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film --- filmtheorie --- filmgeschiedenis --- horror --- horrorfilms --- twintigste eeuw --- 791.41

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Acting in America has staggered to a dead end. Every year tens of thousands of aspiring actors pursue the Hollywood grail and chant the familiar strains of the Stanislavski "Method" in classrooms and studios across the nation. The initial liberating spirit of Stanislavski's experiments has long ago withered into rigid patterns of inhibitions and emotional introspection. According to Richard Hornby, the Method now "shackles American acting." With his iconoclastic new. Work, The End of Acting, Richard Hornby dismantles, tenet by tenet, the American Method as promulgated by Lee Strasberg and other pretenders to the Stanislavski dynasty. Hornby separates the myth from the Method in his exploration of Stanislavski's original initiatives and the proprietary feud over his theories which continues even today.

Acting --- CDL --- 791.41 --- Histrionics --- Stage --- Elocution --- Theater

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Film --- Film criticism --- Motion pictures --- Aesthetics --- film --- filmtheorie --- 791.41 --- CDL --- Motion pictures - Aesthetics

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The moving image has irrevocably redefined our experience and construction of history. In the contemporary economy of time, history has become an image in motion, a series of events animated and performed through various media. Analyzing a variety of films, video pieces, and performances, Sven Lütticken evaluates the impact that our changing experience of time has had on the actualization of history in the present. In the process, he considers the role of shock and suspense, of play and games, the rise and ubiquity of television, transformed notions of leisure and labor time, and a new "natural history" marked by climate change. The interplay between the time of daily life and historical time end between live event and mediatization is at the core of History in Motion. In this context, Lütticken questions the relation between the representations or restagings of the past and the events of a history that is currently in progress. This history in motion constitutes a fractured present in which possible futures are implicit.

film --- filmtheorie --- geschiedenis --- film en geschiedenis --- video --- videokunst --- performances --- 791.41 --- Film --- History as a science

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film --- filmregisseurs --- Eisenstein Sergei --- Rusland --- Sovjet-Unie --- filmtheorie --- filmtechniek --- montage --- kleur --- 791.471 EISENSTEIN --- 791.41