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Women’s studies are still in their infancy in Poland and this pioneering book is one of the most comprehensive and well-researched studies on nineteenth-century Polish women prose writers. Selecting writers that reflect the most turbulent time in Polish women’s literature, such as Klementyna Hoffmanowa, Narcyza Żmichovska, Eliza Orzeszkowa and Zofia Nałkowska. Borkowska’s approach of major feminist theories and post-feminist thought results in astonishing findings that throw new light on Polish women writers and their contribution to European thought. The author’s intelligent and effective use of feminist criticism and clarity of thought make Alienated Women a landmark study, suitable for (all students) and scholars of Polish literature, women’s studies and feminist theory.
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The body, touch and its sensations are present, sometimes viewed in contradictory ways, both expressed, visualized, and rejected, in early modern art and literature. In seven essays moving from the 16th to the mid-18th century, and from Italy and Spain to France and Sweden, this volume explores strategies used by early modern women poets, philosophers, and artists in order to create subversive expressions of the body, gender and the senses. Showing how body and soul, the carnal and the divine, the senses and the mind, could be represented as intertwined and dependent on each other in various ways, it gives due attention to European women writers and artists that in unconventional ways responded to the period's two main intellectual and philosophical attitudes - Epicurean and Stoic - towards the body and its senses. These attitudes not only intersect in the period's discussions of virtue and other moral phenomena, but are central to critical assessment of the relations between emotions, perception, and reason. By following this topic from a gender perspective, the book highlights other forms of subjectivity than the ones usually related to the early modern period's dominating subjectivation of female bodies, thinking and desires.
LITERARY CRITICISM / Subjects & Themes / Women . --- Women writers. --- epicureanism. --- stoicism. --- subjectivity.
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Dieser Band präsentiert die 14 Autorinnen, die bislang mit dem Nobelpreis für Literatur ausgezeichnet wurden. Dass Produktion wie Rezeption von Kunst und Literatur keine geschlechtsneutralen Tätigkeiten sind, ist keine neue Einsicht der Gender Studies. Doch der Umstand, dass diesen 14 ausgezeichneten Frauen 100 männliche Nobelpreisträger gegenüberstehen, macht deutlich, dass die Eroberung der Autorposition durch Frauen weiterhin ein schwieriger und vielschichtiger Prozess ist. So fokussiert der Band nicht nur literarische Traditionen von Frauen, sondern auch Fragen nach weiblichem Schreiben und einer erweiterten Kanonbildung. Im Mittelpunkt der Beiträge stehen exemplarische Lektüren des Werks und das intellektuelle Profil der jeweiligen Autorin. Dabei wird in Anschluss an die von Virginia Woolf in ihrem Essay "A Room of One's Own" schon 1929 beschriebenen Herausforderungen für das literarische Schreiben von Frauen auch die Frage nach Bedingungen und Widersprüchen künstlerischer Kreativität gestellt. Mit Beiträgen zu Selma Lagerlöf (1909), Grazia Deledda (1926), Sigrid Undset (1928), Pearl S. Buck (1938), Gabriela Mistral (1945), Nelly Sachs (1966), Nadine Gordimer (1991), Toni Morrison (1993), Wisława Szymborska (1996), Elfriede Jelinek (2004), Doris Lessing (2007), Herta Müller (2009), Alice Munro (2013), Swetlana Alexijewitsch (2015) This volume presents the 14 female winners of the Nobel Prize in Literature, e.g. Lagerlöf, Sachs, Jelinek, Müller, Munro. Contributions offers exemplary readings of chosen works, while outlining the intellectual profile of each author. They also tackle the questions of female writing and canon formation, and interrogate the conditions and contradictions of artistic creativity.
Canon Formation. --- Gender. --- Kanonisierungsprozess. --- Literary History. --- Literaturgeschichte. --- Nobel Prize. --- Nobelpreis. --- Women Writers. --- LITERARY CRITICISM / Women Authors.
