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Book
Prints in Paris 1900 : from elite to the street : [exhibition, AMsterdam, Van Gogh Museum, 3 March - 11 june 2017 & Tokyo, Mitsubishi Ichigokan Museum, 17 october 2017 - 17 january 2018]
Authors: --- --- --- ---
ISBN: 9780300229134 0300229135 9789462301696 9462301697 Year: 2017 Publisher: Brussels Amsterdam Mercatorfonds Van Gogh Museum

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Abstract

"The French fin de siècle (1890-1905) was the most famous period in the art of printmaking. Pierre Bonnard, Alexandre Steinlen and Henri de Toulouse-Lautrec, among others, experimented intensively with the new printing techniques, with striking and beautiful results. The greatest innovation of these artists was the way they applied their talent to every level of the market: from deluxe proofs for the elite, especially for collectors, to applied graphic work for a broader audience. The reader of the book will be welcomed into these worlds from high art to art for 'the street'. The attractively designed book will be richly illustrated with fine examples of posters, sheet music and magazine illustrations, as well as the most exclusive and luxury collector's editions. The Van Gogh Museum with its fine and broad collection of 1,800 prints is a world renowned centre of research for Van Gogh and for his times and contemporaries. Vincent van Gogh (1853-1890) is often considered to be a genius in a class of his own, an exceptional self-taught painter who paid little attention to the art world around him. In reality, Van Gogh learned extensively from others, exchanged ideas with his contemporaries, and often made use of prevailing methods and techniques to hone his skills. The culmination of an extensive research project undertaken by the Van Gogh Museum, this extraordinary book explores the workmanship behind his artistry. Essays address how he practiced his skills and adopted various sketching and painting techniques; acquired information about materials; learned about the physical characteristics of canvasses, paint, paper, chalk, and other materials; and how he approached working on paper and canvas. Showing his work alongside that of other artists demonstrates the degree to which he followed examples set by his contemporaries. Alongside the examination of Van Gogh's working methods, contributors look at the work and research of modern conservators


Book
Invisible presence : the representation of women in French-language comics
Author:
ISBN: 9781789383904 1789383900 9781789386813 1789386810 Year: 2022 Publisher: Bristol Intellect Books

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This book looks at the representation of female characters in French comics from their first appearance in 1905. Organised into three sections, the book looks at the representation of women as main characters created by men, as secondary characters created by men, and as characters created by women. It focuses on female characters, both primary and secondary, in the francophone comic or bande dessinée, as well as the work of female bande dessinée creators more generally. Until now these characters and creators have received relatively little scholarly attention; this new book is set to change this status quo. Using feminist scholarship, especially from well-known film and literary theorists, the book asks what it means to draw women from within a phallocentric, male-dominated paradigm, as well as how the particular medium of bande dessinée, its form as well as its history, has shaped dominant representations of women. This is the first book to study the representation of women in the French-language drawn strip. There are no other works with this specific focus, either on women in Franco-Belgian comics, or on the drawn representation of women by men. This is a very useful addition to both general discussions of French-language comics, and to discussions of women’s comics, which are focused on comics by women only. As it is written in English, and due to the popularity of comic art in Britain and the United States, this book will primarily appeal to an Anglo-American market. However, the cultural and gender studies approach this text employs (theoretical frameworks still not widely seen in non-Anglophone studies of the bande dessinée) will ensure that the text is also of interest to a Franco-Belgian audience. With a focus on an art-form which also inspires a lot of public (non-academic) enthusiasm, it will also appeal to fans of the bande dessinée (or wider comic art medium) who are interested in the representation of women in comic art, and to comics scholars on a broad scale. --Intelect Books

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