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"Wie artikuliert sich im 21. Jahrhundert judenfeindliches Gedankengut? Und wann ist eine Äußerung antisemitisch? Mit diesen Fragen beschäftigen sich die Sprach- und Kognitionswissenschaftlerin Monika Schwarz-Friesel und der Historiker Jehuda Reinharz anhand einer datenreichen Untersuchung des aktuellen judenfeindlichen Sprachgebrauchs. Die detaillierte Analyse der diversen Manifestationsformen von direktem und indirektem Verbal-Antisemitismus zeigt, welche geistigen Konzepte und emotionalen Ressentiments judeophoben Einstellungen zugrundeliegen. Diese äußern sich in uralten Klischees und Verschwörungstheorien ebenso wie in neuen, israelbezogenen Stereotypen. Die Studie zeigt, wie Juden als Juden verbal ausgegrenzt und beleidigt, belehrt, ermahnt und bedroht werden, und dass judenfeindliche Äußerungen von vielen Menschen artikuliert werden, als hätte es den Holocaust und seine intensive Aufarbeitung nie gegeben."
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The Tel Aviv annual Purim celebrations were the largest public events in British Palestine, and they played a key role in the development of the urban Jewish experience in the Promised Land. Carnival in Tel-Aviv presents a historical-anthropological analysis of this mass public event and explores the ethnographic dimension of Zionism. This study sheds new light on the ideological world of urban Zionism, the capitalistic aspects of Zionist culture, and the urban nature of the Zionist project, which sought to create a nation of warriors and farmers, but in fact nationalized the urban space and constructed it as its main public sphere.
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This book provides a comprehensive study of the interpretation of Deuteronomy's concept of the prophet like Moses. It traces the origin, history, and influence of the Mosaic prophetic succession in the Hebrew Bible, Early Judaism, and the New Testament. In this book, DeJong explores Deuteronomy's redefinition of prophecy in Mosaic terms. He traces the history of Deuteronomy's concept of the prophet like Moses from the seventh century BCE to the first century CE, and demonstrates the ways in which Jewish and Christian texts were influenced by and responded to Deuteronomy's creation of a Mosaic norm for prophetic claims. This wide-ranging discussion illuminates the development of normative discourses in Judaism and Christianity, and illustrates the far-reaching impact of Deuteronomy's thought.
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The essays in this volume address the conundrum of how Jewish believers in the divine character of the Sinaitic revelation confront the essential questions raised by academic biblical studies. The first part is an anthology of rabbinic sources, from the medieval period to the present, treating questions that reflect a critical awareness of the Bible. The second part is a series of twenty-one essays by contemporary rabbis and scholars on how they combine their religious beliefs with their critical approach to the Bible.
Bible. --- Jewish studies. --- Old Testament. --- Sinaitic revelation. --- rabbis. --- SOCIAL SCIENCE / Jewish Studies.
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In the wake of the Nazi regime's policies, European Jewish cultural property was dispersed, dislocated, and destroyed. Books, manuscripts, and artworks were either taken by their fleeing owners and were transferred to different places worldwide, or they fell prey to systematic looting and destruction under German occupation. Until today, a significant amount of items can be found in private and public collections in Germany as well as abroad with an unclear or disputed provenance. Contested Heritage. Jewish Cultural Property after 1945 illuminates the political and cultural implications of Jewish cultural property looted and displaced during the Holocaust. The volume includes seventeen essays, accompanied by newly discovered archival material and illustrations, which address a wide range of topics: from the shifting meaning and character of the objects themselves, the so-called object biographies, their restitution processes after 1945, conflicting ideas about their appropriate location, political interests in their preservation, actors and networks involved in salvage operations, to questions of intellectual and cultural transfer processes revolving around the moving objects and their literary resonances. Thus, it offers a fascinating insight into lesser-known dimensions of the aftermath of the Holocaust and the history of Jews in postwar Europe.
Social Science / Jewish Studies --- Social sciences --- Social Science --- Jewish Studies --- 1900-1999 --- Europe.
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In the wake of the Nazi regime's policies, European Jewish cultural property was dispersed, dislocated, and destroyed. Books, manuscripts, and artworks were either taken by their fleeing owners and were transferred to different places worldwide, or they fell prey to systematic looting and destruction under German occupation. Until today, a significant amount of items can be found in private and public collections in Germany as well as abroad with an unclear or disputed provenance. Contested Heritage. Jewish Cultural Property after 1945 illuminates the political and cultural implications of Jewish cultural property looted and displaced during the Holocaust. The volume includes seventeen essays, accompanied by newly discovered archival material and illustrations, which address a wide range of topics: from the shifting meaning and character of the objects themselves, the so-called object biographies, their restitution processes after 1945, conflicting ideas about their appropriate location, political interests in their preservation, actors and networks involved in salvage operations, to questions of intellectual and cultural transfer processes revolving around the moving objects and their literary resonances. Thus, it offers a fascinating insight into lesser-known dimensions of the aftermath of the Holocaust and the history of Jews in postwar Europe.
Social Science / Jewish Studies --- Social sciences --- 1900-1999 --- Europe. --- Social Science --- Jewish Studies
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Judaism --- Study and teaching (Higher) --- Association for Jewish Studies --- Association for Jewish Studies. --- United States.
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Socrates, Or On Human Knowledge, published in Venice in 1651, is the only work written by a Jew that contains so far the promise of a genuinely sceptical investigation into the validity of human certainties. Simone Luzzatto masterly developed this book as a pièce of theatre where Socrates, as main actor, has the task to demonstrate the limits and weaknesses of the human capacity to acquire knowledge without being guided by revelation. He achieved this goal by offering an overview of the various and contradictory gnosiological opinions disseminated since ancient times: the divergence of views, to which he addressed the most attention, prevented him from giving a fixed definition of the nature of the cognitive process. This obliged him to come to the audacious conclusion of neither affirming nor denying anything concerning human knowledge, and finally of suspending his judgement altogether.This work unfortunately had little success in Luzzatto's lifetime, and was subsequently almost forgotten. The absence of substantial evidence from his contemporaries and that of his epistolary have thus increased the difficulty of tracing not only its legacy in the history of philosophical though, but also of understanding the circumstances surrounding the writing of his Socrates.The present edition will be a preliminary study aiming to shed some light on the philosophical and historical value of this work's translation, indeed it will provide a broader readership with the opportunity to access this immensely complicated work and also to grasp some aspects of the composite intellectual framework and admirable modernity of Venetian Jewish culture in the ghetto.
Judaism --- Jewish studies --- Jewish Scepticism. --- Simone Luzzatto. --- Socrates.
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