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With this newly translated version of The Running Boy, the fiction of Megumu Sagisawa makes its long-overdue first appearance in English. Lovingly rendered with a critical introduction by the translator, this collection of three stories, written in 1989, sits on the thinnest part of Japan's economic bubble and provides and cautionary glimpse into the malaise of its impending collapse.From the aging regulars of a shabby snack bar in "Galactic City" to the mental breakdowns of "A Slender Back," and the family secrets lurking within the title story between them, Sagisawa offers a trilogy of laser-focused character studies. Exploring dichotomies of past versus present, young versus old, life versus death, and countless shades of meaning beyond, she elicits vibrant commonalities of the human condition from some of its most ennui-laden examples. A curious form of affirmation awaits her readers, who may just come out of her monochromatic word paintings with more colorful realizations about themselves and the world at large. Such insight is rare in a writer so young, and this book is a fitting testament to her premature death, the legacy of which is sure to inspire a new generation of readers in the post-truth era.
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gender studies --- cultural studies --- literature --- women's studies --- ginocritiques --- women writers
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Women are conspicuously absent from traditional cultural histories of south-east Europe. This book addresses that imbalance by describing the contribution of women to literary culture in the Orthodox/ Ottoman areas of Serbia and Bosnia. The first complete literary history in relation to women's writing in south-east Europe. The author provides a broad chronological account of this contribution, dividing the book into two main parts; the earlier period up until the eighteenth century concentrates on the projections of gender through the medium of oral tradition and the lives of a handful of educated women in medieval Serbia and the few works of literature they left. Hawkesworth also looks at the written literature produced by women, first in the mid-nineteenth century and then at the turn of the century. The second part focuses on the trials and tribulations that affected feminism and women's literature throughout the twentieth century. The author finishes by highlighting the new women's movement, 1975-1990, a great period for women in Yugoslavia which created a stimulating atmosphere for outstanding pieces of women's journalism, prose and verse, culminating in the creation of new women's studies courses in many universities.
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In this intensely personal recitation on identity and ethnicity, Younsi takes the reader on a surreal odyssey through a liminal world of belonging and unbelonging, absence and presence, mind and body. Her visionary work is unsettling, riveting and guaranteed to leave readers contemplating the existential mysteries of "self.".
Poetry --- Surrealism, dark, canlit, women writers, womens literature, grotesque, absurd, gothic, Algeria, Montreal, Quebec --- Poetry. --- Poems --- Verses (Poetry) --- Literature --- Philosophy --- Surrealism, dark, canlit, women writers, womens literature, grotesque, absurd, gothic, Algeria, Montreal, Quebec.
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La "création" est une affaire d'hommes ; les femmes sont lectrices, spectatrices, animatrices, mais non point créatrices. Les conditions historiques seules n'expliquent pas les obstacles rencontrés par les femmes, leur absence dans certains arts ou le manque de postérité de leurs oeuvres. Voici un éclairage sur ces questions de légitimité pour les femmes écrivains et les femmes artistes, des pionnières des Beaux-Arts au cinéma de l'après-guerre.
Feminism and the arts --- Women artists --- Women artists. --- Women writers. --- Feminism and the arts. --- Femmes artistes --- Féminisme et arts --- Women authors --- Ecrivaines --- Féminisme et arts
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This volume offers a critical study of a representative selection of Latin American women writers who have made major contributions to all literary genres and represent a wide range of literary perspectives and styles. Many of these women have attained the highest literary honours: Gabriela Mistral won the Nobel Prize in 1945; Clarice Lispector attracted the critical attention of theorists working mainly outside the Hispanic area; others have made such telling contributions to particular strands of literature that their names are immediately evocative of specific currents or styles. Elena Poniatowska is associated with testimonial writing; Isabel Allende and Laura Esquivel are known for the magical realism of their texts; others, such as Juana de Ibarbourou and Laura Restrepo remain relatively unknown despite their contributions to erotic poetry and to postcolonial prose fiction respectively. The distinctiveness of this volume lies in its attention to writers from widely differing historical and social contexts and to the diverse theoretical approaches adopted by the authors. Brígida M. Pastor teaches Latin American literature and film at the University of Glasgow . Her publications include 'Fashioning Cuban Feminism and Beyond', 'El discurso de Gertrudis Gómez de Avellaneda: Identidad Femenina y Otredad'; and 'Discursos Caribenhos: Historia, Literatura e Cinema'. Lloyd Hughes Davies teaches Spanish American Literature at Swansea University. His publications include 'Isabel Allende, La casa de los espíritus' and 'Projections of Peronism in Argentine Autobiography, Biography and Fiction'.
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