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Philosophy. --- Philosophy --- Mental philosophy --- Humanities --- Weiss, Paul --- Weiss, Paul, --- Ṿais, Pol, --- וייס, פאול, --- וייס, פול
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Aesthetics --- Aesthetics. --- Art --- Philosophy and religion. --- Transcendence (Philosophy) --- Metaphysics. --- Emotions. --- Religious aspects. --- Philosophy. --- Cavell, Stanley, --- Schopenhauer, Arthur, --- Weiss, Paul,
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This book gathers a set of reflections on the gift of beauty and the passion of being. There is something surprising about beauty that we receive and that moves the passion of being in us. The book takes issue with an ambiguous attitude to beauty among some who proclaim their advanced aesthetic authenticity. Beauty seems bland and lacks the more visceral thrill of the ugly, indeed the excremental. We crave what disrupts and provokes us, not what gives delight or even consoles. By contrast, attention is given to how beauty arouses enigmatic joy in us, and we enjoy an elemental rapport with it as other. Surprised by beauty, our breath is taken away, but we are more truly there with the beautiful when we are taken outside of ourselves. We are first receivers of the gift of surprise and only then perceivers and conceivers. My attention to the passion of being stresses a patience, a receptivity to what is other. What happens is not first our construction. There is something given, something awakening, something delighting, something energizing, something of invitation to transcendence. The theme is amplified in diverse reflections: on life and its transient beauty; on soul music and its relation to self; on the shine on things given in creation; on beauty and Schopenhauer's dark origin; on creativity and the dynamis in Paul Weiss's creative ventures; on redemption in Romanticism in the thought of Stanley Cavell; on theater as a between or metaxu; on redeeming laughter and its connection with the passion of being.
Aesthetics --- Art --- Philosophy and religion --- Transcendence (Philosophy) --- Metaphysics --- Emotions --- Religious aspects --- Philosophy --- Cavell, Stanley, --- Schopenhauer, Arthur, --- Weiss, Paul, --- Aesthetics. --- Philosophy and religion. --- Metaphysics. --- Emotions. --- Religious aspects. --- Philosophy.
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A novel exploration of the idea of nonlinear time and its place at the heart of modern art and architecture. Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians Henri Focillon, George Kubler, Sibyl Moholy-Nagy, and Vincent Scully. These figures were unified by their resistance to the idea that, to be considered modern, art and architecture had to be of its time, as well as by the pivotal role that Yale University held as a backdrop to their thinking. These thinkers sponsored a new kind of approach, one that Eeva-Liisa Pelkonen terms “untimely,” emphasizing a departure from a sequential course of events. Ideas about temporal duration, new tradition, the presence of the past, and the shape of time were among the concepts they explored. With an interdisciplinary focus, Pelkonen reveals previously unexplored connections among key figures of American intellectual and artistic culture at midcentury whose works and words would shape modern architecture.
Space and time --- Time in art --- Architecture --- Architecture and philosophy --- Temps (Philosophie) --- Temps dans l'art --- Architecture et philosophie --- Philosophy. --- Philosophie --- Meeks, Everett V. --- Rogers, James Gamble. --- Focillon, Henri, --- Albers, Josef. --- Albers, Anni. --- Kahn, Louis I., --- Weiss, Paul, --- Saarinen, Eero, --- Kubler, George, --- Rudolph, Paul, --- Moholy-Nagy, Sibyl, --- Scully, Vincent --- anno 1900-1999 --- Histoire de l'architecture --- Mouvement moderne --- Meeks, Everett Victor, 1879-1954, architecte
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