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Church decoration and ornament --- Decoration and ornament --- Eglises --- Décoration et ornement --- Exhibitions. --- Victorian style. --- Expositions --- Style victorien --- Exhibitions --- Victorian style --- -Decoration and ornament --- -Church decoration and ornament --- -Church ornament --- Ecclesiastical decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Art, Decorative --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Art --- Decorative arts --- Arts and crafts movement --- -Victorian style --- Décoration et ornement --- Church ornament --- Church decoration and ornament - Exhibitions --- Church decoration and ornament - England --- Decoration and ornament - Victorian style

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Church decoration and ornament --- Friezes --- Relief (Sculpture), Romanesque --- Eglises --- Frises --- Relief (Sculpture) roman --- Congresses --- Décoration et ornement --- Congrès --- Décoration et ornement --- Congrès --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Romanesque relief (Sculpture) --- Architecture --- Details --- Relief (Sculpture) [Romanesque ]

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Church buildings --- Architecture, Medieval --- Church decoration and ornament --- England --- Church history --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Church buildings - England --- Architecture, Medieval - England --- Church decoration and ornament - England --- England - Church history - 1066-1485

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The thematic frame of this issue is the anthropological notion of liminality, applied both to physical as well as imaginary places of transition in medieval art. The volume is thus dedicated to the phenomenon of the limen, the threshold in medieval culture, understood mainly as a spatial, ritual and temporal category. The structure of the book follows the virtual path of any medieval visitor entering the sacred space. While doing so, the visitor encountered and eventually crossed several "liminal zones" that have been constructed around a series of physical and mental thresholds. In order to truly access the sacred - once again both physically and metaphorically - many transitional (micro)rituals were required and were therefore given particular attention within this volume. The volume was published as proceedings of the 'Liminality and Medieval Art II' conference, which was held in October 2018 at the Masaryk University in Brno. Authors were supposed to conceive their contributions in pairs in order to reflect on the selected topics with an interdisciplinary approach. In the end, the very same pattern was also maintained for the final publication.

Liminality --- Christian art and symbolism --- Architecture, Early Christian --- Architecture, Medieval --- Church architecture --- Decorative arts, Medieval --- Church decoration and ornament --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Art industries and trade, Medieval --- Medieval decorative arts --- Architecture --- Middle Ages --- Early Christian architecture --- Themes, motives --- Details --- Conferences - Meetings

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Wall-mounted memorials (or ‘epitaphs’) enjoyed great popularity across the Burgundian Netherlands. Usually installed in churches above graves, they combine images with inscriptions and take the form of sculpted reliefs, brass plaques, or panel paintings. They preserved the memory of the dead and reminded the living to pray for their souls. On occasions, renowned artists like Jan van Eyck and Rogier van der Weyden were closely involved in memorials’ creation.In Pious Memories Douglas Brine examines the wall-mounted memorial as a distinct category of funerary monument and shows it to be a significant, if overlooked, aspect of fifteenth-century Netherlandish art. The patronage, functions, and meanings of these objects are considered in the context of contemporary commemorative practices and the culture of memoria.

Art, Netherlandish --- Sepulchral monuments, Gothic --- Memorialization --- Church decoration and ornament --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Memorialisation --- Memorials --- Gothic sepulchral monuments --- Netherlandish art --- Themes, motives. --- History --- Art -- Benelux --- Monuments funéraires gothiques -- Benelux --- Épitaphes -- Benelux --- Églises -- Benelux