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Met Solstices creëert Lara Gasparotto haar meest persoonlijke boek. Geen tekst, alleen maar foto’s. Beelden die verschijnen, intiem, én heel dicht bij de kunstenaar. Lara wandelt in haar eigen biotoop en capteert op haar unieke wijze hoe haar generatie beweegt en wat ze voelt. Van Brussel naar Oekraïne, van Congo naar Luik. Van winter naar lente, van herfst naar zomer. In één beweging voeren de poëtische beelden je mee op een trip, actueler dan ooit. Even indringend als Nan Goldin of Elinor Carucci, deelt Lara Gasparotto haar leven met haar generatie en de kunstliefhebber, zonder ooit maar één keer het gevoel te hebben dat je ‘voyeur’ bent.

761.2 fotografen afzonderlijk --- Gasparotto, Lara --- fotografie --- landschapsfotografie --- portretfotografie --- reportagefotografie (documentaire fotografie) --- Fotografie

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Swedish artist JH Engström is an inveterate bookmaker. The source for his photographs is nevertheless strongly autobiographical, as well as vividly metaphorical; a reemphasis of the artist’s belief in photography’s potential as visual poetry. The sequencing is highly charged with contrasts: black-and-white images mix with color; the gentle beauty of coastal rocks clashes with a flash-lit image of the bright, blood-red placentas from the birth of his twins. The book leaves it to the viewer to map his or her own network of meaning from image to image, page to page. Tout Va Bien is designed and produced by Patric Leo. JH Engström was awarded the Leica Oskar Barnack Award 2015 for this body of work. - See more at: http://aperture.org/shop/tout-va-bien-book#sthash.

Engström, Jan Henrik, --- 761.2 --- Engström, JH --- reportagefotografie (documentaire fotografie) --- Zweden --- Magnum --- fotografen, afzonderlijk

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Delbrouck, Vincent --- kunstenaarsboeken --- 761.2 --- Nepal --- reportagefotografie (documentaire fotografie) --- fotografen, afzonderlijk

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In his latest book, photographer Bruno Augsburger offers an ode to the outdoors and leisure, with spectacular scenery, crystal clear waters, brisk winds, cold hands, wet feet, a crackling fire, and the joy of the catch. This disarmingly nostalgic visual contemplation about fishing has been compiled from images the photographer shot during various fishing outings over the course of the last two decades. Gushing cascades, snowy mountains, quiet ponds, and wide, open landscapes form the backdrop for a mix of childhood memories and youthful exuberance, as well as wonderful images of salmon swimming upstream, bears on the hunt, and nature’s bounty.

Augsburger, Bruno --- Fishing --- Photography of fishes. --- reportagefotografie (documentaire fotografie) --- natuurfotografie --- vissen --- Fishes --- Augsburger, Bruno. --- Photography of fishes

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Dans la période précédant les élections du 3 novembre 2020 aux États-Unis, Teju Cole a commencé à photographier son comptoir de cuisine à Cambridge, dans le Massachusetts. Travaillant dans la tradition de la nature morte de Chardin, Cézanne et des maîtres hollandais, ainsi que de photographes contemporains tels que Laura Letinsky et Jan Groover, il a photographié chaque jour pendant cinq semaines. Contrairement à ces illustres ancêtres, Cole a laissé ses arrangements entièrement au hasard, "les bols et les assiettes se déplaçant dans leurs constellations imprévisibles". Ce qui émerge est un portrait surprenant, à travers le temps, d'un comptoir de cuisine dans une maison à une époque de bouleversements sociaux, culturels et politiques. A côté des photographies se trouve un long essai écrit, aussi vaste dans ses préoccupations - la faim, le jeûne, le deuil, l'esclavage, l'intimité, la peinture, la poésie et l'histoire de la photographie - que les photographies sont délimitées dans les leurs. Le texte et les séquences photographiques sont entrecoupés d'un livre de cuisine anonyme manuscrit du XVIIIe siècle de Cambridge. Golden Apple of the Sun est une œuvre lumineuse et humaine, présentée avec l'audace formelle et l'intelligence oblique que nous attendons de Teju Cole. In the period leading up to the November 3, 2020 elections in the United States, Teju Cole began to photograph his kitchen counter in Cambridge, Massachusetts. Working in the still life tradition of Chardin, Cezanne, and the Dutch masters, as well as such contemporary photographers as Laura Letinsky and Jan Groover, he photographed every day over the course of five weeks. Unlike those illustrious forbears, Cole left his arrangements entirely to chance, ?the bowls and plates moving in their unpredictable constellations.? What emerges is a surprising portrait, across time, of one kitchen counter in one home at a time of social, cultural, and political upheaval. Alongside the photographs is a long written essay, as wide-ranging in its concerns?hunger, fasting, mourning, slavery, intimacy, painting, poetry and the history of photography?as the photographs are delimited in theirs. The text and photographic sequences are interspersed with an anonymous handwritten eighteenth century cookbook from Cambridge. Golden Apple of the Sun is a luminous and humane work, presented with the formal boldness and oblique intelligence we have come to expect from Teju Cole.

Still-life photography --- stillevens --- reportagefotografie (documentaire fotografie) --- Cole, Teju --- Verenigde Staten --- Photography, Still-life --- Photography, Artistic --- Kitchen --- Photography.