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As a growing population is sharing an ever-shrinking planet, we have found ourselves at an existential crossroads: do we bring the mistakes of the Enlightenment and industrialization to their logical conclusion or should we develop a capacity to reprogram ourselves as a species in order to survive? Some of the solutions might be technical, but most of the obstacles are not. Through surveillance, manipulation and escapism, multinationals and foreign governments are using the powerful tools that could help us manage the climate emergency to manage us instead. The apocalyptic narratives of destruction, natural selection and space colonization distract us from the urgent need to manage our resources and mitigate a disaster.

Anthropocène --- Prospective --- Interview --- Moll, Joana

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Sculpture --- installations [visual works] --- fiber art --- sculpting --- Vasconcelos, Joana --- Art, Modern --- Installations (Art) --- Popular culture in art --- Vasconcelos, Joana,

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Une conversation avec Dominique Abensour, Etel Adnan, Rabih Mroué, Jacques Rancière, Michèle Thériault, Jalal Toufic, Anton Vidokle

Hadjithomas, Joana, --- Joreige, Khalil, --- Beirut (Lebanon) in art --- Beyrouth (Liban) --- Dans l'art --- Photographie --- Cinéma --- Hadjithomas, Joana --- Joreige, Khalil --- Beyrouth --- 778.5 --- 77 --- Filmfotografie. Filmkunst --- Fotografie --- 778.5 Filmfotografie. Filmkunst --- 77 Fotografie

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Christian saints --- Biography --- Joan, --- Arc, Jeanne d', --- Arc, Joan of, --- Arc, Joana d', --- Arco, Giovanna d', --- Arco, Juana de, --- Ark, Zhanna d', --- Darc, Jeanne, --- D'Arc, Joana, --- D'Arco, Giovanna, --- D'Ark, Ioanna, --- Dark, Zhanna, --- Giovanna, --- Ioanna, --- Jeanne d'Arc, --- Jeanne, --- Jehanne, --- Joana, --- Johana, --- Johanna, --- Juana, --- Lorraine, Jehanne de, --- Zhanna, --- Christian church history --- Joan of Arc

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The literary genetics of Shaw's most famous play are here examined for the first time. The sources of Saint Joan are closely compared with the original shorthand manuscript and that is compared with its subsequent revisions. This evidence is supplemented by facts drawn from Shaw's correspondence in print, in the British Library, and in private collections, and by accounts both in print and in the correspondence of people who knew Shaw at the time of his writing Saint Joan. The manuscript and its revisions are examined in the light of all that has been written about the play since it first appeared in 1923. Tyson examines the events that led Shaw to write Saint Joan, establishes the times and places of its composition, and speculates on the "models" upon which Shaw may have based his heroine. The scene-by-scene investigation of the original manuscript accounts as far as possible for later alterations and revisions and discusses passages of critical or historical interest. The concluding chapters survey the circumstances surrounding the first production of the play in the United States, Great Britain, France, and Germany and reflect on the impact that Saint Joan has had on drama for more than half a century.

Shaw, Bernard, --- Joan, --- Arc, Jeanne d', --- Arc, Joan of, --- Arc, Joana d', --- Arco, Giovanna d', --- Arco, Juana de, --- Ark, Zhanna d', --- Darc, Jeanne, --- D'Arc, Joana, --- D'Arco, Giovanna, --- D'Ark, Ioanna, --- Dark, Zhanna, --- Giovanna, --- Ioanna, --- Jeanne d'Arc, --- Jeanne, --- Jehanne, --- Joana, --- Johana, --- Johanna, --- Juana, --- Lorraine, Jehanne de, --- Zhanna, --- In literature. --- LITERARY CRITICISM / General.