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How are sex and gender related? Are they the same thing? What exactly is gender? How many genders are there? What is the science on all of this? Is gender a product of nature, nurture, or both? This book introduces readers to fundamental questions about sex and gender categories as they’ve been considered across the centuries and through a wide array of disciplines and perspectives. From the Bible to Darwin, from Enlightenment thinkers to contemporary trans philosophers, Beyond the Binary offers an accessible survey of the wide range of views about sex and gender. This revised and expanded edition uses updated terminology and diagnostic criteria and offers new material with a greater focus on trans, Indigenous, racialized, and subaltern thinkers. It includes useful discussion questions and further reading recommendations at the end of each chapter, as well as an extensive glossary of terms.

Identité sexuelle.

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Uses postcolonial theory to critique the globalization of gay culture."John Hawley's Postcolonial, Queer is one of the best handbooks examining the intersection of postcolonial and queer that I have seen. It reprints some classic papers, such as Joseph Boone's essay on the homoerotics of Orientalism (from the PMLA) and includes a series of brilliant new essays running the gamut from close literary analysis of North African novels to complex cultural readings of queer politics. A solid and useful volume." -- Sander L. Gilman, The University of Illinois at ChicagoThese thirteen essays address possible ramifications arising from the globalization of western notions of gay and lesbian identities. Examining postcolonial literature, economics, and psychology from a "queer" perspective leads to self-reflexive consideration of the canonization of postcolonial studies and queer theory in western academe."Finally, the staging of an encounter between queer and postcolonial studies where neither term turns out to be quite distinct from the other and where a new mapping of fields becomes possible. The essays probe the possibility of thinking sexuality in terms of social normativity and globalization, making breakthroughs in several directions at once: history, sociology, literature, psychology. This is the kind of scholarship most needed and most productive: it opens up the question of an encounter through several sites in provocative ways without deciding the final form of the relationship between postcolonial, queer." -- Judith Butler, University of California at Berkeley.

Homosexualité --- Identité sexuelle. --- Postcolonialisme. --- Philosophie.

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What is European in the history of Europe? In order to answer this question, Wolfgang Schmale uses two approaches. Firstly, he develops the concept of a performative speech act into what he defines as a collective historical speech act. Secondly, he looks at European history from a gender point of view. Europe was generally thought to be male – considering the former Republic of Letters' definition of Europe as a male civilization. However, the 18th-century's performative speech act presently loses its binding force as European civilization develops from 'male' to diversity and plurality, yet right wing parties try to defend and to repeat the historical performative speech act by ignoring the fundamental switch in European civilization. This will only produce violent conflicts. This book considers developments and consequences in a post-performative epoch.

Eurocentrisme. --- Femmes --- Féminisme --- Identité sexuelle --- Histoire.

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Disaster relief --- Gender identity --- Secours aux victimes de catastrophes --- Identité sexuelle --- Identité sexuelle --- Gender identity.

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This volume re-evaluates theories of genre and spectatorship in light of a critic-defined tendency in recent art cinema, coined ‘extreme cinema’. In Genre Trouble and Extreme Cinema, Bordun argues that the films of Mexican director Carlos Reygadas and French director Catherine Breillat expand generic classifications. Bordun contends that their films make it apparent that genre is not established prior to the viewing of a work but is recollected and assembled by spectators in ways that matter for them in both personal and experiential terms. The author deploys contemporary film theories on the senses, both phenomenological and affect theory, and partakes in close readings of the films’ forms and narratives. The book thus adds to the present literature on extreme cinema and film theory, yet sets itself apart by fully deploying genre theory alongside the methodological and stylistic approaches of Stanley Cavell, Vivian Sobchack, Laura U. Marks, and Eugenie Brinkema.

Identité sexuelle --- Au cinéma. --- Reygadas, Carlos --- Breillat, Catherine