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싰ܓ䒨Ąlogiciels ont remplacé un large éventail de technologies physiques, mécaniques et électroniques utilisées avant le 21e siècle pour créer, stocker, distribuer et interagir avec des artefacts culturels. Il est devenu notre interface avec le monde, avec les autres, avec notre mémoire et notre imagination - un langage universel à travers lequel le monde parle et un moteur universel sur lequel le monde court. Ce que l'électricité et le moteur à combustion étaient au début du XXe siècle, le logiciel est au début du 21e siècle. Proposant le premier compte-rendu théorique et historique de logiciels pour la création de médias et ses effets sur la pratique et le concept même de «média», l'auteur de The Language of New Media (2001) développe sa propre théorie -changement de champ. Quelles étaient les idées et les motivations des personnes qui, dans les années 1960 et 1970, ont créé des concepts et des techniques pratiques qui sous-tendent les logiciels médiatiques contemporains tels que Photoshop, Illustrator, Maya, Final Cut et After Effects? Comment leurs interfaces et leurs outils façonnent-ils l'esthétique visuelle des médias et du design contemporains? Qu'advient-il de l'idée d'un «support» après que des outils précédemment spécifiques à un média aient été simulés et étendus dans un logiciel? Est-il encore utile de parler de différents médiums? Lev Manovich répond à ces questions et soutient ses arguments théoriques en analysant en détail des applications multimédias clés telles que Photoshop et After Effects, des services Web populaires tels que Google Earth, ainsi que des projets d’animation graphique, d’environnement interactif, de conception graphique et d’architecture. Software Takes Command est un must pour tous les concepteurs et artistes médiatiques et universitaires concernés par les médias contemporains.

Computer. Automation --- Mass communications --- Computer software --- Social media. --- Computers and civilization. --- Mass media --- Computer graphics. --- Logiciels --- Médias sociaux --- Ordinateurs et civilisation --- Médias --- Infographie --- Social aspects --- Technological innovations. --- Aspect social --- Innovations --- media --- mediatheorie --- nieuwe media --- computers --- software --- cultuurfilosofie --- designtheorie --- technologie --- informatica --- communicatie --- 791.5 --- 130.2 --- 766.01 --- Social aspects. --- Médias sociaux --- Médias --- Communication --- Informatique appliquée --- Théorie de la communication --- Théorie de l'information --- Internet --- Programmation informatique --- Logiciel --- Computer graphics --- Computers and civilization --- Social media --- User-generated media --- User-generated content --- Software, Computer --- Computer systems --- Civilization and computers --- Civilization --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Computer art --- Graphic arts --- Electronic data processing --- Engineering graphics --- Image processing --- Technological innovations --- Digital techniques --- Computer software - Social aspects --- Mass media - Technological innovations

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This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Software has replaced a diverse array of physical, mechanical, and electronic technologies used before 21st century to create, store, distribute and interact with cultural artifacts. It has become our interface to the world, to others, to our memory and our imagination - a universal language through which the world speaks, and a universal engine on which the world runs. What electricity and combustion engine were to the early 20th century, software is to the early 21st century. Offering the the first theoretical and historical account of software for media authoring and its effects on the practice and the very concept of 'media,' the author of The Language of New Media (2001) develops his own theory for this rapidly-growing, always-changing field. What was the thinking and motivations of people who in the 1960 and 1970s created concepts and practical techniques that underlie contemporary media software such as Photoshop, Illustrator, Maya, Final Cut and After Effects? How do their interfaces and tools shape the visual aesthetics of contemporary media and design? What happens to the idea of a 'medium' after previously media-specific tools have been simulated and extended in software? Is it still meaningful to talk about different mediums at all? Lev Manovich answers these questions and supports his theoretical arguments by detailed analysis of key media applications such as Photoshop and After Effects, popular web services such as Google Earth, and the projects in motion graphics, interactive environments, graphic design and architecture. Software Takes Command is a must for all practicing designers and media artists and scholars concerned with contemporary media.

