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Wiene, Robert

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Wiene, Robert

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This intriguing text overturns a myth of film history by examining new evidence surrounding the authorship of Das Cabinet des Dr. Caligari - a film that still exerts its gothic spell after nearly a century. A new introduction considers the place of German Expressionist cinema within the European revival of Gothic at the turn of the 20th century. With its jagged, stylised sets, menacing shadows and themes of murder, madness and delirium, Das Cabinet des Dr. Caligari (1920) remains the source and essence of German Expressionist cinema. Fusing carnival spectacle with the paranoia of the psychological thriller, it centres on the haunting, sexually ambivalent presence of Conrad Veidt as Cesare – the somnambulist exploited asan instrument by the sinister Dr. Caligari.David Robinson challenges long accepted versions of the history and reception of Caligari and redefines its relationship to the larger phenomenon of Expressionist art. His reassessment of the relative contributions of director, designers and writers becomes a fascinating detective story, as he investigates the status and significance of the single surviving copy of the original script, which came to light only in the late 1980s when almost all those involved in the production were dead.This second edition features a new introduction that considers the place of German Expressionist cinema within the European revival of Gothic at the turn of the twentieth century, and original cover artwork by Ben Goodman. (provided by publisher)

Wiene, Robert --- Cabinet des Dr. Caligari (Motion picture) --- David Robinson --- Das Cabinet des Dr. Caligari --- expressionistische film --- Wiene Robert --- 791.471 WIENE --- Wiene, Robert. --- Das Kabinett des Dr. Caligari (film) --- film --- filmklassiekers --- filmgeschiedenis --- expressionisme --- Motion pictures, German --- German motion pictures --- Foreign films --- Mayer, Carl, --- Janowitz, Hans. --- Janowitz, Hanns --- Cabinet of Dr. Caligari (Motion picture) --- Cabinet des Doktor Caligari (Motion picture) --- Kabinett des Doktor Caligari (Motion picture) --- #SBIB:309H1320 --- #SBIB:309H1321 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- Motion pictures --- Cinéma --- Motion pictures, German. --- Cabinet des Dr. Caligari (Motion picture).

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Que devient le regard quand la lumière s'absente ? Que voit-on dans l'ombre ? Que voit-on de l'ombre ? Dans quelle mesure l'ombre affecte-t-elle la visibilité du monde et son intelligibilité ? Puisant aux sources de la philosophie, de la mystique, de l'histoire de l'art, de la littérature et du cinéma, Max Milner explore les rapports complexes du clair et de l'obscur. De Platon à Diderot, du Caravage à Goya, de Virgile à Blanchot... autant d'arrêts sur image propices à une réflexion sur la fascination qu'exerce l'ombre, autant d'incitations à faire contrepoids à la" surexposition " d'un monde où règne, souvent aux dépens de la vérité et de la profondeur, une tyrannie du visible. Rendre à l'image sa part d'ombre, scruter les voies qui conduisent de l'obscur à l'illimité et au transcendant, explorer les envers d'une réalité dont la face lumineuse ne contient pas tous les secrets, tel a été le but des penseurs et des artistes dont il est question dans ce livre. (Quatrième de couverture)

kunst --- kunsttheorie --- kunstfilosofie --- schilderkunst --- literatuur --- mystiek --- film --- schaduw --- Caravaggio --- Zurbaran Francisco --- de La Tour Georges --- Rembrandt --- Goya Francisco --- Füssli Johann Heinrich --- Friedrich Caspar David --- Hugo Victor --- Hugo Charles --- Wiene Robert --- Lang Fritz --- Murnau Friedrich Wilhelm --- Novalis --- de la Croix Jean --- Vaughan Henry --- Plato --- 7.01 --- Art --- Clair-obscur --- Littérature --- Ombre --- Philosophe --- Hugo, Victor --- Shades and shadows --- Ombres --- Philosophy --- Philosophie

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Film --- Literature --- Film adaptations. --- Motion pictures --- Motion pictures and literature --- film --- filmtheorie --- filmgeschiedenis --- literatuur --- film en literatuur --- filmadaptaties --- twintigste eeuw --- Antonioni Michelangelo --- Bergman Ingmar --- Brooks Richard --- Clayton Jack --- Eisenstein Sergei --- Fellini Federico --- Ford John --- Hitchcock Alfred --- Huston John --- Kubrick Stanley --- Kurosawa Akira --- Lean David --- Lumet Sidney --- Olivier Laurence --- Reed Carol --- Resnais Alain --- Truffaut François --- Visconti Luchino --- Welles Orson --- Wiene Robert --- 791.41 --- Literature and motion pictures --- Moving-pictures and literature --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Motion picture adaptations --- History. --- History and criticism --- Film adaptations --- Adaptations --- Motion pictures and literature. --- History