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Eyck, Hubert van, - 1366-1426 --- van Eyck, Jan, - 1390-1440
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Van Eyck, Hubert --- Van Eyck, Jan --- Eyck, Hubert van, - 1366-1426 --- van Eyck, Jan, - 1390-1440
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Agneau mystique --- Van Eyck, Jan --- van Eyck, Jan, - 1390-1440 --- Eyck, Hubert van, - 1366-1426
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In 2008 Museum Boijmans Van Beuningen organised the successful exhibition 'Early Hollanders. Paintings from the Late Middle Ages'. The successor to this exhibition goes one step further back in history and ends with Jan van Eyck (c.1390-1441). The exhibition is an art-historical voyage of discovery and will present the only images we have of Holland in the early Middle Ages. Practically all the paintings that still exist from this period will be assembled in Rotterdam. This is the first time that all these paintings have been brought together. And because of their fragile condition, it will also be the last time. The exhibition will be accompanied by a richly illustrated catalogue, edited by the exhibition's curators: Friso Lammertse, curator at Museum Boijmans, and Stefan Kemperdick, curator at the Gemäldegalerie in Berlin.
Netherlandish --- Late Medieval --- Art --- Bourgondische Nederlanden --- Eyck, van, Jan --- anno 1400-1499 --- Eyck, Jan van, --- Exhibitions --- Art, European --- Painting --- Painting, Dutch --- van Eyck, Jan, --- van Eyck, Jan, - 1390-1440 --- Eyck, Jan van, - 1390-1440 - Exhibitions --- Eyck, Jan van, - 1390-1440
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Van Eyck, Jan --- Eyck, Jan van, --- Exhibitions --- van Eyck, Jan, --- 790 --- peinture XVe siècle --- peinture technique --- kunstenaars --- artistes --- van Eyck, Jan, - 1390-1440 --- Eyck, Jan van, - 1390-1440 - Exhibitions --- Eyck, Jan van, - 1390-1440
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Eyck, Jan van, --- Peinture de la Renaissance. --- Peinture --- Détails (peinture) --- Détails. --- Van Eyck, Jan, --- Van Eyck, Jan - peinture. --- Critique et interprétation. --- Painting, Early Renaissance --- Painting, Flemish --- Painting --- Themes, motives. --- Technique --- van Eyck, Jan, --- van Eyck, Jan, - 1390-1440
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Entre la fin du XIVe et le milieu du XVIe siècle, les Pays-Bas s'imposent comme l'une des principales scènes artistiques du monde occidental. Dans cet opus, Jan Blanc reconstitue brillamment les conditions et les raisons pour lesquelles l'art des anciens Pays-Bas s'est progressivement impose? sur la scène internationale, en inventant de nouvelles manières, profondement modernes, de penser l'art et son rapport au monde, sans pour autant renoncer aux liens étroits qui l'unissent aux formes inventés à la fin du Moyen-Âge. De l'avènement de Philippe II le Hardi (1384) à la scission des Pays-Bas en 1581, ce vaste parcours aborde les grands maîtres de la peinture (Jan van Eyck, Petrus Christus, Rogier van der Weyden, Hans Memling, Jan Gossaert, Joachim Patinir, Jan van Scorel, Pieter Bruegel I), mais également l'enluminure, le dessin, la gravure, l'architecture, la sculpture et la tapisserie? autant de domaines ou les artistes néerlandais ont excellé durant cette période.
Art, Flemish --- Painting, Flemish --- Illumination of books and manuscripts, Medieval --- Painting --- Early Netherlandish --- Netherlandish Renaissance-Baroque styles --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599 --- Netherlands --- Flanders --- Bruegel, Jan I, --- van Eyck, Jan, --- Art, Netherlandish --- Netherlandish art --- Primitifs flamands --- easel paintings [paintings by form] --- Bruegel, Jan I, - 1568-1625 --- van Eyck, Jan, - 1390-1440 --- Vlaamse school
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Peintre --- Analyse de l'art --- Primitifs flamands --- Painting --- Van Eyck, Jan --- Van Eyck, Hubert --- Maitre De Flemalle, Campin Robert, Dit --- Van Der Weyden, Rogier De La Pasture --- van Eyck, Jan, - 1390-1440 --- Campin, Robert, - 1378-1441 --- Weyden, Rogier van der, - 1399 or 1400-1464 --- Eyck, Hubert van, - 1366-1426
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