, --- Criticism and interpretation. --- Bruggen, Coosje van --- Oldenburg, Claes, - 1929 --- -Van Bruggen, Coosje, - 1942 --- -Bruggen, Coosje van --- -Oldenburg, claes (1929-....) --- Grotesque --- Sculpture publique --- Critique et interprétation --- Dans l'art --- États-unis --- 20e siècle --- -Oldenburg, Claes, --- Oldenburg, claes (1929-....)

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"In 1985, the Sohio oil company commissioned Claes Oldenburg and Coosje van Bruggen to design and construct a large outdoor sculpture for its new corporate headquarters in Cleveland, Ohio. The result was Free Stamp, a bold and distinctive installation that captured both a Pop Art sensibility and a connection to the city's industrial past. Sohio executives approved the design, and work was already underway, when British Petroleum acquired the company. The new owners quickly decided that the sculpture was "inappropriate" for their building and attempted to rid themselves of Free Stamp by donating it to the city of Cleveland--a gift that the city initially had no desire to accept. After much debate and public protest, the sculpture found a home in Willard Park, where it stands today. This is the first study of any sculpture by Oldenburg and van Bruggen to examine the genesis of their art from conception to installation. Edward J. Olszewski has put together a fascinating narrative based on interviews with the artists, archival material from city records, and in-house corporate memoranda, as well as letters to the editor and political cartoons. He traces the development of the sculpture from the artists' first sketches and models to the installation of the completed work in its urban environment"--

Outdoor sculpture --- Public sculpture --- Sculpture, Public --- Public art --- Sculpture --- Monuments --- Outdoor art --- Oldenburg, Claes, --- Bruggen, Coosje van --- Oldenburg, Coosje van Bruggen --- -Bruggen-Oldenburg, Coosje van --- Van Bruggen, Coosje --- Oldenberg, Ḳlaʼes, --- Bruggen, Coosje van. --- Criticism and interpretation. --- Bruggen-Oldenburg, Coosje van --- -Van Bruggen, Coosje

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Cet ouvrage est le premier du genre qui retrace le travail des pionniers de Vitra avec un aperçu des architectes et designers provenant de tout le globe. Il retrace l'évolution de la compagnie, depuis sa première collaboration avec George Nelson et Charles & Ray Eames en 1950 jusqu'à la dernière extension du Campus Vitra à Weil am Rhein construit par Herzog & de Meuron et SANAA. Vitra produit les meubles de Charles et Ray Eames et George Nelson depuis 1957. Sur cette base se développa au fil des années, en collaboration avec des créateurs progressifs, une collection de meubles aux facettes multiples pour le bureau, l'habitat et les espaces publics. Cependant Vitra est bien plus qu'une entreprise de production orientée sur le design. Vitra représente également un musée, le Vitra Design Museum, une collection de meubles de l'époque moderne et de leurs archives, des ateliers et publications sur le thème du design et une approche de l'architecture qui réunit, au siège social à Birsfelden (Suisse) et sur le site Vitra à Weil am Rhein (Allemagne), des bâtiments de Frank Gehry, Nicholas Grimshaw, Zaha Hadid, Tadao Ando, Alvaro Siza, Herzog & de Meuron et SANAA. Pour rendre compte de cette diversité, nous parlons de Vitra en tant que projet.

meubelkunst --- Applied arts. Arts and crafts --- Vitra Design Museum [Weil am Rhein] --- Furniture design --- Furnitures --- Meubles --- Design --- Catalogs --- Vitra (Firm) --- Vitra Design Museum. --- Vitra Design Museum --- Vitra (Firme) --- toegepaste kunsten --- Vitra --- 1957 - 2007 --- Collection --- Mobilier --- Mobilier d'architecte --- Musée --- Architecture contemporaine --- Ando, Tadao --- Bellini, Mario --- Bouroullec, Erwan --- Bouroullec, Ronan --- Buckminster Fuller, Richard --- Citterio, Antonio --- Eames, Charles --- Eames, Ray --- Gehry, Frank O. --- Girard, Alexander --- Grimshaw, Nicholas --- Hadid, Zaha --- Jongerius, Hella --- Kalman, Tibor --- Meda, Alberto --- Miller, Herman --- Morrison, Jasper --- Nelson, George --- Oldenburg, Claes --- Panton, Verner --- Prouvé, Jean --- Siza, Alvaro --- Van Bruggen, Coosje --- Van Severen, Maarten --- Herzog & de meuron --- Sanaa --- Bâle --- Weil-am-Rhein --- Ando, Tadao, --- Herzog & de Meuron --- Gehry, Frank Owen --- Fuller, Richard Buckminster, --- Bâle (Suisse) --- Hadid, Zaha, --- 745 --- 747 --- 747.036 --- 749.036 --- Fehlbaum, Willi --- Fehlbaum, Erika --- Interieurarchitectuur --- Interieurinrichting --- Interieurvormgeving --- 20ste eeuw (interieurarchitectuur) --- 20ste eeuw (meubelgeschiedenis) --- Ando, Tadao, 1941 --- -Bellini, Mario --- Fuller, Richard Buckminster, 1895-1983 --- Hadid, Zaha, 1950-2016 --- Catalogs. --- 749 --- Meubelkunst