Computer graphics. --- Computer software --- Computers and civilization. --- Mass media --- Social media. --- Social media --- Computers and civilization --- Computer graphics --- Engineering & Applied Sciences --- Computer Science --- Social aspects. --- Technological innovations. --- Social aspects --- Technological innovations --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Civilization and computers --- User-generated media --- Software, Computer --- Computer art --- Graphic arts --- Electronic data processing --- Engineering graphics --- Image processing --- Civilization --- Communication --- User-generated content --- Computer systems --- Digital techniques --- Informatique appliquée --- Théorie de la communication --- Théorie de l'information --- Internet --- Programmation informatique --- Logiciel --- Media studies --- Technology: general issues --- Philosophy: aesthetics

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"Offers a systematic framework to help us think about cultural uses of AI today and in the future"--Back cover

Artificial intelligence --- Aesthetics

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This new survey covers the history of participatory art, from early happenings and performances to current practices that demand audience interaction.

kunstparticipatie --- moderne kunst --- Art --- anno 2000-2009 --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- anno 1970-1979 --- anno 1990-1999 --- 7.038/039 --- Beuys Joseph --- Brecht George --- Cage John --- Carlson Van --- Clark Lygia --- Gerz Jochen --- Gommel Mathias --- Gonzales-Torres Felix --- Graham Dan --- Haacke Hans --- Hershman Leeson Lynn --- Kaprow Allan --- Lohner Henning --- Lord Chip --- Lozano-Hemmer Rafael --- Marioni Tom --- Muntadas Antoni --- Ono Yoko --- Paik Nam June --- Phiffer Dan --- Raqs Media Collective --- Sack Warren --- Schreier Curtis --- Shiomi Mieko --- Tomb Bruce --- Torolab --- Vostell Wolf --- Willats Stephen --- Wurm Erwin --- Zer-Aviv Mushon --- concept art --- conceptuele kunst --- eenentwintigste eeuw --- happenings --- kunst --- massamedia --- participatie --- performances --- twintigste eeuw --- 705.9 --- Beuys, Joseph --- Brecht, George --- Cage, John --- Carlson, Van --- Clark, Lygia --- Gerz, Jochen --- Gommel, Mathias --- Gonzales-Torres, Felix --- Graham, Dan --- Haacke, Hans --- Hershman Leeson, Lynn --- Kaprow, Allan --- Lohner, Henning --- Lord, Chip --- Lozano-Hemmer, Rafael --- MTAA (M. River & T. Whid Art Associates) --- Marioni, Tom --- Muntadas, Antoni --- Ono, Yoko (Yoko Ono) --- Paik, Nam June --- Phiffer, Dan --- Rauschenberg, Robert --- Sack, Warren --- Schreier, Curtis --- Shiomi, Mieko --- Tomb, Bruce --- Vostell, Wolf --- Warhol, Andy --- Willats, Stephen --- Wurm, Erwin --- Zer-Aviv, Mushon --- belevingskunst --- participatory art --- performance --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Exhibitions --- Interactive art --- Performance art --- Mediakunst. --- Performances. --- Participatory art --- Social practice (Art) --- participatieve kunst (participatory art)

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Iconography --- Art --- History --- video recordings [physical artifacts] --- installations [visual works] --- multimedia works --- art [discipline] --- photography [process] --- art history --- computer art [visual works] --- performance art --- art theory --- collaboration --- Fluxus --- Wurm, Erwin --- Marioni, Tom --- Paik, Nam June --- Warhol, Andy --- Cardiff, Janet --- Ono, Yoko --- Bennett, Mike --- Haacke, Hans --- Blank & Jeron --- Brock, Bazon --- Brucker-Cohen, Jonah --- Fletcher, Harrell --- Galloway, Kit --- Gees, Johannes --- Gohlke, Gerrit --- Gommel, Matthias --- Gonzales-Torres, Felix --- Jährling, Rolf --- Ulay --- Abramovic, Marina --- Beuys, Joseph --- Rabinowitz, Sherrie --- Rahn, Eckart --- Rubin, Jon --- Cage, John --- Export, Valie --- Rauschenberg, Robert --- Acconci, Vito --- Graham, Dan --- Clark, Lygia --- Eichhorn, Maria --- Alÿs, Francis --- Gerz, Jochen --- Baldessari, John --- Brecht, George --- Klophaus, Ute --- Moorman, Charlotte --- Muntadas, Antonio --- Schmit, Tomas --- Vostell, Wolf --- Cuevas, Minerva --- Kaprow, Allan --- c a l c